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An ethereal meditation on longing, loss, and time, sweeping from the highways of Texas to the canals of Mars—by the acclaimed essayist and author of Shame and Wonder David Searcy’s writing is enchanting and peculiar, obsessed with plumbing the mysteries and wonders of our everyday world, the beauty and cruelty of time, and nothing less than what he calls “the whole idea of meaning.” In The Tiny Bee That Hovers at the Center of the World, he leads the reader across the landscapes of his extraordinary mind, moving from the decaying architectural wonder that is the town of Arcosanti, Arizona, to driving the vast, open Texas highway in his much-abused college VW Beetle, to the mysterious, canal-riddled Martian landscape that famed astronomer Percival Lowell first set eyes on, via his telescope, in 1894. Searcy does not come at his ideas directly, but rather digresses and meditates and analyzes until some essential truth has been illuminated—and it is in that journey that the beauty is found.
An ethereal meditation on longing, loss, and time, sweeping from the highways of Texas to the canals of Mars—by the acclaimed essayist and author of Shame and Wonder David Searcy’s writing is enchanting and peculiar, obsessed with plumbing the mysteries and wonders of our everyday world, the beauty and cruelty of time, and nothing less than what he calls “the whole idea of meaning.” In The Tiny Bee That Hovers at the Center of the World, he leads the reader across the landscapes of his extraordinary mind, moving from the decaying architectural wonder that is the town of Arcosanti, Arizona, to driving the vast, open Texas highway in his much-abused college VW Beetle, to the mysterious, canal-riddled Martian landscape that famed astronomer Percival Lowell first set eyes on, via his telescope, in 1894. Searcy does not come at his ideas directly, but rather digresses and meditates and analyzes until some essential truth has been illuminated—and it is in that journey that the beauty is found.
In this brilliant fiction debut from a legendary visual artist, thirteen interconnected stories explore friendship and intimacy, loneliness and dislocation, and the physical contours of a dilapidated American landscape. These stories, which first appeared as part of Coursey’s solo exhibition at The Pollock Gallery of SMU's Meadows School of the Arts, demonstrate the artist’s fascination with the broken-down and discarded relics of industry and labor. Coursey’s stories are laced with humor, conspiracy, paranoia, and compassion, exploring the ripple effects of violence, the mystery of a car found in a well, house-boat culture, Texas landscapes of machinery and dust. Objects possess a totemic importance as Coursey catalogs the detritus of American culture. These ornate vignettes present a colorful cast of characters and vivid scenery, demonstrating the author’s eye for detail both inanimate and human. Coursey spotlights work and deeds done by hand, and the artful, sculpted sentences reveal the writer’s care and facility as a linguistic craftsman.
A diverse anthology of poetry, fiction and essays from the most exciting writers around the world in this “fresh, provocative, engrossing” literary journal (BBC.com). The literary anthology Freeman’s, created by writer, critic, and former Granta editor John Freeman, has quickly gained an international following with wide acclaim. It has been called “bold [and] searching” by the Minneapolis Star-Tribune and “impressively diverse” by O Magazine. This issue introduces a list of more than twenty-five poets, essayists, novelists, and short story writers from around the world who are shaping contemporary literature and will continue to impact it in years to come. Drawing on recommendations from book editors, critics, translators, and authors from across the globe, Freeman’s: The Future of New Writing includes pieces from writers aged twenty-five to seventy, from almost twenty countries and writing in almost as many languages. This will be a new kind of list, and an aesthetic manifesto for our times. Against a climate of nationalism and siloed thinking, this special issue celebrates a global view of where writing is going next. “The oldest is 70. The youngest, 26. In between, the best list of this kind I have ever seen.”—Marlon James
Winner of the 2021 Rachel Carson Environmental Book Award Winner of the 2021 Maine Literary Award for Nonfiction Finalist for the 2020 National Book Critics John Leonard Prize for Best First Book Finalist for the 2021 New England Society Book Award Finalist for the 2021 New England Independent Booksellers Association Award A New York Times Editors’ Choice and Chicago Tribune top book for 2020 “Mill Town is the book of a lifetime; a deep-drilling, quick-moving, heartbreaking story. Scathing and tender, it lifts often into poetry, but comes down hard when it must. Through it all runs the river: sluggish, ancient, dangerous, freighted with America’s sins.” —Robert Macfarlane, author of Underland Kerri Arsenault grew up in the small, rural town of Mexico, Maine, where for over 100 years the community orbited around a paper mill that provided jobs for nearly everyone in town, including three generations of her family. Kerri had a happy childhood, but years after she moved away, she realized the price she paid for that childhood. The price everyone paid. The mill, while providing the social and economic cohesion for the community, also contributed to its demise. Mill Town is a book of narrative nonfiction, investigative memoir, and cultural criticism that illuminates the rise and collapse of the working-class, the hazards of loving and leaving home, and the ambiguous nature of toxics and disease with the central question; Who or what are we willing to sacrifice for our own survival?
