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'It's the kind of f***-up that would normally have Malcolm Tucker, Number 10's Communications Director, the master of spin and the "Matrix" spitting blood ... No, the guilty party in this instance is none other than Tucker himself. The man who likes to keep an iron grip on every news item in the media and every policy announcement that comes out of the government, has only gone and LEFT A CONFIDENTIAL FILE ON A TRAIN: The DoSAC Files.' Based around the idea that King of Spin Malcolm Tucker has lost a confidential and highly-damaging file on a train, this book is a collection of highly sensitive documents: personnel files, policy drafts, letters and emails, transcripts of phone calls, election campaign documents and top secret papers on the government's media strategy for wars and recessions. There are also more personal documents such as the early drafts of Tucker's diary, in no legal condition for publication. It's explosive stuff, which could end careers on both sides, including Tucker's own... From the team behind the award-winning and phenomenally successful The Thick Of It, and the Oscar-nominated In The Loop, comes the official tie-in book, The DoSAC Files. Written by the show's creator Armando Iannucci along with his co-writers Jesse Armstrong, Tony Roche, Simon Blackwell and swearing consultant Ian Martin, The DoSAC Files looks set to be the political satire event of the year.
'The Thick of It' is a satire on the inner workings of modern politics. This is a collection of scripts and extras for fans of this award-winning show. The Thick of It is one of the funniest and most biting TV comedies around today - a modern-day Yes, Minister for New Labour. A satire on the inner workings of modern politics, it's brim-full of spin-doctoring, back-stabbing, and policy-making on the hoof. And, according to insiders, it's frighteningly close to the truth. This exclusive collection of razor-sharp scripts and extras is a treat for fans of this award-winning show.
They've stopped holding late-night sessions in Parliament. Or have they? Imagine a House of Commons with the cameras switched off, the press and public excluded, but with the bar still open. What sort of vile abuse might hon. Members hurl at each other if they were pissed and off the record? In these unofficial transcripts of Parliamentary Proceedings, Ian Martin [ The Thick Of It] documents the sweary debates of the Coalition Government's first year in power. Contains very strong language - and very weak personalities - desperate to make their mark in British politics by saying anything, however horrible.
"First published in the United Kingdom in 2015 by Jonathan Cape, an imprint of Vintage Publishing."
This collection offers an overview of British TV comedies, ranging from the beginnings of sitcoms in the 1950s to the current boom of 'Britcoms'. It provides in-depth analyses of major comedies, systematically addressing their generic properties, filmic history, humour politics and cultural impact.
In 1964, Mary Whitehouse launched a campaign to fight what she called the 'propaganda of disbelief, doubt and dirt' being poured into homes through the nation's radio and television sets. Whitehouse, senior mistress at a Shropshire secondary school, became the unlikely figurehead of a mass movement for censorship: the National Viewers' and Listeners' Association, now Mediawatch-uk. For almost forty years, she kept up the fight against the programme makers, politicians, pop stars and playwrights who she felt were dragging British culture into a sewer of blasphemy and obscenity. From Doctor Who ('Teatime brutality for tots') to Dennis Potter (whose mother sued her for libel and won) to the Beatles - whose Magical Mystery Tour escaped her intervention by the skin of its psychedelic teeth - the list of Mary Whitehouse's targets will read to some like a nostalgic roll of honour. Caricatured while she lived as a figure of middle-brow reaction, Mary Whitehouse was held in contempt by the country's intellectual elite. But were some of the dangers she warned of more real than they imagined? Ben Thompson's selection of material from her extraordinary archive shows Mary Whitehouse's legacy in a startling new light. From her exquisitely testy exchanges with successive BBC Directors General, to the anguished screeds penned by her television and radio vigilantes, these letters reveal a complex and combative individual, whose anxieties about culture and morality are often eerily relevant to the age of the internet. 'A fantastic read . . . I can't recommend it highly enough.' Lauren Laverne, BBC Radio 6 Music
An anatomy of failed-state Britain, by the author of A Guide to the New Ruins of Great Britain. In A Guide to the New Ruins of Great Britain, Owen Hatherley skewered New Labour’s architectural legacy in all its witless swagger. Now, in the year of the Diamond Jubilee and the London Olympics, he sets out to describe what the Coalition’s altogether different approach to economic mismanagement and civic irresponsibility is doing to the places where the British live. In a journey that begins and ends in the capital, Hatherley takes us from Plymouth and Brighton to Belfast and Aberdeen, by way of the eerie urbanism of the Welsh valleys and the much-mocked splendour of modernist Coventry. Everywhere outside the unreal Southeast, the building has stopped in towns and cities, which languish as they wait for the next bout of self-defeating austerity. Hatherley writes with unrivalled aggression about the disarray of modern Britain, and yet this remains a book about possibilities remembered, about unlikely successes in the midst of seemingly inexorable failure. For as well as trash, ancient and modern, Hatherley finds signs of the hopeful country Britain once was and hints of what it might become.
This book is about ways to understand masculinity as systemic and corporeal, structural and performative all at once. It argues that the tension between an understanding of “masculinity” in the singular and “masculinities” in the plural poses a problem that can better be understood in relation to a concomitant tension: between systems on the one hand, and bodies on the other - between abstract structures such as patriarchy, kinship or even language, and the various concrete forms taken by gendered, individuated corporeality. The contributions collected here investigate how masculinities become apparent, how they take shape and what systemic functions they have. What, they ask, are the relations between the abstract and corporeal, metaphorical and metonymic manifestations of masculinity? How are we to understand masculinity as a simultaneously systemic and corporeal, performative concept?
Examines the role of the media in shaping and representing political life, arguing that 'media decadence' is harmful for democracy.
This book tells the story of the turbulent decades when the book publishing industry collided with the great technological revolution of our time. From the surge of ebooks to the self-publishing explosion and the growing popularity of audiobooks, Book Wars provides a comprehensive and fine-grained account of technological disruption in one of our most important and successful creative industries. Like other sectors, publishing has been thrown into disarray by the digital revolution. The foundation on which this industry had been based for 500 years – the packaging and sale of words and images in the form of printed books – was called into question by a technological revolution that enabled symbolic content to be stored, manipulated and transmitted quickly and cheaply. Publishers and retailers found themselves facing a proliferation of new players who were offering new products and services and challenging some of their most deeply held principles and beliefs. The old industry was suddenly thrust into the limelight as bitter conflicts erupted between publishers and new entrants, including powerful new tech giants who saw the world in very different ways. The book wars had begun. While ebooks were at the heart of many of these conflicts, Thompson argues that the most fundamental consequences lie elsewhere. The print-on-paper book has proven to be a remarkably resilient cultural form, but the digital revolution has transformed the industry in other ways, spawning new players which now wield unprecedented power and giving rise to an array of new publishing forms. Most important of all, it has transformed the broader information and communication environment, creating new challenges and new opportunities for publishers as they seek to redefine their role in the digital age. This unrivalled account of the book publishing industry as it faces its greatest challenge since Gutenberg will be essential reading for anyone interested in books and their future.