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This unique collection of Voltaire's most celebrated tragedies has been designed and formatted to the highest digital standards. François-Marie Arouet (1694-1778), known by his nom de plume Voltaire, was a French Enlightenment writer, historian, and philosopher famous for his wit, his attacks on the established Catholic Church, and his advocacy of freedom of religion, freedom of expression, and separation of church and state. Voltaire was a versatile writer, producing works in almost every literary form, including plays, poems, novels, essays, and historical and scientific works. He was an outspoken advocate of several liberties, despite the risk this placed him in under the strict censorship laws of the time. As a satirical polemicist, he frequently made use of his works to criticize intolerance, religious dogma, and the French institutions of his day. Table of Contents: Mahomet Merope Olympia The Orphan of China Brutus Amelia Oedipus Mariamne Socrates Zaire Caesar The Prodigal Alzire Orestes Semiramis Catilina Pandora The Scotch Woman Nanine The Prude The Tatler
The Complete Works of Samuel Taylor Coleridge (Illustrated Edition) is a comprehensive collection of the influential English poet's writings. Known for his innovative use of language and deep symbolic imagery, Coleridge's works often explore themes of nature, imagination, and the supernatural. This edition includes a wide range of his poems, essays, and literary criticism, showcasing his mastery of the Romantic style and his profound impact on the literary landscape of the 19th century. Samuel Taylor Coleridge was a key figure in the Romantic movement and a close friend of William Wordsworth. His own struggles with addiction and mental health issues informed much of his writing, leading to a complex and introspective body of work. His contributions to English literature continue to be studied and appreciated for their depth and complexity. I highly recommend The Complete Works of Samuel Taylor Coleridge (Illustrated Edition) to anyone interested in Romantic poetry, 19th-century literature, or the intersection of philosophy and creativity. This collection offers a thorough overview of Coleridge's oeuvre and is essential reading for scholars and fans of his work.
The Complete Novels of Charles Dickens (Illustrated Edition) showcases the iconic works of one of the most celebrated Victorian-era writers. Dickens' literary style combines vivid characterization, social commentary, and elaborate plots that have captivated readers for generations. This collection includes classics such as 'Great Expectations,' 'Oliver Twist,' and 'A Tale of Two Cities,' providing a comprehensive look at Dickens' thematic exploration of societal issues and human nature. The illustrations add an extra layer of depth to the stories, enhancing the reader's immersion into the 19th-century world created by Dickens. Charles Dickens, a prolific author and social reformer, drew inspiration from his own experiences and observations of London life to create his memorable characters and intricate narratives. His commitment to highlighting the struggles of the poor and marginalized segments of society is evident in his works, making him a prominent figure in the literary canon. I highly recommend The Complete Novels of Charles Dickens to readers seeking a profound literary experience that delves into the complexities of human relationships and society. This beautifully illustrated edition offers a comprehensive overview of Dickens' unparalleled storytelling prowess and enduring relevance in our modern world.
This unique collection of Voltaire's most iconic romances has been designed and formatted to the highest digital standards. François-Marie Arouet (1694-1778), known by his nom de plume Voltaire, was a French Enlightenment writer, historian, and philosopher famous for his wit, his attacks on the established Catholic Church, and his advocacy of freedom of religion, freedom of expression, and separation of church and state. Voltaire was a versatile writer, producing works in almost every literary form, including plays, poems, novels, essays, and historical and scientific works. He was an outspoken advocate of several liberties, despite the risk this placed him in under the strict censorship laws of the time. As a satirical polemicist, he frequently made use of his works to criticize intolerance, religious dogma, and the French institutions of his day. Table of Contents: Candide Zadig Micromegas The Huron The White Bull The Man of Forty Crowns The Princess of Babylon The Sage and the Atheist Memnon the Philosopher The Black and the White The World as it Goes Andre des Touches at Siam Bababec Jeannot and Colin The Travels of Scarmentado A Conversation with a Chinese Plato's Dream Pleasure in Having no Pleasure An Adventure in India The Good Brahmin The Two Comforters Ancient Faith and Fable The Study of Nature Dialogue between Marcus Aurelius and a Recollet Friar Dialogue between a Brahmin and a Jesuit Dialogues between Lucretius and Posidonius Dialogue between a Client and His Lawyer Dialogue between Madame De Maintenon and Mademoiselle De L'Enclos Dialogue between a Savage and a Bachelor of Arts
The Scottish and French Enlightenments are arguably the two intellectual movements of the eighteenth century that were most influential in shaping the modern age. The essays in Scotland and France in the Enlightenment explore a wide range of topics of historical relevance to eighteenth-century scholars, while engaging students with broad interdisciplinary interests in the humanities and social sciences. The ways in which Scottish philosophy influenced French painting, how the Encyclopaedia Britannica presented the French Revolution, the impact of Macpherson's Ossian on the development of French Romanticism, the moral education of children, the relation between reflection and perception in the arts and in moral life, humankind's relationship to other animals, and the links between violence and imagination, fear and sanity, are only some of the topics covered. This challenging selection of essays comparing Scottish and French enlightenment views of natural history, jurisprudence, moral philosophy, history, and art history complicates and enriches the notion of Enlightenment, and will inaugurate a new field of Franco-Scottish studies.
