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When Josh, his parents, grandfather and eight-year-old brother move into the old Tilton House, they discover such strange things as talking rats, a dimmer switch that renders the house invisible and a powder that makes objects grow.
There is an almost elemental appeal in the rural fishing villages of Nova Scotia, Maine, and Newfoundland. Their intimate connection to nature, to the land, water, and (often harsh) weather; their reliance on ingenuity, on-hand materials, and craftsmanship; and their values of thrift and endurance serve as inspiration and as touchstones for those of us caught up in the hubbub of modern life. Tilting, Newfoundland is a celebration of all these virtues and an eclectic documentation of the buildings, landscape, and lifestyle of this remote community on a small island far off the Canadian coast. Through photographs, firsthand historical anecdotes, and delicate pencil drawings, author Robert Mellin presents a personal account of Tilting's houses, outbuildings, furniture, tools, fences, and docks, and, in the process, the way of life of Tilting. Mellin describes how houses are built for mobility and then "launched," or moved; how houses are detailed and constructed; how cabbage houses are built out of overturned boats; and the difference between picket, paling, and riddle fences-with diagrams in case you want to build your own. Part journal, part sketchbook, part oral history, Tilting, Newfoundland is a treasure chest of a book that offers new discoveries with each reading, and a reminder of the simpler aspects of life and building.
Felix Allsey is a travel writer with a keen eye for the paranormal, and he’s carved out a unique, if only slightly lucrative, niche for himself in nonfiction; he writes travelogues of the country’s most haunted places, after haunting them himself. When he convinces the owner of the infamous Rotterdam Mansion to let him stay on the premises for 13 nights, he believes he’s finally found the location that will bring him a bestseller. As with his other gigs, he sets rules for himself: no leaving the house for any reason, refrain from outside contact, and sleep during the day. When Thomas Ruth, Felix's oldest friend and fellow horror film obsessive, joins him on the project, the two dance around a recent and unspeakably painful rough-patch in their friendship, but eventually fall into their old rhythms of dark humor and movie trivia. That’s when things start going wrong: screams from upstairs, figures in the thresholds, and more than what should be in any basement. Felix realizes the book he’s writing, and his very state of mind, is tilting from nonfiction into all out horror, and the shocking climax answers a question that’s been staring these men in the face all along: In Rotter House, who’s haunting who?
School vacation for a year. Eternal happiness. You could wish for anything-- but if it came at someone else's expense, would you still do it? When a mysterious millionaire sells thirteen-year-old Gabe a bottle containing a wish-granting imp, it comes with a warning: any time Gabe makes a wish, someone else, somewhere, is going to lose something. Maybe something big. That means each of Gabe's wishes should be a difficult ethical dilemma--but as he scores a Ferrari, a hot tub, and all the pizza and sub sandwiches a kid could want, he's certain a guilty conscience is worth it . . . isn't it? The Bottle Imp of Bright House is pithy, dark, and very, very funny, exploring the lengths people will go to for happiness-- and the surprising ways small choices can swiftly spiral out of control. Gris Grimly's bold and eerie artwork brings Gabe's misadventures to life. Inspired by a Robert Louis Stevenson novella, this clever story is full of references to his body of work-- and lots of laughs, too.
By the author of A Wrinkle in Time, the conclusion to the Polly O'Keefe stories finds Polly taking an unforgettable trip to Europe, all by herself. Sixteen-year-old Polly is on her way to the island of Cyprus, where she will work as a gofer. The trip was arranged by Maximiliana Horne, a rich, brilliant artist who, with her longtime companion, Dr. Ursula Heschel, recently became the O'Keefe family's neighbor on Benne Seed Island. Max and Polly formed an instant friendship and Max took over Polly's education, giving her the encouragement and confidence that her isolated upbringing had not. Polly adored Max, even idolized her, until Max betrayed her. In Greece, Polly finds romance, danger, and unique friendships. But can she ever forgive Max? Books by Madeleine L'Engle A Wrinkle in Time Quintet A Wrinkle in Time A Wind in the Door A Swiftly Tilting Planet Many Waters An Acceptable Time A Wrinkle in Time: The Graphic Novel by Madeleine L'Engle; adapted & illustrated by Hope Larson Intergalactic P.S. 3 by Madeleine L'Engle; illustrated by Hope Larson: A standalone story set in the world of A Wrinkle in Time. The Austin Family Chronicles Meet the Austins (Volume 1) The Moon by Night (Volume 2) The Young Unicorns (Volume 3) A Ring of Endless Light (Volume 4) A Newbery Honor book! Troubling a Star (Volume 5) The Polly O'Keefe books The Arm of the Starfish Dragons in the Waters A House Like a Lotus And Both Were Young Camilla The Joys of Love
"In Lynn K. Kilpatrick's In the House, anything can happen. A collection of shorts-lists, character sketches, directions, scripts, and instructions In the House reveals the often conspicuous, yet frequently overlooked, dangers of relationships gone awry." "In a home suffused with fragility, or in a kitchen surrounded by knives, Kilpatrick's men and women navigate around one another's eccentricities with caution, highlighting the unspoken desires and veiled needs of domestic routine. In these stories those desires collide, illuminating the dangers that lurk in pantries, basements, the Miss America pageant, dioramas, or in the mind of the one you love." --Book Jacket.
