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Written by one of the most important theatrical innovators of the early 20th century, this book offers a manifesto for the future of theater as an art form. Craig advocates for a return to simplicity and directness in theatrical production, advocating for the use of simple sets, lighting, and costumes to allow the audience to engage more fully with the performers and performances. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.
First published in 1911, On the Art of the Theatre remains one of the seminal texts of theatre theory and practice. Actor, director, designer and pioneering theorist, Edward Gordon Craig was one of twentieth century theatre’s great modernisers. Here, he is eloquent and entertaining in expounding his views on the theatre; a crucial and prescient contribution that retains its relevance almost a century later. This reissue contains a wealth of new features: a specially written Introduction and notes from editor Franc Chamberlain an updated bibliography further reading. Controversial and original, On the Art of the Theatre stands as one of the most influential books on theatre of the twentieth century.