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A group of 17 essays: The Throwing Madonna; The Lovable Cat: Mimicry Strikes Again; Woman the Toolmaker? Did Throwing Stones Lead to Bigger Brains? The Ratchets of Social Evolution; The Computer as Metaphor in Neurobiology; Last Year in Jerusalem; Computing Without Nerve Impulses; Aplysia, the Hare of the Ocean; Left Brain, Right Brain: Science or the New Phrenology? What to Do About Tic Douloureux; Linguistics and the Brain's Buffer; The Woodrow Wilson Story; Thinking Clearly About Schizophrenia; Of Cancer Pain, Magic Bullets, and Humor; Linguistics and the Brain's Buffer; Probing Language Cortex: The Second Wave; and The Creation Myth, Updated: A Scenario for Humankind.
Examinations of the workings of the brain include discussions on schizophrenia, the nature of pain, and the right side of the brain
A man working in a covert operation called the Ivory Madonna avenges his father who was abducted and destroyed by a stranger 20 years ago.
'Tense, original and lyrically told; this is a gripping story of a community spellbound by collective mania and the search for what cannot be found...' Gail Jones This is the story of a crime. This is the story of a miracle. There are two stories here. Hannah Mulvey left her island home as a teenager. But her stubborn, defiant mother is dying, and now Hannah has returned to Chesil, taking up a teaching post at the tiny schoolhouse, doing what she can in the long days of this final year. But though Hannah cannot pinpoint exactly when it begins, something threatens her small community. A girl disappears entirely from class. Odd reports and rumours reach her through her young charges. People mutter on street corners, the church bell tolls through the night and the island's women gather at strange hours...And then the miracles begin. A page-turning, thought-provoking portrayal of a remote community caught up in a collective moment of madness, of good intentions turned terribly awry. A blistering examination of truth and power, and how we might tell one from the other. SHORTLISTED FOR THE WEST AUSTRALIAN PREMIER'S BOOK AWARDS PREMIER'S PRIZE FOR AN EMERGING WRITER 2020 Praise for The Salt Madonna 'Catherine Noske's debut novel grapples with questions of familial obligation, complicity, remorse and the fallibility of memory ... The Salt Madonna will appeal to readers who enjoyed Laura Elizabeth Woollett's Beautiful Revolutionary.' - Books+Publishing 'Catherine Noske's The Salt Madonna is Australian Gothic at its most sublime and uncanny. Superbly atmospheric and darkly unsettling, the characters are haunted by their colonial pasts, manifested in guilty silence...Noske's taut, subversive writing exposes unspeakable truths buried in dazzling stories, miracles and epiphanies.' - Cassandra Atherton
A Caregiver’s Tale When Eve suffered a near-fatal brain aneurysm, Madonna Siles, her housemate and friend, too quickly found herself making critical short- and long-term medical care decisions without any help. When the insurance and financial resources ran out and the conventional therapy providers discharged zombie-like Eve to the homecare of a solitary caregiver, both their futures seemed hopeless. Instead of giving up, Madonna Siles drew on life experience and her marketing career to develop a rehabilitation program that harnessed the power of the subconscious mind. Using motivational techniques borrowed from the advertising world, she appealed to Eve’s subconscious to bypass the brain damage and restore normal functioning. In three short years, even the doctors were amazed at Eve’s recovery and return to a near-normal life. Part memoir, part recovery manual, Brain, Heal Thyself is a guidebook for thousands of shell-shocked individuals who suddenly find themselves having to make life and death decisions for those they love. With humor, warmth, and arresting honesty, Madonna Siles’s lively narrative closely examines not only the patient’s recovery, but also the crucial role of caregivers—and the emotional, financial, and practical pressures they face.
