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The Time Between The Tides is a collection of short inspirational essays written by Maggie Lea for your use and reflection during on-going times of personal change and life transitions. This book provides additional support with added journal pages for you to write about your own process and engagement with the essay topics.
Adam Nicolson explores the marine life inhabiting seashore rockpools with a scientist’s curiosity and a poet’s wonder in this beautifully illustrated book. The sea is not made of water. Creatures are its genes. Look down as you crouch over the shallows and you will find a periwinkle or a prawn, a claw-displaying crab or a cluster of anemones ready to meet you. No need for binoculars or special stalking skills: go to the rocks and the living will say hello. Inside each rock pool tucked into one of the infinite crevices of the tidal coastline lies a rippling, silent, unknowable universe. Below the stillness of the surface course different currents of endless motion—the ebb and flow of the tide, the steady forward propulsion of the passage of time, and the tiny lifetimes of the rock pool’s creatures, all of which coalesce into the grand narrative of evolution. In Life Between the Tides, Adam Nicolson investigates one of the most revelatory habitats on earth. Under his microscope, we see a prawn’s head become a medieval helmet and a group of “winkles” transform into a Dickensian social scene, with mollusks munching on Stilton and glancing at their pocket watches. Or, rather, is a winkle more like Achilles, an ancient hero, throwing himself toward death for the sake of glory? For Nicolson, who writes “with scientific rigor and a poet’s sense of wonder” (The American Scholar), the world of the rock pools is infinite and as intricate as our own. As Nicolson journeys between the tides, both in the pools he builds along the coast of Scotland and through the timeline of scientific discovery, he is accompanied by great thinkers—no one can escape the pull of the sea. We meet Virginia Woolf and her Waves; a young T. S. Eliot peering into his own rock pool in Massachusetts; even Nicolson’s father-in-law, a classical scholar who would hunt for amethysts along the shoreline, his mind on Heraclitus and the other philosophers of ancient Greece. And, of course, scientists populate the pages; not only their discoveries, but also their doubts and errors, their moments of quiet observation and their thrilling realizations. Everything is within the rock pools, where you can look beyond your own reflection and find the miraculous an inch beneath your nose. “The soul wants to be wet,” Heraclitus said in Ephesus twenty-five hundred years ago. This marvelous book demonstrates why it is so. Includes Color and Black-and-White Photographs
New York Times bestselling author Patti Callahan Henry portrays a woman burdened by the past—and the choices she must face to break free of it—in this emotional, engaging novel. Nine months after her father's death, Catherine Leary still hasn't fulfilled his last wish: that she scatter his ashes in the Seaboro River in South Carolina. The scene of a childhood tragedy that forced her family to move, Seaboro is the last place Catherine wants to see again. But on the evening of her thirtieth birthday, her father’s young colleague—whom she once dated—pays a visit... Hoping to stop Forrest Anderson from exposing her family's secrets, she travels to her once-beloved Lowcountry town and embarks on a poignant trip into the past...a journey that might lead her into a new life of love, forgiveness, and self-discovery.
A captivating historical novel set on Cape Cod and North Carolina's Outer Banks, perfect for readers of Where the Crawdads Sing and Marilynne Robinson's Housekeeping 1890s, Cape Cod: Between tides, a man deserts his wife and his post as keeper of the Chatham Beach Lifesaving Station to start a new family far to the south, at Cape Hatteras. 1940s: His daughter, en route to serve in World War II with the Red Cross, travels to Cape Cod where she meets his first wife, Blythe, reanimating a life she had long buried: memories of her courtship, her bitter losses, and her husband's slow-motion vanishing. Set on two wild seascapes, Cape Cod and North Carolina's Outer Banks, Between Tides is a lyrical novel for readers of Virginia Woolf, Djuna Barnes, and Marilynne Robinson--a story of two women stitching together a family ripped at the seams and discovering that even through absence, love's presence is everlasting.
