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A collection of stories, all featuring Paris as the backdrop. The list of contributors include writers from Britain, America and France.
Paris Street Tales is the third volume of a trilogy of translated stories set in Paris. The previous two editions are Paris Tales, in which each story is associated with one of the twenty arrondissements, and Paris Metro Tales, in which the twenty-two stories are related to a trip around the Paris Metro. This new volume contains seventeen newly-translated stories related to particular streets in Paris and one newly-written tale of the city. The stories range from the nineteenth century to the present day and include tales by well-known writers such as Colette, Maupassant, Didier Daeninckx, and Simenon, and less familiar names such as Francis Carco, Aurelie Filipetti, and Arnaud Baignot. They present a vivid picture of Paris streets in a variety of literary styles and tones. Simenon's Maigret is called upon to solve a mystery on the Boulevard Beaumarchais; a flaneur learns some French history through second-hand objects retrieved from the Seine; a nineteenth-century affair in the Rue de Miromesnil goes badly wrong; a body is discovered on the steps of the smallest street in Paris. Through these stories we see how the city has changed over the last two centuries and what has survived. All of the tales in the book are translated apart from the last, a new story by David Constantine, based on the last days of the poet Gerard de Nerval.
Paul Kinder, a novelist with one forgotten book to his name, teaches creative writing in a university in the north-west of England. Either he's researching his second, breakthrough novel, or he's killing time having sex in cars. Either eternal life exists, or it doesn't. Either you'll laugh, or you'll cry. Or maybe both.
Following on from Helen Constantine's hugely successful Paris Tales, the twenty-two short stories included in More Metro Tales take the reader on an fascinating journey around Paris by metro. The journey begins at the Gare du Nord, stops at twenty underground stations along the way, and ends at Lamarck-Caulaincourt. Some of these stories actually take place in the metro itself, but most are to be found when you emerge above ground. They range from the 15th-century account of the miraculous Saint Genevieve, patron saint of Paris, through tales by favourite writers such as Zola, Simenon, and Maupassant, to Martine Delerm's evocation of the last hours of Modigliani's mistress, Jeanne Hébuterne. Gérard de Nerval evokes the thriving, bustling market in Les Halles in the 1850s; Colette recounts her involvement in a traffic accident near the Opéra; Boulanger describes a blackly funny experience in Père Lachaise. Each story is illustrated with a black-and-white photograph and there is a map and suggested itinerary round the metro system. Readers will find familiar and unfamiliar writers here, but all are masterly writers of the short story and each evokes a different aspect of this endlessly intriguing and much-loved city, whether the traveller is on the metro or at home sitting in an armchair.
If you've never been to Paris, here is your chance to experience it; if you have been there, here is your chance to return. Paris Tales is a highly evocative collection of stories by French and Francophone writers who have been inspired by the mystery and charm of different locations in this most visited of capital cities. The twenty-two stories-- by well-known writers including Nerval, Maupassant, Colette, and Echenoz-- provide a captivating glimpse into Parisian life from the mid-nineteenth century to the present day. The stories take us on an atmospheric tour of the arrondissements and quartiers of Paris, charting the changing nature of the city and its inhabitants. Viewed through the eyes of characters such as the provincial lawyer's wife seeking excitement, a runaway schoolboy sleeping rough, and a lottery-winning policeman, the collection presents a stage for the intimacies and insights of these distinctly Parisian people. From the artists' haunts of Montmartre to the glamorous cafés of Saint-Germain, from the shouts of demonstrators on Boul Mich' to the tranquillity of Parc Monceau, Paris Tales offers a fascinating literary panorama of Paris. Illustrated with maps and striking photographs, the book will appeal to all those who wish to uncover the true heart of this seductive city. Translated by well-known linguist Helen Constantine, Paris Tales is the first title in a series of literary tours of key capital cities. Rich in atmosphere, this literary tour will enchant both tourists and armchair travelers alike.
By turns humorous, bittersweet, historical, or surreal, each of these carefully selected stories invites readers to explore a different facet of Paris.
Carl meets Annie Risk and falls for her. Hurt by a recent relationship, she resists becoming involved. A chance find offers distraction. Carl stumbles across part of a map to an unknown town. He becomes convinced it represents the city of his dreams, where ice skaters turn quintuple loops and trumpeters hit impossibly high notes... where Annie Risk will agree to see him again. But if he ever finds himself in the streets on his map, will they turn out to be the land of his dreams or the world of his worst nightmares? British Fantasy Award winner Nicholas Royle has written a powerful story set in a nightmarish otherworld of fathers and sons, hopes and dreams, love and death.
A NEW YORK REVIEW BOOKS ORIGINAL Mavis Gallant is a contemporary legend, a frequent contributor to The New Yorkerfor close to fifty years who has, in the words of The New York Times, "radically reshaped the short story for decade after decade." Michael Ondaatje's new selection of Gallant's work gathers some of the most memorable of her stories set in Europe and Paris, where Gallant has long lived. Mysterious, funny, insightful, and heartbreaking, these are tales of expatriates and exiles, wise children and straying saints. Together they compose a secret history, at once intimate and panoramic, of modern times.
The short story is moving from relative neglect to a central position in the curriculum; as a teaching tool, it offers students a route into many complex areas, including critical theory, gender studies, postcolonialism and genre. This book offers a practical guide to the short story in the classroom, covering all these fields and more.
Reading is a revolutionary act, an act of engagement in a culture that wants us to disengage. In The Lost Art of Reading, David L. Ulin asks a number of timely questions - why is literature important? What does it offer, especially now? Blending commentary with memoir, Ulin addresses the importance of the simple act of reading in an increasingly digital culture. Reading a book, flipping through hard pages, or shuffling them on screen - it doesn't matter. The key is the act of reading, and it's seriousness and depth. Ulin emphasizes the importance of reflection and pause allowed by stopping to read a book, and the accompanying focus required to let the mind run free in a world that is not one's own. Are we willing to risk our collective interest in contemplation, nuanced thinking, and empathy? Far from preaching to the choir, The Lost Art of Reading is a call to arms, or rather, to pages.