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The first book to put the sacred and sensuous bronze statues from India’s Chola dynasty in social context From the ninth through the thirteenth century, the Chola dynasty of southern India produced thousands of statues of Hindu deities, whose physical perfection was meant to reflect spiritual beauty and divine transcendence. During festivals, these bronze sculptures—including Shiva, referred to in a saintly vision as “the thief who stole my heart”—were adorned with jewels and flowers and paraded through towns as active participants in Chola worship. In this richly illustrated book, leading art historian Vidya Dehejia introduces the bronzes within the full context of Chola history, culture, and religion. In doing so, she brings the bronzes and Chola society to life before our very eyes. Dehejia presents the bronzes as material objects that interacted in meaningful ways with the people and practices of their era. Describing the role of the statues in everyday activities, she reveals not only the importance of the bronzes for the empire, but also little-known facets of Chola life. She considers the source of the copper and jewels used for the deities, proposing that the need for such resources may have influenced the Chola empire’s political engagement with Sri Lanka. She also investigates the role of women patrons in bronze commissions and discusses the vast public records, many appearing here in translation for the first time, inscribed on temple walls. From the Cholas’ religious customs to their agriculture, politics, and even food, The Thief Who Stole My Heart offers an expansive and complete immersion in a community still accessible to us through its exquisite sacred art. Published in association with the Center for Advanced Study in the Visual Arts, National Gallery of Art, Washington, DC Please note: All images in this ebook are presented in black and white and have been reduced in size.
The first book to put the sacred and sensuous bronze statues from India’s Chola dynasty in social context From the ninth through the thirteenth century, the Chola dynasty of southern India produced thousands of statues of Hindu deities, whose physical perfection was meant to reflect spiritual beauty and divine transcendence. During festivals, these bronze sculptures—including Shiva, referred to in a saintly vision as “the thief who stole my heart”—were adorned with jewels and flowers and paraded through towns as active participants in Chola worship. In this richly illustrated book, leading art historian Vidya Dehejia introduces the bronzes within the full context of Chola history, culture, and religion. In doing so, she brings the bronzes and Chola society to life before our very eyes. Dehejia presents the bronzes as material objects that interacted in meaningful ways with the people and practices of their era. Describing the role of the statues in everyday activities, she reveals not only the importance of the bronzes for the empire, but also little-known facets of Chola life. She considers the source of the copper and jewels used for the deities, proposing that the need for such resources may have influenced the Chola empire’s political engagement with Sri Lanka. She also investigates the role of women patrons in bronze commissions and discusses the vast public records, many appearing here in translation for the first time, inscribed on temple walls. From the Cholas’ religious customs to their agriculture, politics, and even food, The Thief Who Stole My Heart offers an expansive and complete immersion in a community still accessible to us through its exquisite sacred art. Published in association with the Center for Advanced Study in the Visual Arts, National Gallery of Art, Washington, DC
Something is not right with Nadia Cara. While spending a year in Florence, Italy, she's become a thief. She has secrets. And when she tries to speak, the words seem far away. Nadia finds herself trapped by her own obsessions and following the trail of an elusive Italian boy whom only she has seen. Can Nadia be rescued or will she simply lose herself altogether? Set against the backdrop of a glimmering city, One Thing Stolen is an exploration of obsession, art, and a rare neurological disorder. It is a celebration of language, beauty, imagination, and the salvation of love.
The Holy Family is set upon by roadside thieves when Jesus is a boy. The leader of the gang is the Bad Thief; among them is a young Dismas, the Good Thief. Remembering his own mother and family, Dismas is moved with compassion and persuades the leader to let them go. While on the cross many years later, Dismas is caught in the entrancing gaze of Mother Mary from down below, and suddenly realizes that the man next to him was the captivating boy from that fateful day long ago. He asks Jesus for forgiveness. Knowing exactly who he is, Jesus forgives him and assures him of Paradise that very day.
