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In this volume, first published in 1947, Pulitzer Prize winning author Van Wyck Brooks gives a superb recreation of a segment of American literary history, namely the period from approximately the 1840’s through to the 1890’s. Those were the days of Melville, Whitman, Mark Twain, Lanier, Bret Harte, Audubon, John Muir and a host of other major and minor writers. No other American critic quite possesses Brooks’ gift for making you see and feel and experience the life and times of these literary men and women. And the balanced critical evaluation that gives this book its statute is clothed in such vigorous and beautiful writing that the reader is unaware of the lifetime of research and study encompassed in this volume. Aside from the critical value, the narrative skill and the many beautiful prose passages, in The Times of Melville and Whitman Brooks gives the reader a vivid historical picture of what life was like in the last half of the nineteenth century. It is this ability to recreate the social background of the times that gives such richness to Brooks’ criticism. He has again made a major contribution to American letters with a book that is a real work of art—vigorous, balanced, erudite, and a pleasure to read.
There are many ways to show our devotion to an author besides reading his or her works. Graves make for popular pilgrimage sites, but far more popular are writers' house museums. What is it we hope to accomplish by trekking to the home of a dead author? We may go in search of the point of inspiration, eager to stand on the very spot where our favorite literary characters first came to life—and find ourselves instead in the house where the author himself was conceived, or where she drew her last breath. Perhaps it is a place through which our writer passed only briefly, or maybe it really was a longtime home—now thoroughly remade as a decorator's show-house. In A Skeptic's Guide to Writers' Houses Anne Trubek takes a vexed, often funny, and always thoughtful tour of a goodly number of house museums across the nation. In Key West she visits the shamelessly ersatz shrine to a hard-living Ernest Hemingway, while meditating on his lost Cuban farm and the sterile Idaho house in which he committed suicide. In Hannibal, Missouri, she walks the fuzzy line between fact and fiction, as she visits the home of the young Samuel Clemens—and the purported haunts of Tom Sawyer, Becky Thatcher, and Injun' Joe. She hits literary pay-dirt in Concord, Massachusetts, the nineteenth-century mecca that gave home to Hawthorne, Emerson, and Thoreau—and yet could not accommodate a surprisingly complex Louisa May Alcott. She takes us along the trail of residences that Edgar Allan Poe left behind in the wake of his many failures and to the burned-out shell of a California house with which Jack London staked his claim on posterity. In Dayton, Ohio, a charismatic guide brings Paul Laurence Dunbar to compelling life for those few visitors willing to listen; in Cleveland, Trubek finds a moving remembrance of Charles Chesnutt in a house that no longer stands. Why is it that we visit writers' houses? Although admittedly skeptical about the stories these buildings tell us about their former inhabitants, Anne Trubek carries us along as she falls at least a little bit in love with each stop on her itinerary and finds in each some truth about literature, history, and contemporary America.
A detailed account of Herman Melville's life during the Civil War, as well as study of his war epic, Battle-Pieces.
The award-winning Beneath the American Renaissance is a classic work on American literature. It immeasurably broadens our knowledge of our most important literary period, as first identified by F.O. Matthiessen's American Renaissance. With its combination of sharp critical insight, engaging observation, and narrative drive, it represents the kind of masterful cultural history for which David Reynolds is known. Here the major works of Emerson, Thoreau, Whitman, Poe, Hawthorne, Melville, and Dickinson receive striking, original readings set against the rich backdrop of contemporary popular writing. Now back in print, the volume includes a new foreword by historian Sean Wilentz that reveals the book's impact and influence. A magisterial work of criticism and cultural history, Beneath the American Renaissance will fascinate anyone interested in the genesis of America's most significant literary epoch and the iconic figures who defined it.
From the author of the international bestseller The Last Station, a stirring novel about the adventurous life and tragic literary career of Herman Melville. As The Passages of H. M. opens, we see, through the eyes of his long-suffering wife Lizzie, an aging, angry, and drunken Herman Melville wreaking domestic havoc in his unhappy New York home. He is decades past his flourishing career as a writer of bestselling tales of seagoing adventures like Typee and Omoo. His epic but ungainly novel Moby-Dick was meant to make him immortal, but critics scoffed and readers fled. His days are spent trudging the docks of New York as a customs inspector and contemplating his malign literary fate. But within him is stirring, perhaps, one great work yet—the tale of a handsome sailor in the Napoleonic Wars, undone by one moment of uncontrollable rage . . . Lizzie’s chapters alternate with third-person accounts of Melville’s crowded life: his shipping off to sea on a merchant vessel as an impoverished young aristocrat; his fateful voyage on a whaling ship; his desertion in the Marquesas Islands and sojourn with cannibals—a great adventure and polymor­phous sexual idyll—and his instant fame as a novelist; his fateful encounter and soul-deep friendship with Nathaniel Hawthorne; and the long years of physical decline and liter­ary obscurity. Jay Parini creates a Melville who is at once sympathetic and maddening, in sync with the vast forces of the universe and hopelessly impractical and abstracted. And one who, in thought and deed, is unambiguously attracted to men—a surmise well supported by the known biographical facts but still sure to cre­ate controversy. Parini penetrates the mind and soul of a liter­ary titan, using the resources of fiction to humanize a giant while illuminating the sources of his matchless creativity.