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What exactly is Neo-Expressionism? The part of a city known as the acropolis? Or the painting technique called gouache? In this authoritative and concise dictionary, more than 2000 entries and 375 illustrations embrace the vast vocabulary of painting and sculpture, architecture and photography, the decorative, applied and graphic arts. The geographical spread is global; the chronological range takes in both Helladic art from Bronze Age Greece and holography, one of the newest means of expression provided by modern technology. 375 illus.
"Excellent, concise . . . highly recommended." —Choice This extensively illustrated dictionary provides information on over 2,500 artists, paintings, sculptures, drawings, prints, schools and movements throughout the world, including entries on contemporary art and artists, techniques, materials, terms, and writers who have influenced artists.
Here is a comprehensive, accessible and authoritative illustrated reference to the history, art and science of photography. In one single, elegant volume, it features over 300 iconic photographs and contains more than 1,200 concise yet fully detailed entries on all aspects of the subject. Though much information can today be found online, locating it takes time and sources can have questionable provenance and uncertain academic credentials. All previous dictionaries of photography are now outdated, as well, focusing either on the famous and influential practitioners of the genre or presented as mere glossaries of technical terms. This landmark publication, newly available in paperback, is the culmination of ten years of development and research. Working with an international expert panel of 150 consultants and 79 researchers, Nathalie Herschdorfer has triumphed in creating the first source of information for all scholars, practitioners and collectors of photography to turn to in the future.
“Covers everything from airbrush to Hermann Zapf.” —Communication Arts The interaction of words and images and the visual communication of ideas are an essential part of daily life, and these concepts are at the heart of graphic design. With over 200 new and updated entries, this indispensable book provides information about typographers, journals, movements and styles, organizations and schools, printers and private presses, art directors, technological advances, design studios, graphic illustrators, and poster artists from the mid-nineteenth century to the present day. More than 550 illustrations, extensive cross-references, and a chronological chart outlining the relationship between movements, technology, and individual designers make this an invaluable reference for students and professionals alike.
“Girst elegantly unravels the skeins of Duchamp’s thinking. . . . An essential compendium for puzzling out an essential artist.” —Richard Armstrong, Director of the Solomon R. Guggenheim Museum and Foundation Among the most influential artists of the last hundred years, Marcel Duchamp holds great allure for many contemporary artists worldwide and is largely considered to be one of the founding fathers of modern art. Despite this popularity, books on Duchamp are often hyper-theoretical, rarely presenting the artist in an accessible way. This new book explores the artist’s life and work through short, alphabetical dictionary entries that introduce his legacy in a clear and engaging way. From alchemy and anatomy to Warhol and windows, The Duchamp Dictionary offers a pithy and readable text that draws on in-depth scholarship and the very latest research. Thomas Girst includes close to 200 entries on the most interesting and important artworks, relationships, people, and ideas in Duchamp’s life—from The Bicycle Wheel and Fountain to Walter and Louise Arensberg, Peggy Guggenheim, Katherine Dreier, and Arturo Schwarz. Delightful, newly commissioned illustrations introduce each letter of the alphabet and accompany select entries, capturing the irreverent spirit of the artist himself.
Searchable database of over 1,900 terms used in the wide variety of visual media that makes up the art world.
Provides over 1,000 accessible, informative and authoritative entries that answer any major question about Hinduism, it's mythology, practices, customs and laws India is so vast that each of its regions is a land in its own right, with diverse languages, customs, and cultural traditions. Yet shared social systems, firmly grounded in religious beliefs, provide the cohesive force that unites over a billion people of different backgrounds. Hinduism is the main religion of India, and this new dictionary provides an unrivaled insight to all aspects of Hindu life, past and present. Some thousand illustrated entries elucidate the history of Hinduism, its mythology, art, architecture, religion, laws, and folklore. The development of Hinduism is presented from its ancient manifestations in local cults and epic poems to modern-day festivals and customs worldwide. The complex relationship between the multitude of gods, goddesses, and semi-divine beings is brought to light in the articles on religion and mythology, while its rich imagery is revealed in the entries on architecture, sculpture, painting, dance, and theater, including works of art illustrated here for the first time. Food and etiquette, the caste system, Ayurvedic medicine, love and marriage, and contemporary practices are just a few of the topics explored. Maps and entries on the major cities and places of pilgrimage in India, as well as a concise chronology and a list of principal dynasties, provide a clear overview of the geography, history, languages, and vibrant religious and cultural traditions of Hinduism. This volume will serve as a lively and indispensable guide for those preparing a visit to India, for Indians living in the West, for students, or for anyone interested in the subcontinent. 275 b/w illustrations.
An insightful volume delving into the enduringly compelling art of ancient Egypt, from a new historical perspective The art and architecture of Egypt during the age of the pharaohs continue to capture the imagination of the modern world. Among the great creative achievements of ancient Egypt are a set of constant forms: archetypes in art and architecture in which the origins of concepts such as authority, divinity, beauty, and meaning are readily discernible. Whether adapted to fine, delicate jewelry or colossal statues, these forms maintain a human face—with human ideas and emotions. These artistic templates, and the ideas they articulated, were refined and reinvented through dozens of centuries, until scenes first created for the earliest kings, around 3000 BCE, were eventually used to represent Roman emperors and the last officials of pre-Christian Egypt. Bill Manley’s account of the art of ancient Egypt draws on the finest works through more than 3,000 years and places celebrated masterpieces, from the Narmer palette to Tutankhamun’s gold mask, in their original contexts in the tombs, temples, and palaces of the pharaohs and their citizens.
There has been much scaremongering about the 'death of the book', and how, as words find new ways and means of transmission, young people might gradually begin to shun writing. In the digital age, text becomes information, and information strives to become free. But what value can text hold in the sphere of visual art? How is such text different from poetry? Can the poetic itself be visual art, or is text in this context consigned to the realms of gimmick and catchphrase? Looking at the work of a broad range of artists including Bruce Nauman, Julien Breton, Jeremy Deller, Takashi Murakami, Tracey Emin, Christian Boltanski and many more, The Word is Art examines each of these questions, contending above all that in the digital and online age, words have become more important than ever. With the advent of texting and social media, many predicted the debasement of language, and some have pointed to evidence of this in our so-called 'post-truth' culture. Artist Michael Petry demonstrates that, on the contrary, words remain critical, powerful and central to art practice. Digital communication has seen the word as text permeate life in ways that the poets and artists of yesterday could never have imagined. Presenting a brief history of word- and book-based art, and examining major areas where the word has dominated artistic practice, this book takes us on a fascinating and richly illustrated global tour of diverse contemporary art forms. With 250 illustrations in colour