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Most theology students realize Augustine is tremendously influential on the Christian tradition as a whole, but they generally lack real knowledge of his writings. This volume introduces Augustine's theology through seven of his most important works. Matthew Levering begins with a discussion of Augustine's life and times and then provides a full survey of the argument of each work with bibliographical references for those who wish to go further. Written in clear, accessible language, this book offers an essential introduction to major works of Augustine that all students of theology--and their professors!--need to know.
How might premodern exegesis of Genesis inform Christian debates about creation today? Pastor and theologian Gavin Ortlund retrieves Augustine's reading of Genesis 1-3 and considers how his premodern understanding of creation can help Christians today, shedding light on matters such as evolution, animal death, and the historical Adam and Eve.
This study of Augustine's Confessions presents his testimony of conversion as an antidote to modern culture's tendency toward disbelief.
Happiness and Wisdom contributes to ongoing debates about the nature of Augustine's early development, and argues that Augustine's vision of the soul's ascent through the liberal arts is an attractive and basically coherent view of learning, which, while not wholly novel, surpasses both classical and earlier patristic renderings of the aims of education.
An exploration of three of Augustine's central texts, the De Trinitate, the De Doctrina Christiana, and the Confessions elucidate the principles of Augustine's theology of language. This is done in a systematic manner, which previous scholarship on Augustine has lacked. Augustine's principles are revealed through a close reading of these three core texts. Beginning with the De Trinitate, the book demonstrates that Augustine's inquiry into the character of the human person is incomplete. For Augustine, there is a void without reference to the category of human speech, the very thing that enables him to communicate his theological inquiry into God and the human person in the De Trinitate. From here, the book examines a central work of Augustine that deals with the significance of divine and human speech, the De Doctrina Christiana. It expounds this text carefully, showing three chief facets of Augustinian thought about divine and human communication: human social relations; human self-interpretation using scripture; and preaching, the public communication of God's word. It accepts the De Doctrina Christiana as laying theoretical foundations for Augustine's understanding of the task of theology and language's meaning and centrality within it. The book then moves to Augustine's Confessions to see the principles of Augustine's theology of language enacted within its first nine books. Augustine's conversion narrative is analysed as a literary demonstration of Augustine's description of human identity before God, showing how speech and human social relations centrally mediate God's relationship to humanity. For Augustine, human identity properly speaking is ‘confessional'. The book returns to the De Trinitate to complete its analysis of that text using the principles of the theology of language uncovered in the De Doctrina Christiana and the Confessions. It shows that the first seven books of that text, and its core structure, move around the principles of the theology of language that the investigation has uncovered. To this extent, theological inquiry for Augustine - the human task of looking for God - is bound up primarily within the act of human speech and the social relations it helps to compose. The book closes with reflection on the significance of these findings for Augustinian scholarship and theological research more generally.
What does it mean for Christ to be the "image of God"? And, if Christ is the "image of God," can the human person also unequivocally be understood to be the "image of God"? Augustine's Early Theology of Image examines Augustine's conception of the imago dei and makes the case that it represents a significant departure from the Latin pro-Nicene theologies of Hilary of Poitiers, Marius Victorinus, and Ambrose of Milan only a generation earlier. Augustine's predecessors understood the imago dei principally as a Christological term designating the unity of divine substance. But, Gerald P. Boersma argues, Augustine affirms that Christ is an image of equal likeness, while the human person is an image of unequal likeness. Boersma's careful study thus argues that a Platonic and participatory evaluation of the nature of "image" enables Augustine's early theology of the image of God to move beyond that of his Latin predecessors and affirm the imago dei both of Christ and of the human person.
"By analyzing a variety of texts from across Augustine's career, Augustine on the Will: A Theological Account traces the development of Augustine's thinking on the human will. Augustine's most creative contributions to the notion of the human will do not derive from articulating a monolithic, universal definition. He identifies four types of human will: the created will, which he describes as a hinge; the fallen will, a link in a chain binding human beings to sin; the redeemed will, which is a root of love; and the fully free will to be enjoyed in the next life when perfection is made complete. His mature view is "theologically differentiated," consisting of four distinct types of human will, which vary according to these diverse theological scenarios. His innovation consists in distinguishing these types with a detail and clarity unprecedented by any thinker before him. Augustine's mature view of the will is constructed in intensive dialogue with other Christian thinkers, and, most of all, with the Christian scriptures. Its basic features shape, and are shaped by, his doctrines of Christ and the Holy Spirit, as well as creation and grace, making it impossible to abstract his views on willing from his account of the central Christian doctrines of Christology, Pneumatology, and the Trinity. The multiple facets of Augustine's conception of will have been cut to fit the shape of his theology and the biblical story it seeks to describe. From Augustine, we inherit a theological account of the will. Augustine Will Free will Voluntas Uoluntas Grace Fall creation eschaton Christ"--
English equivalent of Introduction a l'etude de saint Augustin, 2 ed., Paris, Vrin 1943.
By treating Augustine's passages on deification both chronologically and constructively, Meconi situates Augustine in a long chorus of Christian pastors and theologians who understand the essence of Christianity as the human person's total and transformative union with God.
This book ventures to describe Augustine of Hippo's understanding of demons, including the theology, angelology, and anthropology that contextualize it. Demons are, for Augustine as for the Psalmist (95:5 LXX) and the Apostle (1 Cor 10:20), the gods of the nations. This means that Augustine's demons are best understood neither when they are spiritualized as personifications of psychological struggles, nor in terms of materialist contagions that undergird a superstitious moralism. Rather, because the gods of the nations are the paradigm of demonic power and influence over humanity, Augustine sees the Christian's moral struggle against them within broader questions of social bonds, cultural form, popular opinion, philosophical investigation, liturgical movement, and so forth. In a word, Augustine's demons have a religious significance, particularly in its Augustinian sense of bonds and duties between persons, and between persons and that which is divine. Demons are a highly integrated component of his broader theology, rooted in his conception of angels as the ministers of all creation under God, and informed by the doctrine of evil as privation and his understanding of the fall, his thoughts on human embodiment, desire, visions, and the limits of human knowledge, as well as his theology of religious incorporation and sacraments. As false mediators, demons are mediated by false religion, the body of the devil, which Augustine opposes with an appeal to the true mediator, Christ, and the true religion of his body, the church.