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A HISTORY DERIVED MAINLY FROM THE ARCHIVES AT GUILDHALL IN THE CUSTODY OF THE CORPORATION OF THE CITY OF LONDON.
The Tower of London is a novel by William Harrison Ainsworth serially published in 1840. It is a historical romance that describes the history of Lady Jane Grey from her short-lived time as Queen of England to her execution. During 1840, Ainsworth was busy writing the serial The Tower of London while writing a serial for Guy Fawkes and while planning to start his own magazine. Both novels began their publication in January 1840, with The Tower of London being published on its own until December 1840. Ainsworth celebrated the conclusions of The Tower of London with a large dinner party near the printers of his works, Bradbury and Evans, at the Sussex Hotel. The work was illustrated by George Cruikshank.
Dream of the Red Chamber is one of the four Chinese classics. The novel is semi-autobiographical and it gives an incredibly detailed insight into 18th-century life in China, particularly that of the aristocracy. The plot is grand in scale, peopled with a complex array of characters.
Jane Eyre, the story of a young girl and her passage into adulthood, was an immediate commercial success at the time of its original publication in 1847. Its representation of the underside of domestic life and the hypocrisy behind religious enthusiasm drew both praise and bitter criticism, while Charlotte Brontë’s striking exposé of poor living conditions for children in charity schools as well as her poignant portrayal of the limitations faced by women who worked as governesses sparked great controversy and social debate. Jane Eyre, Brontë’s best-known novel, remains an extraordinary coming-of-age narrative and one of the great classics of literature. The second edition has been updated throughout to reflect recent scholarship and includes new appendices on violence against women in Victorian fiction and madness and disability in the Victorian era.
In The Age of Shakespeare, Frank Kermode uses the history and culture of the Elizabethan era to enlighten us about William Shakespeare and his poetry and plays. Opening with the big picture of the religious and dynastic events that defined England in the age of the Tudors, Kermode takes the reader on a tour of Shakespeare’s England, vividly portraying London’s society, its early capitalism, its court, its bursting population, and its epidemics, as well as its arts—including, of course, its theater. Then Kermode focuses on Shakespeare himself and his career, all in the context of the time in which he lived. Kermode reads each play against the backdrop of its probable year of composition, providing new historical insights into Shakspeare’s characters, themes, and sources. The result is an important, lasting, and concise companion guide to the works of Shakespeare by one of our most eminent literary scholars.