Composed by three poet-saints between the sixth and eighth centuries A.D., the Tevaram hymns are the primary scripture of the Tamil Saivism, one of the first popular large-scale devotional movements within Hinduism. Indira Peterson eloquently renders into English a substantial portion of these hymns, which provide vivid and moving portraits of the images, myths, rites, and adoration of Siva and which continue to be loved and sung by the millions of followers of the Tamil Saiva tradition. Her introduction and annotations illuminate the work's literary, religious, and cultural contexts, making this anthology a rich sourcebook for the study of South Indian popular religion. Indira Peterson highlights the Tevaram as a seminal text in Tamil cultural history, a synthesis of pan-Indian and Tamil civilization, as well as a distinctly Tamil expression of the love of song, sacred landscape, and ceremonial religion. Her discussion of this work draws on her pioneering research into the performance of the hymns and their relation to the art and ritual of the South Indian temple. Originally published in 1989. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Steal My Heart: Lily is an exceptional thief, she can break in to some of the most secure locations, but she only steals from bad people. She returns items that were stolen from the original owners. She and her best friend help the people that have been taken advantage of. On one of their jobs, Lily is caught by the owner and will need all her skills and talents to escape the hands of the person that caught her in his house. The owner defends himself, and tries to prove he is not the bad guy. In the search for the true, Lily starts to fall in love.
Stealing a diamond to save the world is the easy part. Mishael Taylor takes comfort in speed, racing from one mission to another as Allegro, one of the Elite Operative Organization’s top agents—or from one affair to another, to avoid having to think about the things she’s seen and done. Cocky, confident, and used to winning, Mishael confronts her greatest challenge when she’s assigned to steal the priceless Blue Star Diamond from Dutch countess Kristine Marie van der Jagt. Not only must she win a high-stakes race with Arab terrorists and Neo-Nazis, she also has to contend with a target who has somehow managed to steal her heart. Second in the romantic suspense Elite Operatives series, following the smash hit Lethal Affairs.
DON’T MISS BRIDGE OF CLAY, MARKUS ZUSAK’S FIRST NOVEL SINCE THE BOOK THIEF AND AN UNFORGETTABLE AND SWEEPING FAMILY SAGA. From the author of the extraordinary #1 New York Times bestseller The Book Thief, I Am the Messenger is an acclaimed novel filled with laughter, fists, and love. A MICHAEL L. PRINTZ HONOR BOOK FIVE STARRED REVIEWS Ed Kennedy is an underage cabdriver without much of a future. He's pathetic at playing cards, hopelessly in love with his best friend, Audrey, and utterly devoted to his coffee-drinking dog, the Doorman. His life is one of peaceful routine and incompetence until he inadvertently stops a bank robbery. That's when the first ace arrives in the mail. That's when Ed becomes the messenger. Chosen to care, he makes his way through town helping and hurting (when necessary) until only one question remains: Who's behind Ed's mission?
This Sumptuous Book Is A Significant Addition To The Literature On The Exquisite Temple Bronzes Of The Chola Period, From The Ninth To The Thirteenth Centuries, A Time Of Unparalleled Creativity In The History Of The Indian Subcontinent. During The Golden
A Roman centurion longing for peace and a Jewish woman hiding a deadly secret witness a miracle that transforms their lives and leads them to the foot of the cross. My God, my God, why have you abandoned me? Nissa is a Jewish woman with a sharp tongue and no hope of marriage. Abandoned by the God she once loved, her only recourse is to depend upon Mouse, the best thief in Jerusalem, to keep her blind brother, Cedron, fed and the landlord satisfied. Longinus is a Roman centurion haunted by death and failure and is desperate to escape the accursed Judean province. Accepting a wager that will get him away from the aggravating Jews and their threats of revolt, he sets out to catch the thieves harassing the marketplace. When a controversial teacher miraculously heals Cedron, Nissa hopes for freedom from her life of lies. But the supposed miracle brings only more misfortune, and Longinus, seeking to learn more about the mysterious healer, finds himself drawn instead to Nissa, whose secret will determine the course of both their futures. Cedron, Longinus, and Nissa are unexpectedly caught up in the arrest, trial, and crucifixion of Jesus. As danger closes in on them from every side, they must decide if the love and redemption Jesus offers is true or just another false promise. How can the so-called Messiah save them from their shackles, when he cannot even save himself?