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The three billy goats outsmart the hungry troll who lives under the bridge.
Three hungry goats need to cross a bridge to get to a luscious field of green grass. But a greedy old troll stands in their way and threatens to devour anything that sets foot on its path. So how can the goats safely cross the bridge? They must get clever, of course! The Three Witty Goats Gruff preserves the fun and charm of the beloved original, Three Billy Goats Gruff, while adding a new spin to this cautionary tale. With plenty of repetition and exciting dialogue, young readers are sure to join in on the adventure. Perfect for shared reading at home or in the classroom.
Three billy goats must cross a bridge that shelters a mean and hungry troll in order to get to their favorite pasture.
Reading and writing are the most important skills a child acquires during his or her lifetime--and it all begins in the early childhood classroom, where creative play, discovery and time to explore are at the heart of a developmentally appropriate and child-centered curriculum. Striking a balance between these often competing priorities can challenge even the most experienced educator.
Applause! Applause! And wasn't it easy! Even non-musical teachers will love using this simple musical play. Children will bring stories to life through drama, music, art, language, and gross motor activities. Each book contains a CD (print books) or audio files (eBooks) and a resource guide loaded with songs, music, and step-by-step directions for classroom use or performance. The CD and audio files contain both songs with lyrics, and piano accompaniment only. This play is loaded with wonderful music and catchy lyrics that children will want to sing again and again!
This book is for librarians and educators who truly want to hone their craft and become expert storytellers. Walter Minkel offers instruction on staging puppet shows in the library, creating characters, writing scripts, and building stages.
Reading and writing are the most important skills a child acquires during his or her lifetime--and it all begins in the early childhood classroom, where creative play, discovery and time to explore are at the heart of a developmentally appropriate and child-centered curriculum. Striking a balance between these often competing priorities can challenge even the most experienced educator.
Offers strategies and resources for youth services librarians who want to introduce humor into their programs, featuring tricks of the humor trade, programming models, and select bibliographies of humor books.
For every woman with a big-haired lady buried inside them, it’s time to live large and unleash the authentic person God created you to be. Sue Buchanan, everybody’s favorite cheerleader, tells it like it is as she exhorts her beloved readers to look at their life story through a new and different viewfinder, come to grips with the past that has shaped them and then, with God’s help, move on to live a more enriched life. Sue can relate to women who deal with the difficulties of daily life (nasty people, weight and image concerns, aging, God issues and parenting) as well as the bigger crises of life (hers was surviving breast cancer). And yet, in the midst of it all, Sue reminds readers to take hold of their thinking and give themselves permission to laugh and unleash the cute, witty, delightful, intelligent, passionate, authentic, interesting life-of-the-party person they always dreamed they would be!
The most comprehensive, smart, helpful and inspiring guide to improve available today. Applicable to comedians, actors, public speakers and anyone who needs to think on their toes. From The Improv Handbook: The problem for improvisers is anxiety. faced with a lot of nameless eyes staring at us, and feeling more than anything else like prey, we are likely to want to display very consistent behavior, so that anyone who looks at us, looks away and then looks back sees the same thing. Thus we become boring, we fade into the background, and we cease to be of interest. The Improv Handbook provides everything someone interested in improvisational comedy needs to know, as written by a husband and wife comedy duo with years of experience and teaching in the field. in addition to providing a comprehensive history of improvisational theater as a backdrop, it also looks at modern theories and practices of improvisation on a global scale, including how the form of comedy has evolved differently in different parts of the world, from Europe to the UK to the Chicago scene. The Improv Handbook also contains an essential performance segment that details different formats of improvisation. Chapter topics include Theatresports, Micetro, Gorilla Theatre, and the inventions of Keith Johnstone and Del Close as well as other popular forms of improv, like those on "Whose Line is it Anyway." The core section of the book is called simply, "How to Improvise" and delves into issues of spontaneity, the fundamentals of storytelling, working together, upping the ante, and character development. The book concludes with sections on how to improvise in front of an audience and- just as crucially- how to attract an audience in the first place.