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a sympathetic coming-of-age story... Cheries romantic misadventures are relatable throughout, reflecting the experiences of co-eds experiencing their first brushes with adult love. An often cynical look at college years and romance, The Torch Bearers Exorcism is a cautionary tale about getting too swept up in what looks like love. Clarion Foreword Review The Torch Bearers Exorcism starts at the close of the 1980s. Cherie is an unusually private and guarded girl with a nonconforming sense of style and a habit of constantly doubting everything around her. When she meets David during her first week on campus her emotions go into overdrive. Hes exactly what she would have asked for if it were possible to wish people into existence. They seem to be two sides of a coin. But does he actually care about her? David is an outgoing, attractive and popular guy with rather a lot more experience in the world than ingnue Cherie. Swept up by passion, subterfuge, confusion and magnetism; Cherie must untangle what she feels and whether she can believe his love for her is real. This is a story about painful love, being a young woman in a less egalitarian time, betrayal and overcoming it. About learning the hard way that people arent always what they seem or what we hoped they would be. About healing and growing into independence. http://www.torchbearersexorcism.com/
The Routledge Handbook of Asian Music: Cultural Intersections introduces Asian music as a way to ask questions about what happens when cultures converge and how readers may evaluate cultural junctures through expressive forms. The volume’s thirteen original chapters cover musical practices in historical and modern contexts from Central Asia, East Asia, South Asia, and Southeast Asia, including art music traditions, folk music and composition, religious and ritual music, as well as popular music. These chapters showcase the diversity of Asian music, requiring readers to constantly reconsider their understanding of this vibrant and complex area. The book is divided into three sections: Locating meanings Boundaries and difference Cultural flows Contributors to the book offer a multidisciplinary portfolio of methods, ranging from archival research and field ethnography to biographical studies and music analysis. In addition to rich illustrations, numerous samples of notation and sheet music are featured as insightful study resources. Readers are invited to study individuals, music-makers, listeners, and viewers to learn about their concerns, their musical choices, and their lives through a combination of humanistic and social-scientific approaches. Demonstrating how transformative cultural differences can become in intercultural encounters, this book will appeal to students and scholars of musicology, ethnomusicology, and anthropology.
Of Demons and Angels is a book that takes the reader into a unique life experience of an ex-catholic priest. This is a story of faith that gives an insight into the peculiar, complex, and most intriguing aspects of priesthood like celibacy and the difference between a real Christian and a pseudo one. By adopting an informal writing and a deeply personal tone, the author chooses not to hide but to treat such thorny issues with humility, honesty, lived experience, faith, and a deep sense of soul searching both as a Catholic Christian and as a former Catholic priest. Francis Chilufya Chanda is currently Head of Section at St. Mary’s College of Education in Mbala, Northern Province. Before becoming a lecturer, he was a Catholic priest for ten years in the Archdiocese of Lusaka, Zambia. After leaving priesthood, he taught at Kasama Girls’ Secondary School in Kasama and St. John’s Secondary School where he was Head of Languages Department in an acting capacity in Malole, Mungwi District. He holds a Master’s Degree in Communication for Development (UNZA - Lusaka), Degree in Theology (St. Dominic’s Major Seminary, affiliated to Urbaniana University - Rome), Diploma in Philosophy/Religious Studies (Mpima Philosophic ate Seminary - Kabwe), Certificate in Public Relations under Adult Extension Studies (UNZA) and an Advanced Certificate in Teaching Methodology (TVTC - Luanshya).
A text of central importance to the Chinese literary tradition, the Wen xuan was compiled by Xiao Tong (501-531) and is the oldest surviving anthology of Chinese literature arranged by genre. This volume, the first of a planned eight-volume translation of the entire work, contains thoroughly annotated translations of the first section of the Wen xuan, the rhapsodies on the metropolises and capitals." Originally published in 1983. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Reprint of the original, first published in 1881.
The Church as Safe Haven conceptualizes the rise of Chinese Christianity as a new civilizational paradigm that encouraged individuals and communities to construct a sacred order for empowerment in modern China. Once Christianity enrooted itself in Chinese society as an indigenous religion, local congregations acquired much autonomy which enabled new religious institutions to take charge of community governance. Our contributors draw on newly-released archival sources, as well as on fieldwork observations investigating what Christianity meant to Chinese believers, how native actors built their churches and faith-based associations within the pre-existing social networks, and how they appropriated Christian resources in response to the fast-changing world. This book reconstructs the narratives of ordinary Christians, and places everyday faith experience at the center. Contributors are: Christie Chui-Shan Chow, Lydia Gerber, Melissa Inouye, Diana Junio, David Jong Hyuk Kang, Lars Peter Laamann, Joseph Tse-Hei Lee, George Kam Wah Mak, John R. Stanley, R. G. Tiedemann, Man-Shun Yeung.
Kottarathil Sankunni’s Aithihyamaala in its richness, lucidity and variety is the Malayalam equivalent to Kathasaritsagara, Arabian Nights and Popol Vuh. This compilation of folklore, a perfect counterpoint to Kerala’s history, transports the reader into a fascinating world of kings and chieftains, elephants and mahouts, temples and deities, priests and wizards, nymphs and sirens. Penned by Kottarathil Sankunni in his inspiring and delightful language, this cherished collection combining a heightened sense of the real and the unreal is considered a classic.