The period covered by this volume in the Cultural History of Tragedy set is bookended by two shockingly similar historical events: the beheading of a king, Charles I of England in 1649 and Louis XIV of France in 1793. The period between these two dates saw enormous political, social and economic changes that altered European society's cultural life. Tragedy, which had dominated the European stage at the beginning of this period, gradually saw itself replaced by new literary forms, culminating in the gradual decline of theatrical tragedy from the heights it had reached in the 1660s. The dominance of France's military and cultural prestige during this period is reflected in the important, almost exclusive, space dedicated in this volume to the French stage. This book covers the tragedies of France's two greatest playwrights - Pierre Corneille (1606-84) and Jean Racine (1639-99) - which would dominate not only the French stage but, through translations and adaptations, became the model of tragic theater across Europe, finding imitators in England (Dryden), Italy (Alfieri) and as far afield as Russia. This dominance continued well into the 18th century with the triumph of Voltaire's tragedies. This volume also examines how the writings of Diderot and Lessing changed the direction of theatre and how after the Revolution, in the writings of Goethe, Shiller, Hegel, tragedy and the tragic were reimagined and became the sign of European modernity. Each chapter takes a different theme as its focus: forms and media; sites of performance and circulation; communities of production and consumption; philosophy and social theory; religion, ritual and myth; politics of city and nation; society and family, and gender and sexuality.
In the last twenty years there has been an explosion of scholarly interest in the Military Orders. With a history stretching from the early twelfth century to the present day, they were among the richest and most powerful orders of the church in medieval Europe. They founded their own states in Prussia and on the Mediterranean islands of Rhodes and Malta. They are of concern to historians of the Church, art and architecture, government, agriculture, estate management, banking, medicine and warfare, and of the expansion of Europe overseas. The conferences on their history, which have been organized in London every four years, have attracted leading scholars from all over the world. The present volume records the proceedings of the Third Conference in 2000 and is essential reading for those interested in the progress of research on these extraordinary institutions. Of the thirty papers published in this collection, two deal with the orders in general, while eighteen concentrate on the Hospital of St John, six on the Temple, and three on the Teutonic Order, together with another on the Order of the Sword Brothers which it absorbed. The preponderance of works on the Hospitallers is perhaps a particular characteristic of this volume, but the fact that most of the papers relate to provincial life, rather than to the headquarters in the east, Prussia, or Malta, accurately reflects modern concerns, as do the contributions on historiography, the papacy, cultural history, and religious life. Examples of new research interests are the paper on bioarchaeology and the two on liturgy.
A Handbook to the Reception of Greek Drama offers a series of original essays that represent a comprehensive overview of the global reception of ancient Greek tragedies and comedies from antiquity to the present day. Represents the first volume to offer a complete overview of the reception of ancient drama from antiquity to the present Covers the translation, transmission, performance, production, and adaptation of Greek tragedy from the time the plays were first created in ancient Athens through the 21st century Features overviews of the history of the reception of Greek drama in most countries of the world Includes chapters covering the reception of Greek drama in modern opera and film
First published in 1959. Routledge is an imprint of Taylor & Francis, an informa company.