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It took Jones 20 years to write this book. The Emotional Pain and Nightmare of being an Officer would not allow him to endure the Reflection needed consistently. He was finally able to complete it after many killings of innocent Blacks at the hands of Law Enforcement, as well as the recent obvious Racial Disparage of Equal Justice in America witnessed by the World with the Insurrections of the U.S. Senate Building by Trump supporters. The Book Burned his conscious again and was able to finish. This book is the Bible of the Crippling Circumstances a Black Police Officer can experience during a Law Enforcement Career. The Author through honest testimony has chronically depicted his life as a young man, through the Academy, and 8 1/2 years as an LAPD Officer before succumbing to PTSD caused by multiple tragedies, conspiracies, and Injustice during his career and years after as a Retired Officer. He is revealing his truth to hopefully once and for all get the conversation continued to Reform Police Departments across the Nation.
The name Samuel E. Turner, which Ive used for this book, belongsin realityto my maternal grandfather, but given the fact that he was laid to rest over fifty years ago, I doubt that hed much mind my borrowing it. After four previous books that were historical in nature, I decided that it was time to broaden my interests and have-a-go at fiction-writing (even though L.A. Cops is partially based on actual events and places in the Southwest). I am a product of the greater Los Angeles area, and prior to moving to northern California in the late 60s, I had worked in a bank in downtown L.A., spent several years as a cryptographer and historian (with the Air Force), graduated from a state university in the region, and was a secondary teacher in public schools in and around Los Angeles, then in Northern California for two more decades after relocating in the Sacramento area. Even though my wifeof 57 years--and I attended the same high school, we didnt meet until some years later. She and I are the parents of three great persons, and grandparents of four. Since retiring from the classroom in the early 90s, Ive spent time on the area waterways as a member of the Coast Guard Auxiliary, then when this became too strenuous, Ive devoted much of my free time to research and writinggenerally about Southern California and its residents.
Born into a tenant farming family in North Carolina in 1946, Mary Louise, Mary Ann, Mary Alice, and Mary Catherine were medical miracles. Annie Mae Fultz, a Black-Cherokee woman who lost her ability to hear and speak in childhood, became the mother of America's first surviving set of identical quadruplets. They were instant celebrities. Their White doctor named them after his own family members. He sold the rights to use the sisters for marketing purposes to the highest-bidding formula company. The girls lived in poverty, while Pet Milk's profits from a previously untapped market of Black families skyrocketed. Over half a century later, baby formula is a seventy-billion-dollar industry and Black mothers have the lowest breastfeeding rates in the country. Since slavery, legal, political, and societal factors have routinely denied Black women the ability to choose how to feed their babies. In Skimmed, Andrea Freeman tells the riveting story of the Fultz quadruplets while uncovering how feeding America's youngest citizens is awash in social, legal, and cultural inequalities. This book highlights the making of a modern public health crisis, the four extraordinary girls whose stories encapsulate a nationwide injustice, and how we can fight for a healthier future.
The ABA Journal serves the legal profession. Qualified recipients are lawyers and judges, law students, law librarians and associate members of the American Bar Association.
...a compelling, thoroughly documented, well-reported story--one that challenges readers to probe deeply into their own feelings about justice, racism, violence, police brutality, and media coverage. --San Gabriel Valley Tribune
Alchemies of Blood and Afro-Diasporic Fiction focuses on the resurgence of biological racism in 21st-century public discourse, the ontological and material turns in the academy that have occurred over the same time period, and how Afro-diasporic fiction has responded to both with alternative visions of bloodlines, kinship, and community. In thinking through conceptions of race, ethnicity, and materiality at work within both humanities research and popular culture, Nicole Simek asks how the figure of alchemy – that semi-scientific, semi-mystical search for gold and the elixir of long life – can help scholars address the epistemological and affective investments in blood, bloodlines, and genetics marking both academic and mainstream discourses. To answer this question, Simek examines neo-plantation and Afrofuturist narratives, Afropessimist interventions, museums and public memory projects, and direct-to-consumer genetic testing services in the French Caribbean and the United States. This comparative approach to cultural production helps pinpoint and better understand the intersections and divergences between scholarship trends and troubling features of a broader Zeitgeist.
The beginning of an epic saga of a boy who will become a man and seek revenge on the ones who killed his parents and destroy the world he lives in. Along the way he falls in love with a girl who will change his life forever and a friend who will show him a destiny that will alter his course of revenge. A world covered in darkness becomes his motivation to find the truth behind his hardships, his destiny and the hero he must become. The world is coming to its end and he is the only one who can stop the evil darkness from fulfilling its plans of destruction. The line is drawn, and good and evil stand across each another as the final days of man are here.
Award-winning author Paula Yoo delivers a compelling, nuanced account of Los Angeles’s 1992 uprising and its impact on its Korean and Black American communities. In the spring of 1992, after a jury returned not guilty verdicts in the trial of four police officers charged in the brutal beating of a Black man, Rodney King, Los Angeles was torn apart. Thousands of fires were set, causing more than a billion dollars in damage. In neighborhoods abandoned by the police, protestors and storeowners exchanged gunfire. More than 12,000 people were arrested and 2,400 injured. Sixty-three died. In Rising from the Ashes, award-winning author Paula Yoo draws on the experience of the city’s Korean American community to narrate and illuminate this uprising, from the racism that created economically disadvantaged neighborhoods torn by drugs and gang-related violence, to the tensions between the city’s minority communities. At its heart are the stories of three lives and three families: those of Rodney King; of Latasha Harlins, a Black teenager shot and killed by a Korean American storeowner; and Edward Jae Song Lee, a Korean American man killed in the unrest. Woven throughout, and set against a minute-by-minute account of the uprising, are the voices of dozens others: police officers, firefighters, journalists, business owners, and activists whose recollections give texture and perspective to the events of those five days in 1992 and their impact over the years that followed.
Richard Greggory Johnson III, Phi Beta Kappa, is Associate Professor in the Educational Leadership and Policy Studies Program and faculty in the Masters of Public Administration Program at the University of Vermont. He is widely published and serves as an executive editor for Peter Lang's Black Studies and Critical Thinking series. Dr. Johnson is a life member of Alpha Phi Alpha fraternity. --Book Jacket.
Sociology Through Film uses feature films to teach central areas in sociology such as culture, race/ethnicity, social class, and gender/sexuality. By using Film to introduce the sociological imagination, students will 'experience' social context being studied, and reinforce critical thinking skills. An introductory chapter includes a discussion of the significance of film in modern society, a consideration of the ways that film both reflects and shapes social reality, an explanation of how sociologists analyze film, and coverage of sociological tools for 'reading' film as text. Films will provide an illustrative framework for understanding the social world, and therefore the films discussed will not go 'out of date'.