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“Derrida’s most lasting legacy might well be his writings on religion . . . If the perplexed seek a guide, they can do no better than this excellent volume.” —Warren Breckman, University of Pennsylvania Jacques Derrida’s writings on the question of religion have played a crucial role in the transformation of scholarly debate across the globe. The Trace of God provides a compact introduction to this debate. It considers Derrida’s fraught relationship to Judaism and his Jewish identity, broaches the question of Derrida’s relation to the Western Christian tradition, and examines both the points of contact and the silences in Derrida’s treatment of Islam. “An astonishingly fresh and vivid set of essays that not only cast new light on the work of the greatest philosophical provocateur of the late twentieth century but also provide food for reflecting today on the relations among violence, modernity, secularity, and religion.”?Allan Megill, University of Virginia
Twelve essays on the work of one of the great thinkers of twentieth-century Europe. The Face of the Other and the Trace of God contain essays on the philosophy of Emmanuel Levinas, and how his philosophy intersects with that of other philosophers, particularly Husserl, Kierkegaard, Sartre, and Derrida. Edited by Jeffrey Bloechl, Levinas scholar and specialist in the philosophy of religion and contemporary European philosophy, and broadly divided into two parts—relations with the other, and the questions of God—this collection includes contributions by Bloechl, Didier Franck, John D. Caputo, Rudi Visker, Rudolf Bernet, Jean-Luc Marion, Merold Westphal, Adriaan T. Peperzak, Roger Burggraeve, Michael Newman, Robert Bernasconi, and Paul Moyaert.
The Dardenne Brothers’ Cinematic Parables examines the work of Belgian filmmakers Jean-Pierre and Luc Dardenne, who have been celebrated for their powerfully affecting social realist films. Though the Dardenne brothers’ films rarely mention religion or God, they have received wide recognition for their moral complexity and spiritual resonance. This book brings the Dardennes’ filmography into consideration with theological aesthetics, Christian ethics, phenomenological film theory, and continental philosophy. The author explores the brothers’ nine major films—beginning with The Promise (1996) and culminating in Young Ahmed (2019)—through the hermeneutics of philosopher Paul Ricoeur. By using Ricoeur’s description of "parable" as a "narrative-metaphor" which generates an existential limit-experience, Joel Mayward crafts an innovative Ricoeurian hermeneutic for making theological interpretations of cinema. Drawing upon resources from three disciplinary spheres—theology, philosophy, and film studies—in a dynamic interweaving approach, Mayward proposes that the Dardennes create postsecular cinematic parables which evoke theological and ethical responses in audiences’ imaginations through the brothers’ distinctive filmmaking style, what is termed "transcendent realism." The book ultimately demonstrates how the Dardenne brothers are truly doing, not merely depicting, theology and ethics through the cinematic form—it presents film as theology, what Mayward refers to as "theocinematics." This is valuable reading for scholars of theology, philosophy, and film studies, as well as film critics and cinephiles interested in the cinema of the Dardenne brothers.
Learning processes are never at hand or evident. How we learn something is for the most part not visible for us and for others. Primarily, learning is carried out by implicit and unspoken attitudes and mindsets, as it is stimulated by more or less ungraspable former experiences. Furthermore, it is influenced by opaque actual happenings such as subtexts of a spoken text, by forms of bodily communication and interaction and by the material conditions of learning processes and their limitations. Thus, learning cannot be reduced to its visible side such as its tasks, to the conscious motives and to forms of controlling it. When looking at learning only as an explicit process, its taciturnity and, by this, the real challenges of educating, teaching and learning get out of sight. Therefore, the endeavor to initiate learning cannot but deal with its explicit as well with its tacit aspects.
This volume contends against a major lacuna in the story of eschatology in the twentieth century by offering a historical and comparative analysis of Edward Schillebeeckx’s prophetic eschatology and Johann Baptist Metz’s apocalyptic eschatology with the goal of identifying relative advantages and limitations of these divergent eschatological frameworks for rendering a Christian account of hope that prompts action in the public arena. Rodenborn provides a fresh angle on eschatologies of hope.
One of the greatest unsolved issues that Karl Marx bequeathed to his interpreters concerns the legitimacy of practical and theoretical hope, both in the frame of his thought and in the wider horizon of philosophy. The entire Marxian work seems to be enigmatically suspended between the opposite dimensions of science and hope. The interpretative lines chosen by Ernst Bloch and Karl Löwith see in Marx a philosopher of hope more than a philosopher of science; and these reflections recognise the inevitable utopian tension in relation to which science is a secondary and functional phenomenon. They both claim that hope is at the heart of Marx’s thought; however, given the antithetic views about this feeling held in their philosophical reflections, they end up with an opposite evaluation of hope.
This book, With(out) Trace: Inter-Disciplinary Investigations into Time, Space and the Body, unpacks many of the issues that surround the idea of trace: what we intentionally, an unintentionally, leave behind as well as how trace can help us to move forward. In particular this volume looks at how interdisciplinarity can suggest new ways of seeing and, subsequently, exploring interconnections between time, space and the body.
Extreme weather events, droughts, floods, shifts in precipitation and temperature patterns, melting glaciers, sea-level rise, water salinization, and more generally, changes in the water cycle remind us that the climate crisis is mostly a water crisis. Perhaps even more serious is a crisis of imagination connected with thought and with creative, far-sighted action able to combine the visionary and the pragmatic. A response to these two crises can be provided by the disciplines of landscape architecture: these have always featured a plural, collective approach that comprises or originates from living systems and natural forces, on the involvement of human and nonhuman communities in the design process, and the inclusion of the time variable in future plans—without neglecting the necessary flexibility of creative and pragmatic thinking. How can landscape design and different forms of collaboration open new doors to face climate and water challenges? What hopes can spring from collective design in its broader meaning? This book sets out notions and ideas on water landscapes and (co)designed practices, identifying what hopeful routes might be taken for the three states of aqueous landscapes in transition—liquid, solid, and gas. The chapters show different scales and levels of design and collaborative practices: from large and governmental projects to small bottom-up interventions; from creative collaboration among designers to traditional community design; from participatory processes to nature as a co-designer for tackling the climate crisis. People, animals, plants, water, ice, fog, clouds, wind, sand, and rocks—all contribute to the cosmos’ landscape symphony, and designing together can become a seed of hope to listen and embrace the Earth’s climate changes.
An eight-year-old orphan is living off the streets and through the kindness of strangers. His home is a shack in the slums of Kinshasa. Harbouring deep feelings, and wants of a better life. He plans his escape which he must accomplish against all the odds. Soon he gets the opportunity, a charming stranger presents an opportunity to him. He makes his escape but does not get what was promised. For he has now found his way, not in a family home, but a coltan mine. The kind stranger was a child trafficker who would lure his victims with outrageous promises of a better life. Over the years to come, the orphan despite being so young, would work as hard as any adult. This served however, to make him stronger. He would learn about life, and about what is tearing his country apart. Into the Abyss tells the story of an orphan, born in the slums of Kinshasa, who escapes only to find himself trapped in a coltan mine. But where this life would take him, would be anyone’s guess. Set in The Congo, this is a book about conflict, poverty, dreams, hope, and generosity.