Orphaned, two sisters are left to find their own way. Sweet and proper, Karah's future seems secure at a glamorous Flower House. She could be pampered for the rest of her life. . . if she agrees to play their game. Nemienne, neither sweet nor proper, has fewer choices. Left with no alternative, she accepts a mysterious mage's offer of an apprenticeship. Agreeing means a home and survival, but can Nemienne trust the mage? With the arrival of a foreign bard into the quiet city, dangerous secrets are unearthed, and both sisters find themselves at the center of a plot that threatens not only to upset their newly found lives, but also to destroy their kingdom.
Praise for Saeed Jones: "Jones is the kind of writer who's more than wanted: he's desperately needed."—FlavorWire "I get shout-happy when I read these poems; they are the gospel; they are the good news of the sustaining power of imagination, tenderness, and outright joy."—D. A. Powell "Prelude to Bruise works its tempestuous mojo just under the skin, wreaking a sweet havoc and rearranging the pulse. These poems don't dole out mercy. Mr. Jones undoubtedly dipped his pen in fierce before crafting these stanzas that rock like backslap. Straighten your skirt, children. The doors of the church are open."—Patricia Smith "It's a big book, a major book. A game-changer. Dazzling, brutal, real. Not just brilliant, caustic, and impassioned but a work that brings history—in which the personal and political are inter-constitutive—to the immediate moment. Jones takes a reader deep into lived experience, into a charged world divided among unstable yet entrenched lines: racial, gendered, political, sexual, familial. Here we absorb each quiet resistance, each whoop of joy, a knowledge of violence and of desire, an unbearable ache/loss/yearning. This is not just a "new voice" but a new song, a new way of singing, a new music made of deep grief's wildfire, of burning intelligence and of all-feeling heart, scorched and seared. In a poem, Jones says, "Boy's body is a song only he can hear." But now that we have this book, we can all hear it. And it's unforgettable."—Brenda Shaughnessy "Inside each hunger, each desire, speaks the voice of a boy that admits "I've always wanted to be dangerous." This is not a threat but a promise to break away from the affliction of silence, to make audible the stories that trouble the dimensions of masculinity and discomfort the polite conversations about race. With impressive grace, Saeed Jones situates the queer black body at the center, where his visibility and vulnerability nurture emotional strength and the irrepressible energy to claim those spaces that were once denied or withheld from him. Prelude to a Bruise is a daring debut."—Rigoberto González From "Sleeping Arrangement": Take your hand out from under my pillow. And take your sheets with you. Drag them under. Make pretend ghosts. I can't have you rattling the bed springs so keep still, keep quiet. Mistake yourself for shadows. Learn the lullabies of lint. Saeed Jones works as the editor of BuzzfeedLGBT.
Mark had never thought of retiring. Barristers don’t retire. However, his 64th birthday was fast approaching. ‘When I’m 64’ and all that, and, beneath the wig and gown, he had always had a desire to write. Time was running out. It’s now or never. He – rather he and his wife, Helen – decided they would take a year out. Like their children had, only later. They quickly ruled out the West of Ireland and the Wild Atlantic Way. For obvious reasons. And opted instead for a pueblo blanco in Andalucía. Mark could write his bestseller there. A white-washed house in a white-washed village in the mountains of Andalucía. What more could an aspiring author want? He lost no time in getting down to it. A writing room without a view and a typewriter. And no interruptions. Everything went splendidly for a day or two, when fate intervened. Followed by weeks of slow progress while he negotiated surgery and the intricacies of plot. In May, Mark carried out a quarterly review. Radical changes were called for and implemented. Ruthlessly. Beginning with telling Helen he couldn’t come home for her birthday. Summer came and went, and so did Helen. Deadlines loomed. Would Mark do it? Would he achieve his New Year’s resolution: One Year, One Novel? From the author of the Dermot McNamara series, An Eye on the Whiplash, Brief Cases and A Night at the Inns, comes a hilarious new novel which will ring familiar to anyone who has ever thought there is a book within them.
From the bestselling author of The Dinosaur That Pooped and The Christmasaurus. A monster has invaded the pages of this original and super-fun bedtime picture book! Children need to read aloud and follow the interactive instructions to help free the pesky monster by tilting, spinning and shaking their book. After all that fun, there is a calming wind down end- perfect to send your own little monster off to sleep. Perfect for little fans of The Very Hungry Caterpillar and Julia Donaldson.