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There is a secret passage through time ...and it leads all the way to the end of Eternity. But the journey has a terrible cost. It alters not only the future but he "present" in which we live. A century after the publication of H. G. Wells' immortal The Time Machine, Stephen Baxter, today's most acclaimed new "hard SF" author, and the acknowledged Clarke, returns to the distant conflict between the Eloi and the Morlocks in a story that is at once an exciting expansion, and a radical departure based on the astonishing new understandings of quantum physics.
The highly-acclaimed sequel to H G Wells's The Time Machine, from the heir to Arthur C. Clarke. Written to celebrate the centenary of the publication of H G Wells's classic story THE TIME MACHINE, Stephen Baxter's stunning sequel is an outstanding work of imaginative fiction. The Time Traveller has abandoned his charming and helpless Eloi friend Weena to the cannibal appetites of the Morlocks, the devolved race of future humans from whom he was forced to flee. He promptly embarks on a second journey to the year AD 802,701, pledged to rescue Weena. He never arrives. The future was changed by his presence...and will be changed again. Hurling towards infinity, the Traveller must resolve the paradoxes building around him in a dazzling temporal journey of discovery. He must achieve the impossible if Weena is to be saved.
Originally published: London: Gollancz, 2017.
“Stephen Baxter has been heralded, with some merit, as Arthur C. Clarke’s literary heir, and Proxima certainly reinforces this accolade in spades.”—Concatenation Mankind’s future in this galaxy could be all but infinite. There are hundreds of billions of red dwarf stars, lasting trillions of years—and their planets can be habitable for humans. Such is the world of Proxima Centauri. And its promise could mean the never-ending existence of humanity. But first it must be colonized, and no one wants to be a settler. There is no glamor that accompanies it, nor is there the ease of becoming a citizen of an already-tamed world. There is only hardship...loneliness...emptiness, even as war brews in the solar system. But that’s where Yuri comes in. Because sometimes exploration isn’t voluntary. It must be coerced.
The Time Machine by H. G. Wells is a science fiction classic, which lends itself well to visualization. This version, illustrated by Yoann Laurent-Rouault, an illustrator master who graduated from the Beaux-Arts, and published in the international literary collection Memoria Books, is a reference on the time travel theme. Wells transports us in the year 802 701, in a society made up of the “Elois”, who live peacefully in a kind of big Garden of Eden, eating fruits and sleeping high up, while underground lives another species, also descending from men, the “Morlocks”, who do not stand the light anymore, living in the dark for too long now. At night, they return to the surface, going back up by the wells, in order to kidnap some Elois that they eat ; these last became livestock unknowingly. In The Time Machine, made into a movie several times, the last of them in 2002 by Simon Wells, the great-grandson of H. G. Wells, time is both a pretext to move the class struggle and warn... and also, in a way, a full character, who fascinates, arbitrates, transcends... The illustrations come to reinforce the time travel and provide a new experience to the reader.
Helva had been born human, but only her brain had been saved—saved to be schooled, programmed, and implanted into the sleek titanium body of an intergalactic scout ship. But first she had to choose a human partner—male or female—to share her exhilirating excapades in space! Her life was to be rich and rewarding . . . resplendent with daring adventures and endless excitement, beyond the wildest dreams of mere mortals. Gifted with the voice of an angel and being virtually indestructable, Helva XH-834 antipitated a sublime immortality. Then one day she fell in love!
Timelike Infinity: the strange region at the end of time where the Xeelee, owners of the universe, are waiting... The second novel in Stephen Baxter's Xeelee sequence. First there were good times: humankind reached glorious heights, even immortality. Then there were bad times: Earth was occupied by the faceless, brutal Qax. Immortality drugs were confiscated, the human spirit crushed. Earth became a vast factory for alient foodstuffs. Into this new dark age appears the end of a tunnel through time. Made from exotic matter, it is humanity's greatest engineering project in the pre-Qax era, where the other end of the tunnel remains anchored near Jupiter. When a small group of humans in a makeshift craft outwit the Qax to escape to the past through the tunnel, it is not to warn the people of Earth against the Qax, who are sure to follow them. For these men and women from the future are themselves dangerous fanatics in pursuit of their own bizarre quantum grail. Michael Poole, architect of the tunnel, must boldly confront the consequences of his genius.
The Firstborn–the mysterious race of aliens who first became known to science fiction fans as the builders of the iconic black monolith in 2001: A Space Odyssey–have inhabited legendary master of science fiction Sir Arthur C. Clarke’s writing for decades. With Time’s Eye and Sunstorm, the first two books in their acclaimed Time Odyssey series, Clarke and his brilliant co-author Stephen Baxter imagined a near-future in which the Firstborn seek to stop the advance of human civilization by employing a technology indistinguishable from magic. Their first act was the Discontinuity, in which Earth was carved into sections from different eras of history, restitched into a patchwork world, and renamed Mir. Mir’s inhabitants included such notables as Alexander the Great, Genghis Khan, and United Nations peacekeeper Bisesa Dutt. For reasons unknown to her, Bisesa entered into communication with an alien artifact of inscrutable purpose and godlike power–a power that eventually returned her to Earth. There, she played an instrumental role in humanity’s race against time to stop a doomsday event: a massive solar storm triggered by the alien Firstborn designed to eradicate all life from the planet. That fate was averted at an inconceivable price. Now, twenty-seven years later, the Firstborn are back. This time, they are pulling no punches: They have sent a “quantum bomb.” Speeding toward Earth, it is a device that human scientists can barely comprehend, that cannot be stopped or destroyed–and one that will obliterate Earth. Bisesa’s desperate quest for answers sends her first to Mars and then to Mir, which is itself threatened with extinction. The end seems inevitable. But as shocking new insights emerge into the nature of the Firstborn and their chilling plans for mankind, an unexpected ally appears from light-years away.
“Magisterial and uplifting . . . A brilliant, grandscale sampling of sixty-five million years of human evolution . . . It shows the sweep and grandeur of life in its unrelenting course.” —The Denver Post Stretching from the distant past into the remote future, from primordial Earth to the stars, Evolution is a soaring symphony of struggle, extinction, and survival; a dazzling epic that combines a dozen scientific disciplines and a cast of unforgettable characters to convey the grand drama of evolution in all its awesome majesty and rigorous beauty. Sixty-five million years ago, when dinosaurs ruled the Earth, there lived a small mammal, a proto-primate of the species Purgatorius. From this humble beginning, Baxter traces the human lineage forward through time. The adventure that unfolds is a gripping odyssey governed by chance and competition, a perilous journey to an uncertain destination along a route beset by sudden and catastrophic upheavals. It is a route that ends, for most species, in stagnation or extinction. Why should humanity escape this fate? Praise for Evolution “Spectacular.”—The New York Times Book Review “Strong imagination, a capacity for awe, and the ability to think rigorously about vast and final things abound in the work of Stephen Baxter. . . . [Evolution] leaves the reader with a haunting portrayal of the distant future.”—Times Literary Supplement “A breath of fresh air . . . The miracle of Evolution is that it makes the triumph of life, which is its story, sound like the real story.”—The Washington Post Book World