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A heart-stopping delve into the twisted mind of a serial killer from the creator of the hit BBC drama Silent Witness. Perfect for fans of M.J. Arlidge and Angela Marsons. Stretching along the shelf, standing upright, were twelve wooden coffins. Nine were closed, and three open . . . with little dolls standing inside them . . . It was supposed to be the most special day of her life - until the unthinkable happened. Leslie Petersen is shot dead on her wedding day. With the bride's killer vanished without a trace, the investigation into the murder grinds to a halt before it's even begun. But then, the decomposing body of an unidentified homeless man is found in an old Cold War bunker, and DCI Mark Lapslie makes a bizarre discovery. Hidden near the body is a shrine full of miniature wooden coffins. Each coffin contains a little doll, all dressed differently. One of the dolls is dressed as a bride - could this be a link to Leslie's murder? And if so, who do the other dolls represent? Can Lapslie and his team stop the countdown of the 'dying dolls' before it's too late? Discover the other books in the DCI Mark Lapslie series: Core of Evil, Tooth and Claw, Scream and Flesh and Blood.
“A lifetime’s worth of workbench philosophy in a heartfelt memoir about the connection between a father and son” (Kirkus Reviews)—the acclaimed author of The Hard Way on Purpose confronts mortality, survives loss, and finds resilience through an unusual woodworking project—constructing, with his father, his own coffin. David Giffels grew up fascinated by his father’s dusty, tool-strewn workshop and the countless creations it inspired. So when he enlisted his eighty-one-year-old dad to help him build his own casket, he thought of it mostly as an opportunity to sharpen his woodworking skills and to spend time together. But the unexpected deaths of his mother and, a year later, his best friend, coupled with the dawning realization that his father wouldn’t be around forever for such offbeat adventures—and neither would he—led to a harsh confrontation with mortality and loss. Over the course of several seasons, Giffels returned to his father’s barn in rural Ohio, a place cluttered with heirloom tools, exotic wood scraps, and long memory, to continue a pursuit that grew into a meditation on grief and optimism, a quest for enlightenment, and a way to cherish time with an aging parent. With wisdom and humor, Giffels grapples with some of the hardest questions we all face as he and his father saw, hammer, and sand their way through a year bowed by loss. Furnishing Eternity is “an entertaining memoir that moves through gentle absurdism to a poignant meditation on death and what comes before it” (Publishers Weekly). “Tender, witty and, like the woodworking it describes, painstakingly and subtly wrought. Furnishing Eternity continues Giffels’s unlikely literary career as the bard of Akron, Ohio…Only a very skilled engineer of a writer can transform the fits and starts, the fitted corners and sudden gouges of the assembly process into a kind of page-turning drama” (The New York Times Book Review).
The year is 1875 and outlaw Salem Covington has spent the last twenty years collecting stories, possessions, and lives. Nicknamed "The Black Magpie" for his exploits during the war, Salem has carved a bloody trail across the western territories. Informed that his mentor, Comanche shaman Dead Bear, has been murdered. Salem vows vengeance on the perpetrators. Enlisting the help of an army scout and preserving the body of his mentor in a specially made coffin, he sets out in pursuit. But the choices of Salem's past that earned him the moniker "Black Magpie" are riding hard behind him and the only weapon that can kill him might not be as far away as he thinks.The Magpie Coffin is an unrelenting tale of revenge, with precise brutality and extreme violence.
Written jointly by an Israeli anthropologist and a Palestinian family therapist, this analysis of the Arab-Israeli conflict combines the perspectives of two prominent segments of the Middle Eastern puzzle - Israeli Jews and the Palestinian citizens of Israel.
Reproduction of the original: The Thirteen by Honore de Balzac
Historical and Archaeological Aspects of Egyptian Funerary Culture, a thoroughly reworked translation of Les textes des sarcophages et la démocratie published in 2008, challenges the widespread idea that the “royal” Pyramid Texts of the Old Kingdom after a process of “democratisation” became, in the Middle Kingdom, accessible even to the average Egyptian in the form of the Coffin Texts. Rather they remained an element of elite funerary culture, and particularly so in the Upper Egyptian nomes. The author traces the emergence here of the so-called “nomarchs” and their survival in the Middle Kingdom. The site of Dayr al-Barshā, currently under excavation, shows how nomarch cemeteries could even develop into large-scale processional landscapes intended for the cult of the local ruler. This book also provides an updated list of the hundreds of (mostly unpublished) Middle Kingdom coffins and proposes a new reference system for these.