A beautiful debut novel set in the Outer Hebrides, The House Between Tides strips back layers of the past to reveal a dark mystery. In the present day, Hetty Deveraux returns to the family home of Muirlan House on a remote Hebridean island estate following the untimely death of her parents. Torn between selling the house and turning it into a hotel, Hetty undertakes urgent repairs, accidentally uncovering human remains. Who has been lying beneath the floorboards for a century? Were they murdered? Through diaries and letters she finds, Hetty discovers that the house was occupied at the turn of the century by distant relative Beatrice Blake, a young aristocratic woman recently married to renowned naturalist and painter, Theodore Blake. With socialist and suffragist leanings Beatrice is soon in conflict with her autocratic new husband, who is distant, and wrapped up in Cameron, a young man from the island. As Beatrice is also drawn to Cameron, life for them becomes dangerous, sparking a chain of events that will change many lives, leaving Hetty to assemble the jigsaw of clues piece by piece one hundred years later, as she obsessively chases the truth. In The House Between Tides, author Sarah Maine uses her skills as a storyteller to create an utterly compelling historical mystery set in a haunting and beautifully evoked location. 'Last night, debut author Maine dreamed of a contemporary spin on classic Gothic tropes. Orphan Hetty Deveraux has inherited a crumbling, wind-battered mansion on a remote Muirland Island in western Scotland, "on the edge of the world." The day she arrives to inspect her new property, however, local assessor James Cameron has found a skeleton beneath the floorboards. Who is it, and how long has it been there? Abandoned since the war, the house was the refuge of Theo Blake, a Turner-esque painter-turned-mad recluse and a distant relative of Hetty's. At loose ends since the deaths of her parents, Hetty hopes restoring the house will serve as a new beginning. Meanwhile, in 1910, Theo Blake brings his new bride to Muirland House, whose landscapes have inspired some of his most famous paintings. Maine skillfully balances a Daphne du Maurier atmosphere with a Barbara Vine-like psychological mystery as she guides the reader back and forth on these storylines. The two narrative threads are united by the theme of conservation versus exploitation: Muirland is a habitat for several species of rare birds, threatened in the 1910 plot by Blake's determination to kill and mount them for his collection and in the 2010 story by Hetty's half-formed plans to transform Muirland House into a luxury hotel. Local man Cameron wants to see the island preserved as "a precious place, wild and unspoiled, a sanctuary for more than just the birds." The setting emerges as the strongest personality in this compelling story, evoking passion in the characters as fierce as the storms which always lurk on the horizon. A debut historical thriller which deftly blends classic suspense with modern themes.' Kirkus 'Muirlan Island in Scotland's Outer Hebrides provides the sensuous setting for British author Maine's impressive debut, which charts the parallel quests of two women a century apart. [...] Vivid descriptions of the island's landscape and weather enhance this beautifully crafted novel.' Publisher's Weekly 'There is an echo of Daphne du Maurier's Rebeca in Sarah Maine's appealing debut noel, when human remains are found beneath the floorboards of a derelict mansion on a Scottish island... a highly readable debut.' Independent 'A tremendous accomplishment. So assured, so well-judged, and with such an involving story to tell, this might be the author's fifth or sixth novel, not her first. A literary star is born!' Ronald Frame, author of The Lantern Bearers and Havisham
#1 New York Times bestselling author of Tidelands—the “searing portrait of a woman that resonates across the ages” (People)—returns with an evocative historical novel tracking the rise of the Tidelands family in London, Venice, and New England. Midsummer Eve 1670. Two unexpected visitors arrive at a shabby warehouse on the south side of the River Thames. The first is a wealthy nobleman seeking the lover he deserted twenty-one years earlier. Now James Avery has everything to offer: a fortune, a title, and the favor of the newly restored King Charles II. He believes that the warehouse’s poor owner Alinor has the one thing he cannot buy—his son and heir. The second visitor is a beautiful widow from Venice in deepest mourning. She claims Alinor as her mother-in-law and tells her of the death of Rob—Alinor’s son—drowned in the dark tides of the Venice lagoon. Meanwhile, Alinor’s brother Ned, in faraway New England, is making a life for himself between in the narrowing space between the jarring worlds of the English newcomers and the American Indians as they move towards inevitable war. Alinor writes to him that she knows—without doubt—that her son is alive and the widow is an imposter. But how can she prove it? Set in the poverty and glamour of Restoration London, in the golden streets of Venice, and on the tensely contested frontier of early America, this is a novel of greed and desire: for love, for wealth, for a child, and for home.
