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This first volume of Margaret Thatcher's memoirs encompasses the whole of her time as Prime Minister - the formation of her goals in the early 1980s, the Falklands, the General Election victories of 1983 and 1987 and, eventually, the circumstances of her fall from political power. She also gives frank accounts of her dealings with foreign statesmen and her own ministers.
This book situates the controversial Thatcher era in the political, social, cultural and economic history of modern Britain.
Britain's first female prime minister remains a political figure of almost mythical proportions. Margaret Thatcher divided a political nation, became a cultural icon, and was the longest-serving prime minister of the twentieth century. Her period in government coincided with extraordinary changes in British society and in Britain's place in the world. Thatcher's Britaintells the story of Thatcherism for a generation with no personal memories of the 80s, as well as for those who want to revisit the polemics of their youth. It seeks to rescue Thatcher from being seen as John the Baptist for Tony Blair, stresses that Thatcherism was not a timeless phenomenon, but rooted in the 70s and 80s, and focuses our attention away from her legend, to what her government actually did during this tumultuous period in British history.
"With unequaled authority and dramatic detail, the first volume of Charles Moore's authorized biography of Margaret Thatcher reveals as never before the early life, rise to power, and first years as prime minister of the woman who transformed Britain and the world in the late twentieth century, "--NoveList.
Iron Lady: The Thatcher Years takes a thorough yet lighthearted look at the life and times of Britain's longest-serving twentieth-century prime minister.
A fully revised and updated edition of Nigel Lawson's extraordinary autobiography. A key minister for a full decade and Chancellor of the Exchequer, from 1983 to 1989, Nigel Lawson was one of the most powerful and effective of Margaret Thatcher's colleagues, and among the chief architects of Thatcherism. This abridged edition of Lord Lawson's memoirs - first published as The View from No.11 in 1992 and acclaimed as one of the best political memoirs of the period - goes straight to the heart of economic policy-making at a time of crisis and creative change. It explains the workings of government with candour, clarity and depth, against the backdrop of the remarkable story of the rise and fall of his political collaboration with Margaret Thatcher, productive and successful for many years, but ending with his dramatic resignation in October 1989.The book includes a new final chapter reflecting on events from the perspective of 2010, also discussing the crisis in the banking sector and global warming.
A new politics emerged in the 1970s in response to the world recession, the exhaustion of Fordism (the theory, traced to Henry Ford, that well-paid industrial workers fuel continuous capitalist growth), and the breakdown of American hegemony. Thatcherism, one expression of this new politics, acquired its distinctive characteristics through the exceptional and deep-seated crisis of state authority that developed in Britain in the mid-1970s. By 1987, the Conservatives under Thatcher's leadership had won their third successive election victory over a divided opposition and enjoyed a degree of political and ideological dominance that led many commentators to speak of the end of the socialist era and the emergence of a new consensus in Britain. A new word--Thatcherism--had entered the political lexicon. It has come to signify a broad-ranging and distinctive program aimed at promoting economic recovery through the privatization of public enterprise and restoring the authority of the state. The Free Economy and the Strong State explores the roots of Thatcherism and its relationship to the Conservative tradition, to the economic liberal ideology of the New Right, and to the "new politics" which emerged from the recession and crisis of the world order in the mid 1970s.
The five artists whose works are illustrated in this catalogue, Chris Killip, Graham Smith, John Davies, Martin Parr, and Paul Graham, are representative of a new approach to social documentary photography.