A groundbreaking theory of how language arose from primate gestures It is often said that speech is what distinguishes us from other animals. But are we all talk? What if language was bequeathed to us not by word of mouth, but as a hand-me-down? The notion that language evolved not from animal cries but from manual and facial gestures—that, for most of human history, actions have spoken louder than words—has been around since Condillac. But never before has anyone developed a full-fledged theory of how, why, and with what effects language evolved from a gestural system to the spoken word. Marshaling far-flung evidence from anthropology, animal behavior, neurology, molecular biology, anatomy, linguistics, and evolutionary psychology, Michael Corballis makes the case that language developed, with the emergence of Homo sapiens, from primate gestures to a true signed language, complete with grammar and syntax and at best punctuated with grunts and other vocalizations. While vocal utterance played an increasingly important complementary role, autonomous speech did not appear until about 50,000 years ago—much later than generally believed. Bringing in significant new evidence to bolster what has been a minority view, Corballis goes beyond earlier supporters of a gestural theory by suggesting why speech eventually (but not completely!) supplanted gesture. He then uses this milestone to account for the artistic explosion and demographic triumph of the particular group of Homo sapiens from whom we are descended. And he asserts that speech, like written language, was a cultural invention and not a biological fait accompli. Writing with wit and eloquence, Corballis makes nimble reference to literature, mythology, natural history, sports, and contemporary politics as he explains in fascinating detail what we now know about such varied subjects as early hominid evolution, modern signed languages, and the causes of left-handedness. From Hand to Mouth will have scholars and laymen alike talking—and sometimes gesturing—for years to come.
With this first book in Russell Brand’s Trickster Tales series, the famed comedian, actor, and bestselling author delivers a hilarious retelling of an old fairytale favorite that will appeal to adults and children alike. Once upon a time, long ago, in a time that seemed, to those present, exactly like now except their teeth weren’t so clean and more things were wooden, there was a town called Hamelin. The people of Hamelin were a pompous bunch who loved themselves and their town so much that if it were possible they would have spent all day zipped up in a space suit smelling their own farts. But space suits hadn’t been invented yet so they couldn’t. Then one day without warning a gang of rats bowled into the town and began causing a right rumpus… So begins Russell Brand’s wildly funny and surprisingly wise retelling of the classic tale The Pied Piper of Hamelin. Whether you’re a kid or a grown-up kid, you’ll be chuckling the whole way through this zany story that bypasses Brand’s more adult humor for the outrageous, the madcap, and the just plain silly. Maybe you’ve heard about the Pied Piper before, with his strange music and those pompous townspeople and pesky rats. Or maybe you haven’t. But one thing is for sure: you’ve never heard it quite like this.
“Friend, asshole, angel, mutant,” singer-songwriter Vic Chesnutt “came along and made us gross and broken people seem . . . I dunno, cooler, I guess.” A quadriplegic who could play only simple chords on his guitar, Chesnutt recorded seventeen critically acclaimed albums before his death in 2009, including About to Choke, North Star Deserter, and At the Cut. In 2006, NPR placed him in the top five of the ten best living songwriters, along with Bob Dylan, Tom Waits, Paul McCartney, and Bruce Springsteen. Chesnutt’s songs have also been covered by many prominent artists, including Madonna, the Smashing Pumpkins, R.E.M., Sparklehorse, Fugazi, and Neutral Milk Hotel. Kristin Hersh toured with Chesnutt for nearly a decade and they became close friends, bonding over a love of songwriting and mutual struggles with mental health. In Don’t Suck, Don’t Die, she describes many seemingly small moments they shared, their free-ranging conversations, and his tragic death. More memoir than biography, Hersh’s book plumbs the sources of Chesnutt’s pain and creativity more deeply than any conventional account of his life and recordings ever could. Chesnutt was difficult to understand and frequently difficult to be with, but, as Hersh reveals him, he was also wickedly funny and painfully perceptive. This intimate memoir is essential reading for anyone interested in the music or the artist.
The Brief History of Mind offers an exhilarating account of the evolution of the human brain from simpler versions of mental life in apes, Neanderthals, and our ancestors, back before our burst of creativity started 50,000 years ago.
Poetry. African American Studies. "Abdul Ali's TROUBLE SLEEPING awakens the mind. Like the guts of a marvelous timepiece, the incremental details tick with merciless accuracy and timeless certainty. Urban, gutsy, each poem exposes the conflicts of an inner-city speaker. Yet even in the midst of conflict one believes the voice saying, 'I love the city.' Here, popular culture converges with iconic moments of American history; personal and worldly affairs, and a knowing, practiced music holds TROUBLE SLEEPING together as a needful song." Yusef Komunyakaa"