“This enigmatic tale of adolescent friendship . . . is smart, sly, and as knowing about the mind and heart of a teenage girl as an Elena Ferrante novel.” —O, The Oprah Magazine “One of the best novels about girlhood and female friendship I’ve ever read.” —Mary Beth Keane, New York Times–bestselling author of Ask Again, Yes “A tough and exquisite sliver of a short novel whose world I want to remain lost in. . . . [A] spectacular narrator . . . [A] wonder of a novel.” —Maureen Corrigan, NPR’s Fresh Air Teenager Eulabee and her best friend, Maria Fabiola, own the streets of Sea Cliff, their San Francisco neighborhood. They know Sea Cliff’s homes and beaches, its hidden corners and eccentric characters. One day, walking to school with friends, they witness a horrible act—or do they? Eulabee and Maria Fabiola disagree on what happened, and their rupture is followed by Maria Fabiola’s sudden disappearance—a potential kidnapping that shakes the community and threatens to expose unspoken truths. Set in pre-tech boom San Francisco, a city on the brink of radical transformation, and told with a gimlet eye and great warmth, We Run the Tides is both a gripping mystery and a tribute to the wonders of youth. “The affectionate specificity of the portrait [Vida] offers is one of the book’s real pleasures.” —The New York Times Book Review “Detailed and vibrant.” —Los Angeles Review of Books “Smart, perceptive, elegant, sad, surprising and addictive.” —Nick Hornby, New York Times–bestselling author of About a Boy “There’s something naughty, almost gleeful about this nostalgia-soaked portrayal of pre-tech-boom San Francisco that keeps the pages turning.” —San Francisco Chronicle
In Tides: The Science and Spirit of the Ocean, writer, sailor, and surfer Jonathan White takes readers across the globe to discover the science and spirit of ocean tides. In the Arctic, White shimmies under the ice with an Inuit elder to hunt for mussels in the dark cavities left behind at low tide; in China, he races the Silver Dragon, a twenty-five-foot tidal bore that crashes eighty miles up the Qiantang River; in France, he interviews the monks that live in the tide-wrapped monastery of Mont Saint-Michel; in Chile and Scotland, he investigates the growth of tidal power generation; and in Panama and Venice, he delves into how the threat of sea level rise is changing human culture—the very old and very new. Tides combines lyrical prose, colorful adventure travel, and provocative scientific inquiry into the elemental, mysterious paradox that keeps our planet’s waters in constant motion. Photographs, scientific figures, line drawings, and sixteen color photos dramatically illustrate this engaging, expert tour of the tides.
"The first in-depth study of the landmark modern feminist magazine, "Time and Tide." Unique in establishing itself as the only female-run intellectual weekly in the golden age of the weekly review, "Time and Tide" both challenged persistent prejudices against women's participation in public life and played an instrumental role in redefining women's gender roles and identities. Drawing on extensive new archival research, Catherine Clay recovers the contributions to this magazine of both well- and lesser-known British women writers, editors, critics and journalists and explores a cultural dialogue about literature, politics and the arts that took place beyond the parameters of modernist 'little magazines.' The book makes a major contribution to the history of women's writing and feminism in Britain between the wars."--Publisher's description