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Benjamin Dewey's The Tragedy Series is an addictive collection of funny-sad comics based on the popular Tumblr blog. Welcome and good tidings, ladies, gentlemen, and all manner of upstanding, sentient beasts. The book you hold in your hands (pinchers, tentacles, paws, etc.), is a guide to avoiding the more common pitfalls that appear after parting ways with lady luck. You need not be duped by a collection of rats in an elaborate costume, dressed as a handsome suitor, or experience the embarrassment so many have already endured after bringing their ordinarily well-behaved, large sea mammal to an art gallery only to see cultural treasures defiled by inadvertent clumsiness arising from a frame better built for the confines of Poseidon's realm. More than five hundred unfortunate results of the manifold paths our life may offer have been helpfully diagramed for you along with positive affirmations of this veil's wonders and much more! Alexander the Great once remarked that "upon the conduct of each depends the fate of all" and his words may be taken as injunction to obtain this volume for your very own to ensure the continued security of our very civilization.
'The Soul of Tragedy' brings together scholars to offer perspectives on the Greek tragedy. The collection pays homage to this genre by offering an exploration into the oldest form of dramatic expression.
Patience Thumm, the adventurous daughter of an NYPD inspector, teams up with actor Drury Lane to solve the mystery of a senator’s murder. Patience Thumm has just traveled the world. She turned heads in London, sipped absinthe in Tunis, and debated philosophy on the Left Bank of Paris. When she returns home to New York with a smuggled copy of Lady Chatterley’s Lover in her bag, her father, the NYPD’s Inspector Thumm, is quite unprepared to handle her. At first, it seems they have nothing in common—but the two soon discover a shared appetite for murder. When a corrupt senator is stabbed to death in his study, Patience can’t resist hunting for the killer. With the help of her father’s old friend Drury Lane, the legendary Shakespearean actor, she will find that all the exotic cities of the world can’t offer anything as exciting as a New York homicide.
Armed with a handbag and fuelled by cake, Annabel Churchill is a mature yet tenacious private detective. Together with her quirky sidekick, Doris Pemberley, she's determined to solve mysteries and chase down criminals in the sleepy English village of Compton Poppleford.
With The Tragedy and Comedy of Life, Seth Benardete completes his examination of Plato's understanding of the beautiful, the just, and the good. Benardete first treated the beautiful in The Being of the Beautiful (1984), which dealt with the Theaetetus, Sophist, and Statesman; and he treated the just in Socrates Second Sailing (1989), which dealt with the Republic and sought to determine the just in its relation to the beautiful and the good. Benardete focuses in this volume on the good as discussed in the Philebus, which is widely regarded as one of Plato's most complex dialogues. Traditionally, the Philebus is interpreted as affirming the supposedly Platonic doctrine that the good resides in thought and mind rather than in pleasure or the body. Benardete challenges this view, arguing that Socrates vindicates the life of the mind over against the life of pleasure not by separating the two and advocating a strict asceticism, but by mixing pleasure and pain with mind in such a way that the philosophic life emerges as the only possible human life. Socrates accomplishes this by making use of two principles - the limited and the unlimited - and shows that the very possibility of philosophy requires not just the limited but also the unlimited, for the unlimited permeates the entirety of life as well as the endless perplexity of thinking itself. Benardete combines a probing and challenging commentary that subtly mirrors and illumines the complexities of this extraordinarily difficult dialogue with the finest English translation of the Philebus yet available. The result is a work that will be of great value to classicists, philosophers, and political theorists alike.
A “brilliant” examination of American complacency and how it puts the nation’s—and the world’s—security at risk (The Wall Street Journal). The ancient Greeks hard-wired a tragic sensibility into their culture. By looking disaster squarely in the face, by understanding just how badly things could spiral out of control, they sought to create a communal sense of responsibility and courage—to spur citizens and their leaders to take the difficult actions necessary to avert such a fate. Today, after more than seventy years of great-power peace and a quarter-century of unrivaled global leadership, Americans have lost their sense of tragedy. They have forgotten that the descent into violence and war has been all too common throughout human history. This amnesia has become most pronounced just as Americans and the global order they created are coming under graver threat than at any time in decades. In a forceful argument that brims with historical sensibility and policy insights, two distinguished historians argue that a tragic sensibility is necessary if America and its allies are to address the dangers that menace the international order today. Tragedy may be commonplace, Brands and Edel argue, but it is not inevitable—so long as we regain an appreciation of the world’s tragic nature before it is too late. “Literate and lucid—sure to interest to readers of Fukuyama, Huntington, and similar authors as well as students of modern realpolitik.” —Kirkus Reviews
Winner, 2021 PROSE Award in the Cultural Anthropology & Sociology Category Finalist, 2021 Lambda Literary Award in LGBTQ Studies A troubling account of heterosexual desire in the era of #MeToo Heterosexuality is in crisis. Reports of sexual harassment, misconduct, and rape saturate the news in the era of #MeToo. Straight men and women spend thousands of dollars every day on relationship coaches, seduction boot camps, and couple’s therapy in a search for happiness. In The Tragedy of Heterosexuality, Jane Ward smartly explores what, exactly, is wrong with heterosexuality in the twenty-first century, and what straight people can do to fix it for good. She shows how straight women, and to a lesser extent straight men, have tried to mend a fraught patriarchal system in which intimacy, sexual fulfillment, and mutual respect are expected to coexist alongside enduring forms of inequality, alienation, and violence in straight relationships. Ward also takes an intriguing look at the multi-billion-dollar self-help industry, which markets goods and services to help heterosexual couples without addressing the root of their problems. Ultimately, she encourages straight men and women to take a page out of queer culture, reminding them “about the human capacity to desire, fuck, and show respect at the same time.”
First published in 1960, The Paradox of Tragedy raises the fundamental question, why do we enjoy tragic drama with its themes of death and disaster? Aristotle’s theory of catharsis is still widely accepted as a satisfactory explanation of this paradox. In the first of its two connected essays, D.D. Raphael argues that Aristotle’s account of tragic emotions is distorted by a faulty psychology and fails to solve the problem. Raphael offers instead a new theory of Tragedy, as a conflict between two forms of the sublime, in which the sublimity of human heroism is exalted above the sublimity of overwhelming power. The spirit of the Tragedy is liable to conflict with doctrines of Biblical theology, and the difficulties of fusing the two are explored with illustrations from Greek, Biblical, English, and French literature. The second essay discusses the wider topic of philosophical drama, considering in what sense tragic and other forms of serious drama may be called philosophical, and also pointing out the dramatic shape of much of Plato’s philosophy. In this discussion, the question of religious Tragedy reappears in a different perspective. This book will be an essential read for scholars and researchers of philosophy in general and political philosophy in particular.
Steven S. Schwarzschild (1924–1989) was arguably the leading expositor of German-Jewish philosopher Hermann Cohen (1842–1918), undertaking a lifelong effort to reintroduce Cohen's thought into contemporary philosophical discourse. In The Tragedy of Optimism, George Y. Kohler brings together all of Schwarzschild's work on Cohen for the first time. Schwarzschild's readings of Cohen are unique and profound; he was conversant with both worlds that shaped Cohen's thought, neo-Kantian German idealism and Jewish theology. The collection covers a wide range of subjects, from ethics, socialism, the concept of human selfhood, and the mathematics of the infinite to more explicitly Jewish themes. This volume includes two of Schwarzschild's previously unpublished manuscripts and a scholarly introduction by Kohler. Schwarzschild shows that despite its seeming defeat by events of the twentieth century, Cohen's optimism about human progress is a rational, indeed necessary, path to peace.