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Thomas McGurrin is a fourth-grade teacher and openly gay man at a private primary school serving Portland, Oregon's wealthy progressive elite when he is falsely accused of inappropriately touching a male student. The accusation comes just as Thomas is thrust back into the center of his unusual family by his younger brother's battle with cancer. Although cleared of the accusation, Thomas is forced to resign from a job he loves during a potentially life-changing family drama. Davison's novel explores the discrepancy between the progressive ideals and persistent negative stereotypes among the privileged regarding social status, race, and sexual orientation and the impact of that discrepancy on friendships and family relations.
A small boy trapped in a life of fear has nowhere to turn until an old man with a secret moves in upstairs.
Originally published: New York: Prentice-Hall, 1937.
Shortlisted for the Scottish Poetry Book of the Year 2021 Longlisted for the Laurel Prize 2021 A Telegraph Book of the Year 2020 This Selected celebrates Scotland's most distinctive contemporary writer, a vivid minimalist, ruralist, and experimentalist.
Gender, Family, and Politics is the first full-length, gender-inclusive study of the Howard family, one of the pre-eminent families of early-modern Britain. Most of the existing scholarship on this aristocratic dynasty's political operation during the first half of the sixteenth-century centres on the male family members, and studies of the women of the early-modern period tends to focus on class or geographical location. Nicola Clark, however, places women and the question of kinship in centre-stage, arguing that this is necessary to understand the complexity of the early modern dynasty. A nuanced understanding of women's agency, dynastic identity, and politics allows us to more fully understand the political, social, religious, and cultural history of early-modern Britain.
Tom Clarke was the architect of the 1916 Rising - the old Fenian surrounded by a young generation of republicans whom he galvanized towards one of the most important events in Irish history. Clarke is here brough to life through the letters he wrote to family and friends over a 17-year period.
#1 NEW YORK TIMES BESTSELLER NAMED ONE OF THE BEST BOOKS OF THE YEAR BY Janet Maslin, The New York Times • St. Louis Post-Dispatch When Pulitzer Prize–winning journalist Bill Dedman noticed in 2009 a grand home for sale, unoccupied for nearly sixty years, he stumbled through a surprising portal into American history. Empty Mansions is a rich mystery of wealth and loss, connecting the Gilded Age opulence of the nineteenth century with a twenty-first-century battle over a $300 million inheritance. At its heart is a reclusive heiress named Huguette Clark, a woman so secretive that, at the time of her death at age 104, no new photograph of her had been seen in decades. Though she owned palatial homes in California, New York, and Connecticut, why had she lived for twenty years in a simple hospital room, despite being in excellent health? Why were her valuables being sold off? Was she in control of her fortune, or controlled by those managing her money? Dedman has collaborated with Huguette Clark’s cousin, Paul Clark Newell, Jr., one of the few relatives to have frequent conversations with her. Dedman and Newell tell a fairy tale in reverse: the bright, talented daughter, born into a family of extreme wealth and privilege, who secrets herself away from the outside world. Huguette was the daughter of self-made copper industrialist W. A. Clark, nearly as rich as Rockefeller in his day, a controversial senator, railroad builder, and founder of Las Vegas. She grew up in the largest house in New York City, a remarkable dwelling with 121 rooms for a family of four. She owned paintings by Degas and Renoir, a world-renowned Stradivarius violin, a vast collection of antique dolls. But wanting more than treasures, she devoted her wealth to buying gifts for friends and strangers alike, to quietly pursuing her own work as an artist, and to guarding the privacy she valued above all else. The Clark family story spans nearly all of American history in three generations, from a log cabin in Pennsylvania to mining camps in the Montana gold rush, from backdoor politics in Washington to a distress call from an elegant Fifth Avenue apartment. The same Huguette who was touched by the terror attacks of 9/11 held a ticket nine decades earlier for a first-class stateroom on the second voyage of the Titanic. Empty Mansions reveals a complex portrait of the mysterious Huguette and her intimate circle. We meet her extravagant father, her publicity-shy mother, her star-crossed sister, her French boyfriend, her nurse who received more than $30 million in gifts, and the relatives fighting to inherit Huguette’s copper fortune. Richly illustrated with more than seventy photographs, Empty Mansions is an enthralling story of an eccentric of the highest order, a last jewel of the Gilded Age who lived life on her own terms. Praise for Empty Mansions “An amazing story of profligate wealth . . . an outsized tale of rags-to-riches prosperity.”—The New York Times “An evocative and rollicking read, part social history, part hothouse mystery, part grand guignol.”—The Daily Beast “Fascinating . . . [a] haunting true-life tale.”—People “One of those incredible stories that you didn’t even know existed. It filled a void.”—Jon Stewart, The Daily Show “Thrilling . . . deliciously scandalous.”—Publishers Weekly (starred review)
Winner of the 2017 Rainbow Award for BEST GAY HISTORICAL! In 1845, as America is drowning in its own racial conflict, in a time when forbidden love has to remain a secret, can two young men find love when one has everything to lose, and the other has nothing? For Tobias, a young African man, life has ended before it began. Snatched abruptly from his homeland and enslaved into the Antebellum South, grand homes and majestic oak trees meant little to him. Now he is considered the property of other men, but his spirit would not be broken. The awkward Benjamin Nathanael Lee lives a privileged life. His father owns the largest tobacco plantation south of the Mason Dixon line. Ben wants little to do with the harsh realities of running a plantation-that is, until he meets Tobias, the one person that changes everything for him. Wealth, greed, and power brought them together. The same now threatens to separate them forever. The two men are on the verge of losing the one thing that matters: their love for one another. Against the odds, they steal off and embark on a journey to find freedom: the freedom to love one another and to live a life without the chains of slavery. Come to the Oaks is the tale of a forbidden romance-a love forged by two young men as they journey through a land that is tearing itself apart.
The foothills of Upstate New York are alive with something terrifying. It hunts, it tempts, it traps, and there's no escape. Thomas R Clark re-invents Irish Mythology and takes you on a bloody, emotional, and horrific journey back through time with the tale of the McEntire clan, and the devastating secrets they hold. The author of the Splatterpunk Awards nominated Bella's Boys: A Tale of Cosmic Horror has crafted a story that's part The Wicker Man and part Cycle of the Werewolf, but at the same time like nothing you've read before.