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The story of a rope, a symbol, and rough justice in America. The hangman's knot is a simple thing to tie, just a rope carefully coiled around itself up to thirteen times. But in those thirteen turns lie a powerful symbol, one that is all too deeply connected to America's past -- and present. The last man to be hanged in the United States was Billy Bailey, who was executed in Delaware in 1996 for committing a double murder. Even today, hanging is still legal, in certain situations, in New Hampshire and Washington. And the noose remains a potent cultural symbol. An incident in Jena, Louisiana, in 2006, in which nooses were used to menace black students, made national news. Yet little has changed: according to author Jack Shuler, there have been nearly 100 "noose incidents" just in the last two years. The Thirteenth Turn unravels these stories, from Judas Iscariot, perhaps the most infamous hanged man, to the killing of Perry Smith and Richard Hickock, the murderers at the heart of Truman Capote's In Cold Blood, and beyond. In his travels across America, Shuler traces the evolution of this dark practice. As he investigates the death of John Brown, or the 1930 lynching that inspired the song "Strange Fruit," he finds that the very places that perpetrated these acts now seek to forget them. Shuler's account is a kind of shadow history of America: a reminder that vigilantes and hangmen play a crucial role in our national story. The Thirteenth Turn is a courageous and searching book that reminds us where we come from, and what is lost if we forget.
The Thirteenth-Century Animal Turn: Medieval and Twenty-First-Century Perspectives examines a wide range of texts to argue in favour of a thirteenth-century animal turn which not only generated a heightened scholarly awareness of animals but also had major implications for society more generally. Using diverse primary sources, the book considers the role of Aristotle in shaping thirteenth-century perspectives on natural history; Pope Innocent III’s encouraging the use of animals in the theological and moral instruction of the laity; the increasing relevance of animals to the promotion and assertion of lay aristocratic identity; and the tension between violence and affection towards animals that pervaded the thirteenth century as it does the twenty-first. Analysing these many considerations, Nigel Harris also argues that the thirteenth century was an era in which traditional conceptions of the fundamental ‘anthropological difference’ between humans and animals was subjected to increasingly urgent questioning and challenge.
In this rousingly good ghost story, Setterfield's debut novel rejuvenates the genre with a closely plotted, clever foray into a world of secrets, confused identities, lies, and half-truths.
Duan Yunfei never expected that a dignified female hero like him would marry a jealous man. Even if he were to meet the Western Lion Protector out of respect, it would still cause him to go into a rage of jealousy."Mu Xianyang, this princess has said that I have business with him. If you dare to be jealous again, this princess will throw you into a bathtub of vinegar."Mu Xianyang almost died of anger when he heard this, "Thirteenth Princess, you were born to this king, and death belongs to this king. Even if you end up taking a bath in a jar of vinegar, you have to accompany me."One day, in order to prove that he loved Duan Yunfei, Mu Xianyang had someone prepare a jar of vinegar and was about to pull Duan Yunfei to take a bath. The corner of Duan Yunfei's lips slightly raised as he thought to himself, 'Mu Xianyang, you really are a cute kid.
Traveling around the United States, the Guggenheim grant recipient spent 2012 chronicling 250 13 year olds, creating still portraits and video documentation of each. The resulting body of work creates a rich collective portrait of a group of Americans whose lives began at the turn of the millennium and who are coming of age now. To Be Thirteen depicts all 250 portraits with brief quotations from the extended video interviews and an interview by Center for Creative Photography Chief Curator Rebecca Senf with Schneider, unpacking details about the artist's process, insights about the project and how it changed her, as well as longer excerpts from the subjects. This publication captures and conveys the experience of meeting with the artist and looking through a stack of prints with her, and will complement an exhibition of the project debuting at the Phoenix Art Museum in the spring of 2018. -- Publisher's website.
While spending the summer with their grandparents, on a remote farm in South Carolina, Ben Alderman and his sister Casey uncover a hidden world of magic; a world their grandmother is secretly visiting. It is a world where elves and dwarves are locked in mortal combat against a witch who is trying to free the last surviving wizard from exile. The witch has been defeated once before, but with the combined power of the wizard, no one will be able to stand against them. Much to Ben's dismay, he learns that he is the one foretold in the ancient elfin prophecies to bring about the downfall of the witch and save this exciting new world from destruction.
When her dying aunt gives her a magical pocket watch, twelve-year-old Rosemary, as she begins to dream, enters a fantastical place where each hour of the watch takes her to a different world--until the class bully steals the watch, and Rosemary must gather the magic from all twelve worlds to rescue a boy she does not even like.