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"The Tinted Venus: A Farcical Romance" is a humorous story about a man named Jauncy, who invites his friend, Leander Tweddle, to accompany him to meet his fiancée and her sister in Rosherwich Gardens. Tweddle, a hairdresser, agrees to go with Jauncy but becomes reluctant when he discovers that they will be accompanied by two women. When Jauncy asks why, Tweddle hesitates before finally confessing that he has met them before. Excerpt: "James, I'll tell you the truth; I have. In earlier days, James, I used constantly to be meeting Miss Parkinson and her sister in society, and I dare say I made myself so pleasant and agreeable (you know what a way that is of mine), that Miss Ada (not your lady, of course) may have thought I meant something special by it, and there's no saying but what it might have come in time to our keeping company, only I happened just then to see Matilda, and—and I haven't been near the Parkinsons ever since. So you can see for yourself that a meeting might be awkward for all parties concerned; and I really must get out, James!"
A group of first class passengers, aboard the fictitious steamer Bavaria, each tell a tale to amuse the others in their party after the ship has a mid-ocean breakdown.
Two of the most notable figures from the Middle Ages–the volatile, brilliant Abelard and the equally brilliant Heloise–became the parents of their son Astralabe before Abelard’s infamous, brutal castration. The couple spent the rest of their lives as monastics, in each other’s orbits if not in shared presence, as they became movers in the glittering monastic world of the early twelfth-century France. What happened to their strangely named Astralabe? Astralabe: The Life and Times of the Son of Heloise and Abelard rescues the “lost son” from footnotes and fiction and attempts to tell instead the story of a real man living in Europe in the twelfth century. This book assembles the references to Astralabe, provides background in the history of France and Switzerland, uncovers Abelard’s relationships with his family, with the ruling house of Brittany and more, and most importantly draws together all that is known of Astralabe.
Hellenomania, the second volume in the MANIA series, presents a wide-ranging, multi-disciplinary exploration of the modern reception of ancient Greek material culture in cultural practices ranging from literature to architecture, stage and costume design, painting, sculpture, cinema, and the performing arts. It examines both canonical and less familiar responses to both real and imagined Greek antiquities from the seventeenth century to the present, across various national contexts. Encompassing examples from Inigo Jones to the contemporary art exhibition documenta 14, and from Thessaloniki and Delphi to Nashville, the contributions examine attempted reconstructions of an ‘authentic’ ancient Greece alongside imaginative and utopian efforts to revive the Greek spirit using modern technologies, new media, and experimental practices of the body. Also explored are the political resonances of Hellenomaniac fascinations, and tensions within them between the ideal and the real, the past, present, and future. Part I examines the sources and derivations of Hellenomania from the Baroque and pre-Romantic periods to the early twentieth century. While covering more canonical material than the following sections, it also casts spotlights on less familiar figures and sets the scene for the illustrations of successive waves of Hellenomania explored in subsequent chapters. Part II focuses on responses, uses, and appropriations of ancient Greek material culture in the built environment—mostly architecture—but also extends to painting and even gymnastics; it examines in particular how a certain idealisation of ancient Greek architecture affected its modern applications. Part III explores challenges to the idealisation of ancient Greece, through the transformative power of colour, movement, and of reliving the past in the present human body, especially female. Part IV looks at how the fascination with the material culture of ancient Greece can move beyond the obsession with Greece and Greekness.