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A Rome-based American historian tells the extraordinary story of Caterina Sforza, perhaps the most prominent woman of Renaissance Italy, who was a wife, a mother, a leader, and a warrior with the courage to battle a Borgia pope, the charm to beguile a Medici husband, and the fierceness to make Machiavelli himself wince.
Botticelli painted her, Machiavelli slandered her. She led troops into battle, married a Medici, and was imprisoned by the Borgias. Between her birth in 1463 as the illegitimate daughter of the Duke of Milan, to her death in 1509 as a member of the powerful Medici family, Caterina Sforza's life crossed the firmament of Italy's High Renaissance like a shooting star.
A revealing history of women who were a power behind the papal throne. Engaging, controversial and sometimes illuminating.
A powerful collection of stories about women who murdered—for revenge, for love, and even for pleasure—rife with historical details that will have any true crime junkie on the edge of their seat In every tragic story, men are expected to be the killers. There are countless studies and works of art made about male violence. However, when women are featured in stories about murder, they are rarely portrayed as predators. They’re the prey. This common dynamic is one of the reasons that women are so enthralled by female murderers. They do the things that women aren’t supposed to do and live the lives that women aren’t supposed to want: lives that are impulsive and angry and messy and inconvenient. Maybe we feel bad about loving them, but we eat it up just the same. Residing squarely in the middle of a Venn diagram of feminism and true crime, She Kills Me tells the story of 40 women who murdered out of necessity, fear, revenge, and even for pleasure.
This is an interdisciplinary work that philosophically analyzes concepts such as heroism; practical wisdom; honor; Nietzsche’s notions of will to power, the overman, and the three metamorphoses; Plato’s understanding of love; creating meaning in life; the issue of morally dirty hands in political administration; the relationship between political means and ends; the proper role of positive duties in society; the aspirations of grand strivers; and the linkages between biological, biographical, and autobiographical lives, all in the context of explaining and evaluating the lives and works of fourteen historically significant Italian: Gaius Julius Caesar, Brunetto Latini, Dante Alighieri, Caterina Sforza, Niccolò Machiavelli, Giuseppe Mazzini, Giuseppe Garibaldi, Francesca Cabrini, Gabriele D’Annunzio, Antonio Gramsci, Salvatore Giuliano, Oriana Fallaci, Giovanni Falcone, and Paolo Borsellino. By dissecting the lives and philosophies of the figures discussed in this work, by extracting moral, political, and existential lessons from their aspirations and enterprises, by reflecting on their ideals from the vantage point of our divergent social context, by evaluating their virtues and vices from a wider perspective, and by confronting the conceptual puzzles and social impediments hampering the exercise of practical wisdom and heroism, we may confront the people that we are and reimagine the people we might become.
Adriatic recounts the shared history of the countries around the sea, from Italy to Croatia and beyond, from the Romans to the present.
Hiding in Plain Sight: Women Warriors throughout Time and Space takes the many, long-standing dimensions of military history, including the various modalities of warfare across cultures and periods, and integrates them with the more recent and very substantial contributions of social history, women’s history, black history, feminist theory, LGBTQ community, and other perspectives. By providing an extensive annotated bibliography of the new findings, the work provides the reader with an exciting compilation of new knowledge placed within a longstanding military historical framework, one which provides a broader study and understanding of warfare into which to put the very recent, disparate findings culled from many disciplines. The book reaffirms that women have long been deeply embedded in the practice of warfare, not simply as victims or minor curiosities, but as important actors—tactically, strategically, in combat, and directing warfare from afar—just as their male counterparts. The concomitant amalgam also shows that certain types and patterns of warfare such as the defense of castles and fortresses, commanding a ship or a fleet, revolutionary warfare, and today’s drone and cyber-forms of warfare have been more conducive to female activity than other forms of warfare, even as women are also present in a wider variety of other broader temporal and geographical dimensions of the history of warfare. Hiding in Plain Sight is the only extensive annotated bibliography currently available which provides such a holistic overview of recent scholarship by grounding that scholarship in the existing military canon and history.
Who says women don’t go to war? From Vikings and African queens to cross-dressing military doctors and WWII Russian fighter pilots, these are the stories of women for whom battle was not a metaphor. The woman warrior is always cast as an anomaly—Joan of Arc, not GI Jane. But women, it turns out, have always gone to war. In this fascinating and lively world history, Pamela Toler not only introduces us to women who took up arms, she also shows why they did it and what happened when they stepped out of their traditional female roles to take on other identities. These are the stories of women who fought because they wanted to, because they had to, or because they could. Among the warriors you’ll meet are: * Tomyris, ruler of the Massagetae, who killed Cyrus the Great of Persia when he sought to invade her lands * The West African ruler Amina of Hausa, who led her warriors in a campaign of territorial expansion for more than 30 years * Boudica, who led the Celtic tribes of Britain into a massive rebellion against the Roman Empire to avenge the rapes of her daughters * The Trung sisters, Trung Trac and Trung Nhi, who led an untrained army of 80,000 troops to drive the Chinese empire out of Vietnam * The Joshigun, a group of 30 combat-trained Japanese women who fought against the forces of the Meiji emperor in the late 19th century * Lakshmi Bai, Rani of Jhansi, who was regarded as the “bravest and best” military leader in the 1857 Indian Mutiny against British rule * Maria Bochkareva, who commanded Russia’s first all-female battalion—the First Women’s Battalion of Death—during WWII * Buffalo Calf Road Woman, the Cheyenne warrior who knocked General Custer off his horse at the Battle of Little Bighorn * Juana Azurduy de Padilla, a mestiza warrior who fought in at least 16 major battles against colonizers of Latin America and who is a national hero in Bolivia and Argentina today * And many more spanning from ancient times through the 20th century. By considering the ways in which their presence has been erased from history, Toler reveals that women have always fought—not in spite of being women but because they are women.
‘War is too important to be left to the generals’ snapped future French prime minister Georges Clemenceau on learning of yet another bloody and futile offensive on the Western Front. One of the great questions in the ongoing discussions and debate about the First World War is why did winning take so long and exact so appalling a human cost? After all this was a fight that, we were told, would be over by Christmas. Now, in his major new history, Allan Mallinson, former professional soldier and author of the acclaimed 1914: Fight the Good Fight, provides answers that are disturbing as well as controversial, and have a contemporary resonance. He disputes the growing consensus among historians that British generals were not to blame for the losses and setbacks in the ‘war to end all wars’ – that, given the magnitude of their task, they did as well anyone could have. He takes issue with the popular view that the ‘amateur’ opinions on strategy of politicians such as Lloyd George and, especially, Winston Churchill, prolonged the war and increased the death toll. On the contrary, he argues, even before the war began Churchill had a far more realistic, intelligent and humane grasp of strategy than any of the admirals or generals, while very few senior officers – including Sir Douglas Haig – were up to the intellectual challenge of waging war on this scale. And he repudiates the received notion that Churchill’s stature as a wartime prime minister after 1940 owes much to the lessons he learned from his First World War ‘mistakes’ – notably the Dardanelles campaign – maintaining that in fact Churchill’s achievement in the Second World War owes much to the thwarting of his better strategic judgement by the ‘professionals’ in the First – and his determination that this would not be repeated. Mallinson argues that from day one of the war Britain was wrong-footed by absurdly faulty French military doctrine and paid, as a result, an unnecessarily high price in casualties. He shows that Lloyd George understood only too well the catastrophically dysfunctional condition of military policy-making and struggled against the weight of military opposition to fix it. And he asserts that both the British and the French failed to appreciate what the Americans’ contribution to victory could be – and, after the war, to acknowledge fully what it had actually been.