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Read the Bldg Blog interview with Mary Beard about the Wonders of the World series(Part I and Part II) Mycenae, the fabled city of Homer's King Agamemnon, still stands in a remote corner of mainland Greece. Revered in antiquity as the pagan world's most tangible connection to the heroes of the Trojan War, Mycenae leapt into the headlines in the late nineteenth century when Heinrich Schliemann announced that he had opened the Tomb of Agamemnon and found the body of the hero smothered in gold treasure. Now Mycenae is one of the most haunting and impressive archaeological sites in Europe, visited by hundreds of thousands of tourists every year. From Homer to Himmler, from Thucydides to Freud, Mycenae has occupied a singular place in the western imagination. As the backdrop to one of the most famous military campaigns of all time, Agamemnon's city has served for generation after generation as a symbol of the human appetite for war. As an archaeological site, it has given its name to the splendors of one of Europe's earliest civilizations: the Mycenaean Age. In this book, historian of science Cathy Gere tells the story of these extraordinary ruins--from the Cult of the Hero that sprung up in the shadow of the great burned walls in the eighth century bc, to the time after Schliemann's excavations when the Homeric warriors were resurrected to play their part in the political tragedies of the twentieth century.
Take an extraordinary journey through more than 5,000 years of Greek culture, from the Neolithic Era to the age of Alexander the Great. Featuring a selection of exquisite artifacts -- many that have never been exhibited outside Greece -- this is a souvenir of the most comprehensive exhibition on Ancient Greece to tour North America in a generation. Explore unparalleled archeological discoveries that reveal the epic stories of ancient Greek heroes, from Agamemnon's siege of Troy to Alexander the Great's conquest of most of the known world. From informative text and iconic images, gain an in-depth understanding of how the ancient Greeks viewed their world and themselves, in life and in death. Enter the passionate world of the Greek gods, including Aphrodite, Athena, Zeus and Poseidon, and be a witness to the birth of Western philosophy, democracy, poetry and theatre.
This book explores the visual narratives of a group of decorated tombs from Ptolemaic and Roman Egypt (c.300 BCE-250 CE). The author contextualizes the tombs within their social, political, and religious context and considers how the multicultural population of Graeco-Roman Egypt chose to negotiate death and the afterlife.
Although many books focus on the fascinating story of Heinrich Schliemann, little has been written on Mycenae before his excavations. This book, therefore, fills this gap. It looks at the English-speaking pioneers who visited the citadel at Mycenae before Schliemann, providing additional biographic references in the footnotes (and bibliography and associated sources). The book’s primary purpose is to bring back to life the thoughts of these pioneers on Mycenae. It is also a reflection on dating theories of the site during the nineteenth century. At that time, the general consensus concerning the beginning of the ‘Greek world’ was the classical civilisation of the fifth century BC. This was not the view of many of these travellers. The ancients too had a fascination with Mycenae. The Homeric tales of Agamemnon, King of Mycenae, led to popular sixth and fifth century BC plays from the likes of Aeschylus, Sophocles and Euripides. But what did these ancient writers and later travellers, such as Pausanias, actually see? Finally, there is a need to be reminded of some of the ‘pioneer’ travellers to Mycenae and their descriptions of the Lion Gate citadel and the ‘Treasury of Atreus’, as they are of particular historical interest. Not only that, but some of these observations are pure poetry and a delight to read.
Examining every aspect of the culture from antiquity to the founding of Constantinople in the early Byzantine era, this thoroughly cross-referenced and fully indexed work is written by an international group of scholars. This Encyclopedia is derived from the more broadly focused Encyclopedia of Greece and the Hellenic Tradition, the highly praised two-volume work. Newly edited by Nigel Wilson, this single-volume reference provides a comprehensive and authoritative guide to the political, cultural, and social life of the people and to the places, ideas, periods, and events that defined ancient Greece.
Using correspondence and diary entries, the author recounts the personal and professional life of the archeologist and exposes an unscrupulous individual who distorted facts and made false claims about some of his discoveries
Libation Bearers is the 'middle' play in the only extant tragic trilogy to survive from antiquity, Aeschylus' Oresteia, first produced in 458 BCE. This introduction to the play will be useful for anyone reading it in Greek or in translation. Drawing on his wide experience teaching about performance in the ancient world, C. W. Marshall helps readers understand how the play was experienced by its ancient audience. His discussion explores the impact of the chorus, the characters, theology, and the play's apparent affinities with comedy. The architecture of choral songs is described in detail. The book also investigates the role of revenge in Athenian society and the problematic nature of Orestes' matricide. Libation Bearers immediately entered the Athenian visual imagination, influencing artistic depictions on red-figured vases, and inspiring plays by Euripides and Sophocles. This study looks to the later plays to show how 5th-century audiences understood Libation Bearers. Modern reception of the play is integrated into the analysis. The volume includes a full range of ancillary material, providing a list of relevant red-figure vase illustrations, a glossary of technical terms, and a chronology of ancient and modern theatrical versions.
Aeschylus (525-c.456 bc) set his great trilogy in the immediate aftermath of the Fall of Troy, when King Agamemnon returns to Argos, a victor in war. Agamemnon depicts the hero's discovery that his family has been destroyed by his wife's infidelity and ends with his death at her callous hand. Clytemnestra's crime is repaid in The Choephori when her outraged son Orestes kills both her and her lover. The Eumenides then follows Orestes as he is hounded to Athens by the Furies' law of vengeance and depicts Athene replacing the bloody cycle of revenge with a system of civil justice. Written in the years after the Battle of Marathon, The Oresteian Trilogy affirmed the deliverance of democratic Athens not only from Persian conquest, but also from its own barbaric past.