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WITH the present work M. Zola completes the "Trilogy of the Three Cities," which he began with "Lourdes" and continued with "Rome"; and thus the adventures and experiences of Abbe Pierre Froment, the doubting Catholic priest who failed to find faith at the miraculous grotto by the Cave, and hope amidst the crumbling theocracy of the Vatican, are here brought to what, from M. Zola's point of view, is their logical conclusion. From the first pages of "Lourdes," many readers will have divined that Abbe Froment was bound to finish as he does, for, frankly, no other finish was possible from a writer of M. Zola's opinions. Taking the Trilogy as a whole, one will find that it is essentially symbolical. Abbe Froment is Man, and his struggles are the struggles between Religion, as personified by the Roman Catholic Church, on the one hand, and Reason and Life on the other. In the Abbe's case the victory ultimately rests with the latter; and we may take it as being M. Zola's opinion that the same will eventually be the case with the great bulk of mankind. English writers are often accused of treating subjects from an insular point of view, and certainly there may be good ground for such a charge. But they are not the only writers guilty of the practice. The purview of French authors is often quite as limited: ...
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"The Three Cities Trilogy: Paris, Complete" by Émile Zola Pierre Froment is the main character, who, having lost all faith, decides to devote himself to charity for the poorest in the world without success. He then opposes his chemist and anarchist brother, the inventor of a new high-powered explosive, who wants to change the world with the use of terror and violence, leading the hero to understand the need for a new way of organizing society to fight poverty. Zola also paints a picture of the Paris of money, politics, and pleasure, as opposed to the extreme poverty that leads to anarchy.
This carefully crafted ebook: “The Complete Three Cities Trilogy: Lourdes + Rome + Paris” is formatted for your eReader with a functional and detailed table of contents. In this trilogy, translated by Ernest Alfred Vizetelly (1853-1922), Zola delves into the history and politics of the Catholic church. The protagonist of all three novels is Abbé Pierre Froment. In Lourdes Pierre seemed in danger of losing his faith, but Rome opens with the young priest experiencing a newfound fervor toward his calling. Lourdes Lourdes, originally published in 1894, is the first volume in Emile Zola's Three Cities Trilogy. Zola examines the phenomena of the Lourdes shrine in southern France, and the pilgrims who go there. Based on his own trip to the fabled grotto, the novel follows a simple five-part structure corresponding to the five-day train trip from Paris to Lourdes and back. Rome Originally published in 1896, Rome is the second volume in the Three Cities Trilogy. The story takes place in the late 19th century, shortly after Italy has gained its independence and absorbed the former Papal States. Zola repeatedly contrasts the former glory of Imperial Rome with the city’s present state of financial ruin and decay. The populace of Rome is split between two factions, the “black” and the “white”—those faithful to the Vatican and those loyal to the new Italian government. The church in turn is divided among those who adamantly cling to time-honored dogma and those who think the church must make concessions and broaden its appeal in order to survive in the modern world. Paris Paris is the third volume of the Three Cities trilogy. Published in 1898, Paris is Zola's summation of the 19th Century and his predictions and hopes for the 20th Century. In this work Zola gives a splendid portrayal of social life in Paris at the end of the century. He takes us into the lives of men and women of the upper classes, the working class, and even revolutionary Anarchists. Émile Zola (1840 – 1902), French novelist, critic, and political activist who was the most prominent French novelist of the late 19th century. He was noted for his theories of naturalism, which underlie his monumental 20-novel series Les Rougon-Macquart, and for his intervention in the Dreyfus Affair through his famous open letter, “J’accuse.”