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The Thanksgiving Play “Satire doesn’t get much richer… A takedown of white American mythology… The familiar, whitewashed story of Pilgrims and Native Americans chowing down together gets a delicious roasting.” —Jesse Green, New York Times “Wryly funny… Deftly makes points that need making about representation and, to borrow a line from Hamilton, the crucial matter of ‘who tells your story.’” —Don Aucoin, Boston Globe A group of well-intentioned white teaching artists scramble to create an ambitious “woke” Thanksgiving pageant. Despite their eager efforts to put on the most culturally sensitive show possible, it quickly becomes clear that even those with good intentions can be undone by their own blind spots. What Would Crazy Horse Do? “A nuanced portrait of reservation life… A scalding cauldron of race and resentment, poverty, and mental illness.” —Robert W. Butler, Kansas City Star “A timely meditation on the dangers of nationalism tinged with a sad irony as seen through the filter of a Native American lens.” —Alan Portner, Broadway World Twins Calvin and Journey, the last two members of the Marahotah tribe, make a suicide pact to end the Marahotah when the grandfather who raised them dies. Then two white strangers knock on their door and the insular world of the twins is ripped wide open.
This collection includes Lynn Nottage’s best known work, Crumbs from the Table of Joy, which has been produced widely since its premiere in May 1995 and which the Chicago Tribune hailed as "a complex and thought provoking new play." Also included are Mud, River, Stone, Poof, Por’Knockers and her latest work, Las Meninas, inspired by the playwright’s research into the African presence in 17th century Europe. Lynn Nottage lives in Brooklyn, New York. Her plays have been produced in many theatres across the U.S. including Second Stage (NY), South Coast Rep (Costa Mesa), Yale Repertory Theatre (New Haven), Alliance Theatre (Atlanta) and Steppenwolf (Chicago). She has won the Heideman and the White Bird awards and was a runner-up for the Susan Blackburn award.
'Brecht's dark, dazzling world-view...makes an absolutely devastating impact. The play is fuelled by the brilliant perception that everyone requires such a dual or split personality to survive.' Evening Standard Three gods come to earth hoping to discover one really good person. No one can be found until they meet Shen Te, a prostitute with a heart of gold. Rewarded by the gods, she gives up her profession and buys a tabacco shop but finds it is impossible to survive as a good person in a corrupt world without the support of her ruthless alter ego Shui Ta. Brecht's parable of good and evil was first performed in 1943 and remains one of his most popular and frequently produced plays worldwide. This Student Edition features an extensive introduction and commentary that includes a plot summary, discussion of the context, themes, characters, style and language as well as questions for further study and notes on words and phrases in the text. It is the perfect edition for students of theatre and literature.
"This production offers an engaging, original way for children to learn about a Native American hero. Renowned Abenaki author Bruchac has selected interesting facts that reveal how a young boy is transformed into brave Crazy Horse. ..." AudioFile Magazine
The first title from the original webcomics imprint of DC Comics!South of the Mason-Dixon Line lies a strange land of gods and monsters; a world parallel to our own, born from centuries of slavery, civil war, and hate.Lee Wagstaff is the daughter of a black sharecropper in the depression-era town of Charon, Mississippi. When Lily Westmoreland, her white playmate, is snatched by agents of an evil creature known as Bog, Lee's father is accused of kidnapping. Lee's only hope is to follow Lily's trail into this fantastic and frightening alternate world. Along the way she enlists the help of a benevolent, blues singing, swamp monster called Bayou. Together, Lee and Bayou trek across a hauntingly familiar Southern Neverland, confronting creatures both benign and malevolent, in an effort to rescue Lily and save Lee's father from being lynched.BAYOU VOL. 1 collects the first four chapters of the critically acclaimed webcomic series by Glyph Award nominee Jeremy Love.
Native Americans are always a big topic with students. What they hunted, the clothes they wore, tribal dances, and maps that show where the different tribes settled are all included in this book. Fact-filled text boxes give additional information on these unique peoples.
When Masako is diagnosed with a rare and aggressive form of uterine cancer, her dispersed family is brought back to their Kentucky hometown to care for her. Hiro, the older daughter and a New York City transplant, struggles to make peace with the demons she inherited; the younger daughter, Sophie, negotiates her faith in the face of her mother’s illness and her own broken dreams; their father, James, is a recovering alcoholic seeking forgiveness and redemption; and a friend, John, worries about the legacy he’ll be able to leave his only son. Forced together in a time of need, five estranged people come face to face with their own mortality.
Our modern idea of what a healthy landscape looks like and how it functions is distorted by the fur trade that once trapped out millions of beavers from North America's lakes and rivers. Goldfarb shares the powerful story about one of the world's most influential species. He explains how North America was colonized, how our landscapes have changed over the centuries, and how beavers can help us fight drought, flooding, wildfire, extinction, and the ravages of climate change. -- adapted from jacket
The Indian Removal Act promised Native Americans money and supplies to move west to an area called Indian Territory. The government said the Native Americans could live there forever. That promise was broken in the late 1800s. Find out more in The Indian Removal Act and the Trail of Tears, a title in the Building Our Nation series. Building Our Nation is a series of AV2 media enhanced books. A unique book code printed on page 2 unlocks multimedia content. These books come alive with video, audio, weblinks, slideshows, activities, hands-on experiments, and much more.
This foundational study offers an accessible introduction to Native American and First Nations theatre by drawing on critical Indigenous and dramaturgical frameworks. It is the first major survey book to introduce Native artists, plays, and theatres within their cultural, aesthetic, spiritual, and socio-political contexts. Native American and First Nations theatre weaves the spiritual and aesthetic traditions of Native cultures into diverse, dynamic, contemporary plays that enact Indigenous human rights through the plays' visionary styles of dramaturgy and performance. The book begins by introducing readers to historical and cultural contexts helpful for reading Native American and First Nations drama, followed by an overview of Indigenous plays and theatre artists from across the century. Finally, it points forward to the ways in which Native American and First Nations theatre artists are continuing to create works that advocate for human rights through transformative Native performance practices. Addressing the complexities of this dynamic field, this volume offers critical grounding in the historical development of Indigenous theatre in North America, while analysing key Native plays and performance traditions from the mainland United States and Canada. In surveying Native theatre from the late 19th century until today, the authors explore the cultural, aesthetic, and spiritual concerns, as well as the political and revitalization efforts of Indigenous peoples. This book frames the major themes of the genre and identifies how such themes are present in the dramaturgy, rehearsal practices, and performance histories of key Native scripts.