A remarkable collection of essays and reviews on everything from Philip Roth to Margaret Atwood, from race in America to the shocking state of the GOP—from the national bestselling author of Birds of America and a master of contemporary American fiction. “The kind of book, and the kind of human, you’d want to guide you through the past few decades in letters and culture.... Moore is one of our best documentarians of everyday amazement.” —The New Yorker This essential, enlightening, truly delightful collection shows one of our greatest writers parsing the political, artistic, and media landscape of the past three decades. These sixty-six essays and reviews, culled from the pages of The New York Review of Books, The New York Times, Harper’s, The Atlantic, and The New Yorker, among others, find Lorrie Moore turning her discerning eye on everything from celebrity culture to the wilds of television, from Stephen Sondheim to Barack Obama. See What Can Be Done is a perfect blend of craft, brains, and a knowing, singular take on life, liberty, and the pursuit of (some kind of) happiness.
[Zagajewski] is in some sense a pilgrim, a seeker, a celebrant in search of the divine, the unchanging, the absolute. His poems are filled with radiant moments of plenitude. They are spiritual emblems, hymns to the unknown, levers for transcendence. --Edward Hirsch, Doubletake. Zagajewski deserves the attention of readers accustomed to swerve away from poetry. And moreover, he is good: the unmistakable quality of the real thing -- a sunlike force that wilts clichés and bollixes the categories of expectation -- manifests itself powerfully through able translation. --Robert Pinsky, The New Republic.
A riveting novel about the aftermath of a brutal murder of three teenage girls, written in incantatory prose "that's as fine as any being written by an American author today" (Ben Fountain). One late autumn evening in a Texas town, two strangers walk into an ice cream shop shortly before closing time. They bind up the three teenage girls who are working the counter, set fire to the shop, and disappear. See How Small tells the stories of the survivors -- family, witnesses, and suspects -- who must endure in the wake of atrocity. Justice remains elusive in their world, human connection tenuous. Hovering above the aftermath of their deaths are the three girls. They watch over the town and make occasional visitations, trying to connect with and prod to life those they left behind. "See how small a thing it is that keeps us apart," they say. A master of compression and lyrical precision, Scott Blackwood has surpassed himself with this haunting, beautiful, and enormously powerful new novel.
Out of Control chronicles the dawn of a new era in which the machines and systems that drive our economy are so complex and autonomous as to be indistinguishable from living things.
An unforgettable cast of characters is unleashed into a realm known for its cruelty—the American high school—in this captivating debut novel. The wealthy enclaves north of San Francisco are not the paradise they appear to be, and nobody knows this better than the students of a local high school. Despite being raised with all the opportunities money can buy, these vulnerable kids are navigating a treacherous adolescence in which every action, every rumor, every feeling, is potentially postable, shareable, viral. Lindsey Lee Johnson’s kaleidoscopic narrative exposes at every turn the real human beings beneath the high school stereotypes. Abigail Cress is ticking off the boxes toward the Ivy League when she makes the first impulsive decision of her life: entering into an inappropriate relationship with a teacher. Dave Chu, who knows himself at heart to be a typical B student, takes desperate measures to live up to his parents’ crushing expectations. Emma Fleed, a gifted dancer, balances rigorous rehearsals with wild weekends. Damon Flintov returns from a stint at rehab looking to prove that he’s not an irredeemable screwup. And Calista Broderick, once part of the popular crowd, chooses, for reasons of her own, to become a hippie outcast. Into this complicated web, an idealistic young English teacher arrives from a poorer, scruffier part of California. Molly Nicoll strives to connect with her students—without understanding the middle school tragedy that played out online and has continued to reverberate in different ways for all of them. Written with the rare talent capable of turning teenage drama into urgent, adult fiction, The Most Dangerous Place on Earth makes vivid a modern adolescence lived in the gleam of the virtual, but rich with sorrow, passion, and humanity. Praise for The Most Dangerous Place on Earth “Alarming, compelling . . . Here’s high school life in all its madness.”—The New York Times “Unputdownable.”—Elle “Impossibly funny and achingly sad . . . [Lindsey Lee] Johnson cracks open adolescent angst with adult sensibility and sensitivity.”—San Francisco Chronicle “[A] piercing debut . . . Johnson proves herself a master of the coming-of-age story.”—The Boston Globe “Entrancing . . . Johnson’s novel possesses a propulsive quality. . . . Hard to put down.”—Chicago Tribune “Readers may find themselves so swept up in this enthralling novel that they finish it in a single sitting.”—Publishers Weekly (starred review)