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A mysterious old book has been found… and a very strange series of events follows… in this short story by Robert E. Howard
Thomas Rosanoff was used by his father, an esteemed psychiatrist, as a test subject when he was a boy, being watched by researchers behind one-way glass for his entire childhood. Now a gifted med student, Thomas is the researcher, and his subjects are three homeless men, all of whom claim to be messiahs. But when Thomas's father intervenes in the experiment, events spin out of control and Thomas must confront the voices he hears in the labyrinth of his own mind.
A Financial Times Best Book of the Year A Guardian Best Architecture Book of the Year “Sharp, revealing, funny.” —The Guardian “An original and even occasionally hilarious book about losing ideals and finding them again... [De Graaf] deftly shows that architecture cannot be better or more pure than the flawed humans who make it.” —The Economist Architecture, we like to believe, is an elevated art form that shapes the world as it pleases. Four Walls and a Roof turns this fiction on its head, offering a candid account of what it’s really like to work as an architect. Drawing on his own tragicomic experiences in the field, Reinier de Graaf reveals the world of contemporary architecture in vivid snapshots: from the corridors of wealth in London, Moscow, and Dubai to the demolished hopes of postwar social housing in New York and St. Louis. We meet ambitious oligarchs, developers for whom architecture is nothing more than an investment, and layers of bureaucrats, consultants, and mysterious hangers-on who lie between any architect’s idea and the chance of its execution. “This is a book about power, money and influence, and architecture’s complete lack of any of them... Witty, insightful and funny, it is a (sometimes painful) dissection of a profession that thinks it is still in control.” —Financial Times “This is the most stimulating book on architecture and its practice that I have read for years.” —Architects’ Journal
When Lani wakes up with an elephant on his roof and asks the villagers for help getting it down, their reluctance turns to enthusiasm when they discover that the elephant is a helpful addition to the community.
For millions of people around the world, Tibet is a domain of undisturbed tradition, the Dalai Lama a spiritual guide. By contrast, the Tibet Museum opened in Lhasa by the Chinese in 1999 was designed to reclassify Tibetan objects as cultural relics and the Dalai Lama as obsolete. Suggesting that both these views are suspect, Clare E. Harris argues in The Museum on the Roof of the World that for the past one hundred and fifty years, British and Chinese collectors and curators have tried to convert Tibet itself into a museum, an image some Tibetans have begun to contest. This book is a powerful account of the museums created by, for, or on behalf of Tibetans and the nationalist agendas that have played out in them. Harris begins with the British public’s first encounter with Tibetan culture in 1854. She then examines the role of imperial collectors and photographers in representations of the region and visits competing museums of Tibet in India and Lhasa. Drawing on fieldwork in Tibetan communities, she also documents the activities of contemporary Tibetan artists as they try to displace the utopian visions of their country prevalent in the West, as well as the negative assessments of their heritage common in China. Illustrated with many previously unpublished images, this book addresses the pressing question of who has the right to represent Tibet in museums and beyond.
Sam needs to find a seventh-grade science fair project and a way to save the restaurant where his father works. When he enrolls three friends in an effort to raise bees on a hotel roof in New York City, the complications multiply. Bee sting allergies, a great bee die-off, a rival team's cheating, a mysteriously reclusive science teacher, and Sam's romantic feelings for a classmate make the bee project anything but simple. This story includes lots of facts about bees and Colony Collapse Disorder.
A story of adventure, survival, courage, and hope, set in the vivid Himalayan landscape of Tibet and India that introduces young readers to a fascinating part of the world and the threat to its people's religious freedom.
George Bean always wants to play on the roof of his apartmentbuilding. But only his older sister Anna can sit there, because she's writing a roof poem. Anna may be the first Bean to be in a book if the poem wins a contest at school. George decides to write a roof poem too. Soon all the Beans are on the roof writing the roof poems. All except George. He needs some inspiration. How will he get it? From the Trade Paperback edition.
A sijo, a traditional Korean verse form, has a fixed number of stressed syllables and a humorous or ironic twist at the end. Like haiku, sijo are brief and accessible, and the witty last line winds up each poem with a surprise. The verses in this book illuminate funny, unexpected, amazing aspects of the everyday--of breakfast, thunder and lightning, houseplants, tennis, freshly laundered socks. Carefully crafted and deceptively simple, Linda Sue Park's sijo are a pleasure to read and an irresistible invitation to experiment with an unfamiliar poetic form. Istvan Banyai's irrepressibly giddy and sophisticated illustrations add a one-of-a-kind luster to a book that is truly a gem.