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After the Glorious Revolution, a not so glorious age of lawlessness befell England. Crime ran rampant, and highwaymen, thieves, and prostitutes ruled the land. Execution by hanging often punished the smallest infractions, and rip-roaring stories of fearless criminals proliferated, giving birth to a new medium: the newspaper. In 1724, housebreaker Jack Sheppard—a “pocket Hercules,” his small frame packed with muscle—finally met the hangman. Street singers sang ballads about the Cockney burglar because no prison could hold him. Each more astonishing than the last, his final jailbreak took him through six successive locked rooms, after which he shimmied down two blankets from the prison roof to the street below. Just before Sheppard swung, he gave an account of his life to a writer in the crowd. Daniel Defoe stood in the shadow of the day’s literati—Swift, Pope, Gay—and had done hard time himself for sedition and bankruptcy. He saw how prison corrupted the poor. They came out thieves, but he came out a journalist. Six months later, the author of Robinson Crusoe and Moll Flanders covered another death at the hanging tree. Jonathan Wild looked every bit the brute—body covered in scars from dagger, sword, and gun, bald head patched with silver plates from a fractured skull—and he had all but invented the double-cross. He cultivated young thieves, profited from their work, then turned them in for his reward—and their execution. But one man refused to play his game. Sheppard didn’t take orders from this self-proclaimed “thief-taker general,” nor would he hawk his loot through Wild’s fences. The two-faced bounty hunter took it personally and helped bring the young burglar’s life to an end. But when Wild’s charade came to light, he quickly became the most despised man in the land. When he was hanged for his own crimes, the mob wasn’t rooting for Wild as it had for Sheppard. Instead, they hurled stones, rotten food, and even dead animals at him. Defoe once again got the scoop, and tabloid journalism as we know it had begun.
'A work of dazzling imagination and linguistic inventiveness' Observer Newgate Gaol, 1726. An anonymous writer sets down the words of Edgworth Bess as she confides the adventures and misfortunes that led her all too soon to the judgement of London: Cruelly deceived, Bess is cast out onto the streets of the wicked city - and by nightfall her ruin is already certain. What matters now is her survival of it. In that dangerous underworld known in thieves' cant as Romeville, she will learn new tricks and trades. And all begins with her fateful meeting, that very first night, with the corrupt thief-taker general Jonathan Wild. But it is the infamous gaol-breaker, Jack Sheppard, who will lay Romeville at her feet . . . Drawing on the true story that mesmerised eighteenth-century society, the acclaimed author of The Long Firm delivers a tour de force: a riveting, artful tale of crime and rough justice, love and betrayal. Rich in the street slang of the era, it vividly conjures up a murky world of illicit dens and molly-houses; a world where life was lived on the edge, in the shadow of that fatal tree - the gallows.
The historical literature of political deviance is sparse. This unusual work, chronicling the history of Jonathan Wild, represents an effort to come to terms with one of the more amazing characters of English social history. Wild was both part of the policy system in eighteenth-century England, and also one of the most adroit criminals of the age. In the 1720s, London suffered the worst crime waves in its history. Civic corruption took place on a staggering scale. The government's answer was to pay a bounty for the capture of robbers, thus creating a class of professional informers. Wild was applauded as the most efficient thief hunter and gang breaker in British society; but his own posse of thief catchers was basically a front behind which he was able to control the underground world, through a complex system of blackmail, perjury, and terror which the book details. All who opposed him were betrayed to the law, and in the struggle for power Wild sacrificed several hundred of his own people to the hangman. No one since his time, with the exception of Lavrenti Beria of the late Stalin era GPU so nearly succeeded in bringing the underworld under the control of one system of power. At one level, this is a biography of the world's first supercriminal. At another, it is a sociology of criminal behavior and its political consequences. Howson sheds fresh light, not only on a figure who has become famous in literature, but more important, on the entire structure of gang life. The book is written "as a "terrifying and fascinating study of a historical epoch; it also offers a completely fresh picture of the birth of modern organized-crime families as part of modern organized political systems.
Georgian London was a city of extraordinary contrast: its elegance and refinement thrived amid appalling filth and foul smells, decadence and depravity. Crime was everywhere, from pickpockets and prostitutes to murderous highwaymen, as London bulged with riches from its overseas colonies. The Thieves' Opera is the story of the city, and of its two greatest criminals, Jonathan Wild and Jack Sheppard. Wild, whose excesses led to his being known as "Thief-taker General," dominated London's criminal world. And Sheppard spent his time drinking, gambling, housebreaking, and whoring. When Sheppard refused to bow to Wild's authority, Wild had him arrested. But Sheppard's extraordinary ability to escape from prison-repeatedly-made him a celebrated folk hero. Eventually the rivalry spiraled to a dramatic climax involving the entire city. An eminently readable blend of popular history and scholarship, this book is a fascinating window into a world that confounds the modern imagination.
Darren Rapier's Epic big cast play, exploring monetarism and corruption, as well as the idolisation of criminals. Set in the 18th Century.
Ashes to ashes, dust to dust. By what miracle can an assortment of seemingly unrelated particles come together and correctly assemble to form a human being? Amazingly, once aggregated, these atoms, molecules, and compounds manage to interact reasonably coherently during our lives but seek to return to their dusty state when death occurs. Of the billions of our species who have existed on earth over the millennia, most have quietly and inexorably returned to ashes and dust when their term of life expired. This book tracks some of the misadventures of selected corpses, including burials that went awry to body snatching, exhumations, human-relic collection, and assorted desecrations. Over the years, it seems that a remarkable number of bodies have failed to enjoy the admonition to “Rest in Peace.” Whether these aberrations in the burial process have disturbed the afterlife of the departed, everyone is dying to discover the answer.
Boston, 1767: Revolution is brewing and intrigue swirls around firebrands. But for a thieftaker who makes his living by conjuring spells that help him solve crimes, politics is for others until he is asked to recover a necklace worn by the murdered daughter of a prominent family.
This dark tale features a strong and sympathetic hero as well as equally appealing supporting characters ... Likely to draw in readers of Andrea Penrose, Charles Finch, and Anne Perry Library Journal Introducing thief-taker Simon Westow in the first in a new historical mystery series set in Regency Leeds. Leeds, 1820. Thief-taker Simon Westow knows all about lost property. A boy from the workhouse, he now has a comfortable business finding and returning his clients’ stolen possessions. But when John Milner, a successful Leeds businessman, seeks out Simon’s services to find his kidnapped daughter, Hannah, it’s clear he faces a challenge like no other. Accompanied by his enigmatic and capable young assistant, Jane, Simon takes to the dark, shadowy streets of Leeds for information – streets he knows like the back of his hand. But his enquiries lead Simon and Jane into great danger. Could the answers lie in Simon’s own past, and an old enemy seeking revenge?