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The airs in this collection are appropriate for playing on the tin whistle or penny whistle, fife, flute, or violin. They are typical of those enjoyed during the last quarter of the eighteenth century.
(Music Sales America). This step-by-step instruction book explains everything required to master the basics of tin whistle playing. This easy, straightforward approach to playing the penny whistle has countless diagrams and symbols and comes complete with a wide selection of simple tunes and traditional songs from around the globe. Contents: A Bunch of Thyme * A Donegal Mazurka * An Buachaill Caol Dubh * Andersons * Blind Mary * Come Back Paddy Reilly * Going to the Well for Water * Im Bim Babaro * Kathleen Hehir * Munster Buttermilk * Pilib an Cheoil * Saratoga Hornpipe * Still I Love Him * Sweeney's Dream * The Bag of Spuds * The Bantry Girls' Lament * The Blacksmith's Reel * The Boy in the Boat * The Boy in the Gap * The Cliffs of Dooneen * The Derry Air * The Old Shandy Bohereen * The Poor Irish Boy * The Star of the County Down * The Three Sea Captains * The Versevienna * The Wet December.
All the tools the beginner, novice, and intermediate tin whistle player needs in order to progress to a high level of competence in Irish music. Includes an Orientation to Traditional Irish Music, which puts the music in context, with information on scales and modes, dance tune types, the historical roots of whistle playing, and advice for learning by ear. the book is full of thorough instruction, exercises, and musical examples: from holding, fingering, breathing, and blowing, on up to advanced ornamentation, phrasing, and variations. Features a simple and penetrating new approach to understanding and notating ornamentation that goes beyond any previous method. Also includes history and theory of traditional Irish tin whistle music. for those who don't read music, almost all the exercises and examples appear on the companion CD.
For the beginner to the highly advanced player of Irish flute, tin whistle, or Boehm-system flute. Features a simple and penetrating new approach to understanding and notating ornamentation that goes beyond any previous method, exploring ornamentation techniques never described in print before. Also includes adaptations for Boehm-system flute players, guidance on breathing and phrasing, 49 ornamentation exercises, history and theory of traditional Irish flute and whistle music, and 27 meticulous transcriptions of recordings by these important Irish flute and tin whistle players: John McKenna,Tom Morrison, William Cummins, Séamus Ennis, Willie Clancy, Paddy Taylor, Paddy Carty, Grey Larsen, Josie McDermott, Matt Molloy, Cathal McConnell, Mary Bergin, Donncha Ó Briain (Denis O'Brien), Desi Wilkinson, Breda Smyth, Seán Ryan, Conal Ó Gráda, Micho Russel, Joanie Madden, Kevin Crawford, Catherine McEvoy, and Seamus Egan. for those who don't read music, almost all the exercises, examples and tunes appear on the two companion CDs. Grey has, through his research, patience, and diligence, completed a work on Irish flute and tin whistle that I feel is essential reading for anybody interested in getting it right. - Matt Molloy, Irish Flute player with the Chieftains.
The Instant Tin Whistle series is designed to nurture the initial surge of enthusiasm you may experience when first playing the instrument, and has been carefully designed to substantially increase your chances of success. Pick the book - Folk, Popular, Irish or Scottish - in which you know the most tunes. Each book features 26 well-known melodies with every single note shown by a special, easy-to-learn whistle tablature as well as conventional notation. The lessons are realistically and steadily graded so as not to overwhelm the student. Difficult traditional dances tunes, music particularly suited to the tin whistle, are introduced only on the last few pages to give a taste of things to come. Perfect for individuals, groups, or schools wanting to incorporate traditional music into their curriculum. These tunes are suitable for any melody instrument, but the D tinwhistle is preferred. Lyrics, guitar chords, illustrations, rudiments of music (using the British naming system) and chord charts are also included. A CD is also available to assist in learning. Mally's and UK product #AM121.
Book with FREE AUDIO DOWNLOAD (180 tracks - each song played slowly, and faster with ornamentation) A great collection of Celtic music arranged for easy tin whistle. Sheet music and whistle tablatures for 90 well-loved Irish and Scottish songs, chosen for beginners. Download link inside.
A low whistle is a tinwhistle or pennywhistle with a six-finger note below B-flat. Focusing on the low D whistle but applicable to all low whistles, this book and CD set offers everything one needs to know about how to play the low whistle, including ornamentation, history, and fantastic tunes. This book can be used by people that have never played the whistle before. The tutor section covers the basics and moves on to explain Irish decorations in detail. Even if you already play the standard-size tin whistle, you will find many parts of this book useful in terms of technique. The tunes section contains many unusual pieces which have been researched and collected from many sources. These highlight the characteristic sound of the low whistle and range in difficulty from easy to show off! The enclosed free tutor CD contains 79 tracks, covering approximately the first half of the book.
Unique among books on the whistle and Celtic music, this book takes the role of a personal tutor. It explains in detail the peculiarities of the instrument, the ancient modal scales the Irish tunes are based on, and offers a results-oriented programfor quickly developing ability. As well it offers a practical method for developing breathing skills, something few books discuss. But what makes this book truly unique is the discussion of mnemonic techniques and analytical listening skills,which would make it an excellent resource for both parents and teachers. The author explains a simple, straightforward method of internalizing the old dance tunes of the session repertoire based on understanding the music's structure andthe use of mnemonic cues. The scope of Mr. Esson's book makes it relevant to a much wider audience than the title would suggest
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