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A reissue of Barbara Shelby Merello's 1968 English translation of João Guimarães Rosa's 'Primeiras Estórias, ' with the short stories restored to Rosa's original order.
A sweeping look at the war over the Amazon—as activists,locals, and indigenous tribes struggle to save it from the threat of loggers, drug lords, and corrupt cops and politicians Following doctors and detectives, environmental activists and indigenous tribes, The Third Bank of the River traces the history of the Amazon from the arrival of the first Spanish flotilla to the drones that are now mapping unexplored parts of the forest. Grounded in rigorous firsthand reporting and in-depth research, Chris Feliciano Arnold reveals a portrait of Brazil and the Amazon that is complex, bloody, and often tragic. During the 2014 World Cup, an isolated Amazon tribe emerged from the rain forest on the misty border of Peru and Brazil, escaping massacre at the hands of loggers who wanted their land. A year later, in the jungle capital of Manaus, a bloody weekend of reprisal killings inflame a drug war that has blurred the line between cops and kingpins. Both events reveal the dual struggles of those living in and around the world’s largest river. As indigenous tribes lose their ancestral culture and territory to the lure and threat of the outside world, the question arises of how best to save isolated tribes: Keep them away from the modern world or make contact in an effort to save them from extinction? As Brazil looks to be a world leader in the twenty-first century, this magnificent and vast region is mired in chaos and violence that echoes the atrocities that have haunted the rain forest since Europeans first traveled its waters.
Rosa (1908-1967) was one of the most acclaimed Brazilian writers of the 20th century, exploring the twisting frontiers between 'white man' and Indio, human and animal kind, city and backwoods life, madness and sanity, all themes that he examined with unflagging originality of throughout and language. This paperback original contains entirely new translations of his best pieces.
Growing up near the Sabine, journalist Wes Ferguson, like most East Texans, steered clear of its murky, debris-filled waters, where alligators lived in the backwater sloughs and an occasional body was pulled from some out-of-the-way crossing. The Sabine held a reputation as a haunt for a handful of hunters and loggers, more than a few water moccasins, swarms of mosquitoes, and the occasional black bear lumbering through swamp oak and cypress knees. But when Ferguson set out to do a series of newspaper stories on the upper portion of the river, he and photographer Jacob Croft Botter were entranced by the river’s subtle beauty and the solitude they found there. They came to admire the self-described “river rats” who hunted, fished, and swapped stories along the muddy water—plain folk who love the Sabine as much as Hill Country vacationers love the clear waters of the Guadalupe. Determined to travel the rest of the river, Ferguson and Botter loaded their gear and launched into the stretch of river that charts the line between the states and ends at the Gulf of Mexico. To learn more about The Meadows Center for Water and the Environment, sponsors of this book's series, please click here.
“This quietly profound book belongs on the shelf next to Jon Krakauer’s Into the Wild.” —The New York Times The riveting true story of Dick Conant, an American folk hero who, over the course of more than twenty years, canoed solo thousands of miles of American rivers—and then disappeared near the Outer Banks of North Carolina. This book “contains everything: adventure, mystery, travelogue, and unforgettable characters” (David Grann, best-selling author of Killers of the Flower Moon). For decades, Dick Conant paddled the rivers of America, covering the Mississippi, Yellowstone, Ohio, Hudson, as well as innumerable smaller tributaries. These solo excursions were epic feats of planning, perseverance, and physical courage. At the same time, Conant collected people wherever he went, creating a vast network of friends and acquaintances who would forever remember this brilliant and charming man even after a single meeting. Ben McGrath, a staff writer at The New Yorker, was one of those people. In 2014 he met Conant by chance just north of New York City as Conant paddled down the Hudson, headed for Florida. McGrath wrote a widely read article about their encounter, and when Conant's canoe washed up a few months later, without any sign of his body, McGrath set out to find the people whose lives Conant had touched--to capture a remarkable life lived far outside the staid confines of modern existence. Riverman is a moving portrait of a complex and fascinating man who was as troubled as he was charismatic, who struggled with mental illness and self-doubt, and was ultimately unable to fashion a stable life for himself; who traveled alone and yet thrived on connection and brought countless people together in his wake. It is also a portrait of an America we rarely see: a nation of unconventional characters, small river towns, and long-forgotten waterways.
The New York Times–bestselling classic set amid the mountains and streams of early twentieth-century Montana, “as beautiful as anything in Thoreau or Hemingway” (Chicago Tribune). When Norman Maclean sent the manuscript of A River Runs Through It and Other Stories to New York publishers, he received a slew of rejections. One editor, so the story goes, replied, “it has trees in it.” Today, the title novella is recognized as one of the great American tales of the twentieth century, and Maclean as one of the most beloved writers of our time. The finely distilled product of a long life of often surprising rapture—for fly-fishing, for the woods, for the interlocked beauty of life and art—A River Runs Through It has established itself as a classic of the American West filled with beautiful prose and understated emotional insights. Based on Maclean’s own experiences as a young man, the book’s two novellas and short story are set in the small towns and mountains of western Montana. It is a world populated with drunks, loggers, card sharks, and whores, but also one rich in the pleasures of fly-fishing, logging, cribbage, and family. By turns raunchy and elegiac, these superb tales express, in Maclean’s own words, “a little of the love I have for the earth as it goes by.” “Maclean’s book—acerbic, laconic, deadpan—rings out of a rich American tradition that includes Mark Twain, Kin Hubbard, Richard Bissell, Jean Shepherd, and Nelson Algren.” —New York Times Book Review Includes a new foreword by Robert Redford, director of the Academy Award–winning film adaptation