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The Collected Works of W. B. Yeats, Volume III: Autobiographies is part of the fourteen-volume series overseen by eminent Yeats scholars Richard J. Finnerah and George Mills Harper. The series includes virtually all of the Nobel laureate's published work, with authoritative and explanatory notes. Autobiographies consists of six autobiographical works -- Reveries Over Childhood and Youth, The Trembling of the Veil, Dramatis Personae, Estrangement, The Death of Synge, and The Bounty of Sweden -- that William Butler Yeats published together in the mid-1930s to form a single, extraordinary memoir of the first fifty-eight years of his life, from his earliest memories of childhood to winning the Nobel Prize for Literature. This volume provides a vivid series of personal accounts of a wide range of figures, and it describes Yeats's work as poet and playwright, as a founder of Dublin's famed Abbey Theatre, his involvement with Irish nationalism, and his fascination with occultism and visions. This book is most compelling as Yeats's own account of the growth of his poetic imagination. Yeats thought that a poet leads a life of allegory, and that his works are comments upon it. Autobiographies enacts his ruling belief in the connections and coherence between the life that he led and the works that he wrote. It is a vision of personal history as art, and so it is the one truly essential companion to his poems and plays. Edited by William H. O'Donnell and Douglas N. Archibald, this volume is available for the first time with invaluable explanatory notes and includes previously unpublished passages from candidly explicit first drafts.
Autobiographies consists of six autobiographical works that William Butler Yeats published together in the mid-1930s to form a single, extraordinary memoir of the first fifty-eight years of his life, from his earliest memories of childhood to winning the Nobel Prize for Literature. This volume provides a vivid series of personal accounts of a wide range of figures, and it describes Yeats's work as poet and playwright, as a founder of Dublin's famed Abbey Theatre, his involvement with Irish nationalism, and his fascination with occultism and visions. This book is most compelling as Yeats's own account of the growth of his poetic imagination. Yeats thought that a poet leads a life of allegory, and that his works are comments upon it. Autobiographies enacts his ruling belief in the connections and coherence between the life that he led and the works that he wrote. It is a vision of personal history as art, and so it is the one truly essential companion to his poems and plays. Edited by William H. O'Donnell and Douglas N. Archibald, this volume is available for the first time with invaluable explanatory notes and includes previously unpublished passages from candidly explicit first drafts.
Autobiographies is made up of six autobiographical works that Yeats published in the mid 1930s. Together, they provide a fascinating insight into the first 58 years of his life. The work provides memories of his early childhood, through to his experience of winning the Nobel Prize for Literature. The volume contains explanatory notes and previously unpublished passages from candidly explicit first drafts.
The Collected Works of W. B. Yeats, Volume II: The Plays is part of a fourteen-volume series under the general editorship of eminent Yeats scholars Richard J. Finneran and George Mills Harper. This complete edition includes virtually all of the Nobel laureate's published work, in authoritative texts and with extensive explanatory notes. The Plays, edited by David R. Clark and Rosalind E. Clark, is the first-ever complete collection of Yeats's plays that honors the order in which the plays first appeared. It provides the latest and most accurate texts in Yeats's lifetime, as well as extensive editorial notes and emendations. Though best known as one of the most important poets of the twentieth century, from the beginning of his career William Butler Yeats understood the value of his plays and his poetry to be the same. In 1923, when he accepted the Nobel Prize for Literature, Yeats suggested that "perhaps the English committees would never have sent you my name if I had written no plays...if my lyric poetry had not a quality of speech practiced on the stage." Indeed, Yeats's great achievement in poetry should not be allowed to obscure his impressive and innovative accomplishments as a dramatist. In The Plays, David and Rosalind Clark have restored the plays to the final order in which Yeats planned for them to be published. This volume opens with Yeats's introduction for an unpublished Scribner collection and encompasses all of his dramatic work, from The Countess Cathleen to The Death of Cuchulain. The Plays enables readers to see clearly, for the first time, the ways in which Yeats's very different dramatic forms evolved over the course of his life, and to appreciate fully the importance of drama in the oeuvre of this greatest of modern poets.
Recounts the life of the Irish poet and nationalist, describes his relationships with his contemporaries, and traces his interest in the occult.
Autobiographies consists of six autobiographical works that William Butler Yeats published together in the mid-1930s to form a single, extraordinary memoir of the first fifty-eight years of his life, from his earliest memories of childhood to winning the Nobel Prize for Literature. This volume provides a vivid series of personal accounts of a wide range of figures, and it describes Yeats's work as poet and playwright, as a founder of Dublin's famed Abbey Theatre, his involvement with Irish nationalism, and his fascination with occultism and visions. This book is most compelling as Yeats's own account of the growth of his poetic imagination. Yeats thought that a poet leads a life of allegory, and that his works are comments upon it. Autobiographies enacts his ruling belief in the connections and coherence between the life that he led and the works that he wrote. It is a vision of personal history as art, and so it is the one truly essential companion to his poems and plays. Edited by William H. O'Donnell and Douglas N. Archibald, this volume is available for the first time with invaluable explanatory notes and includes previously unpublished passages from candidly explicit first drafts.
The Collected Works of W. B. Yeats, Volume IX: Early Articles and Reviews is part of a fourteen-volume series under the general editorship of eminent Yeats scholars Richard J. Finneran and George Mills Harper. This first complete edition includes virtually all of the Nobel laureate's published work, in authoritative texts with extensive explanatory notes. Coedited by John P. Frayne and Madeleine Marchaterre, Early Articles and Reviews assembles the earliest examples of Yeats's critical prose, from 1886 to the end of the century -- articles and reviews that were not collected into book form by the poet himself. Gathered together now, they show the earliest development of Yeats's ideas on poetry, the role of literature, Irish literature, the formation of an Irish national theater, and the occult, as well as Yeats's interaction with his contemporary writers. As seen here, Yeats's vigorous activity as magazine critic and propagandist for the Irish literary cause belies the popular picture created by his poetry of the "Celtic Twilight" period, that of an idealistic dreamer in flight from the harsh realities of the practical world. This new volume adds four years' worth of Yeats's writings not included in a previous (1970) edition of his early articles and reviews. It also greatly expands the background notes and textual notes, bringing this compilation up to date with the busy world of Yeats scholarship over the last three decades. Early Articles and Reviews is an essential sourcebook illuminating Yeat's reading, his influences, and his literary opinions about other poets and writers.
An exact facsimile of the 1933 first edition of W.B. Yeats’s The Winding Stair and Other Poems, a famously beautiful, elegant volume intended as a companion to The Tower—with an Introduction and notes by the eminent Yeats scholar George Bornstein. Published in 1933 when W.B. Yeats was sixty-eight, The Winding Stair and Other Poems is his longest stand-alone volume of verse. Previously unavailable as a single volume, this beautiful edition will appeal to both general readers and textual scholars. Featuring sixty-four poems from the late 1920s and early 1930s, among them such masterpieces as “Blood and the Moon,” “Byzantium,” the Coole Park poems, “Vacillation,” and two separately titled long sequences including the Crazy Jane poems and ending with the exquisite lyric “From the ‘Antigone,’” this edition also includes an Introduction and notes by celebrated Yeats scholar George Bornstein. These poems amply justify T. S. Eliot’s contention that Yeats was one of the few poets “whose history is the history of their own time, who are a part of the consciousness of an age which cannot be understood without them.”