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“Covers everything from airbrush to Hermann Zapf.” —Communication Arts The interaction of words and images and the visual communication of ideas are an essential part of daily life, and these concepts are at the heart of graphic design. With over 200 new and updated entries, this indispensable book provides information about typographers, journals, movements and styles, organizations and schools, printers and private presses, art directors, technological advances, design studios, graphic illustrators, and poster artists from the mid-nineteenth century to the present day. More than 550 illustrations, extensive cross-references, and a chronological chart outlining the relationship between movements, technology, and individual designers make this an invaluable reference for students and professionals alike.
This book attempts to collect into one volume, of manageable size, a cross section of information about the emergence of design as an important expression of modern realities.* Styles, periods, and movements* Designers and design firms* Critics, writers, and educators* Museums, design schools, and organizations
Jan van Toorn is one of the most significant and influential Dutch graphic designers to have emerged since the early 1960s. His designs persistently call attention to their status as visual contrivances, obliging the viewer to make an effort to process their complexities. Van Toorn wants the public to measure the motives of both the client and the designer who mediates the client's message against their own experiences of the world. He hoped in this way to stimulate a more active and skeptical view of art, communication, media ownership and society. Projects such as Van Toorn's posters and catalogues for the Van Abbemuseum in Eindhoven and his long-running series of calendars for the printing firm Mart.Spruijt are powerful demonstrations of graphic design used as a means of commentary and as a tool of critique. Later, as director of the Jan van Eyck Academy, Van Toorn drew together all the strands of his critical practice into a multi-levelled educational initiative that urged designers to think harder about design's role in shaping contemporary reality.
What defined the way women dressed in the 1930s? When did haute couture become off-the-peg? How did economic highs and lows influence style in the 1980s? High Fashion answers these questions and more by exploring fashion design in the 20th century, one decade at a time. Each chapter looks at the significant stylistic changes that occurred in one decade and places them in a wider cultural and socioeconomic context. The designers whose work best represents their era are profiled and their key looks deconstructed, from the vertical silhouette of the 1900s to minimalism in the 1990s. High Fashion combines thoughtful analysis with a carefully curated selection of archive images to create an invaluable resource for fashion students and a fascinating journey through 20th-century style for fashionistas. It reveals how styles have changed, what those changes tell us about individuals and society at that time, and how our current relationship with fashion was formed.
Essential reading for all collectors and design aficionados, this book is the ultimate survey of mid- century modern design and architecture now available in a sleek, compact form. A definitive survey of mid-century modern design and architecture in an accessible compact edition, this book offers a rich overview of one of the most popular, collectable, and dynamic periods of design. With rich and diverse examples of everything from furniture and lighting to ceramics and textiles to graphics and posters to interior design and architecture, this sleek compendium of mid-century style includes over 1,000 illustrations representing classic designs and little-seen rarities, as well as entries on nearly 100 major creators, such as Dieter Rams, Robin Day, Isamu Noguchi, Lucie Rie, Charles and Ray Eames, Alvar Aalto, and Oscar Niemeyer. An additional illustrated dictionary features hundreds more influential mid-century designers, manufacturers, organizations, schools, and movements. Organized into three parts—“Media and Masters,” with six sections on applied arts; “Houses and Interiors,” featuring twenty seminal homes and their furnishings; and an “A–Z of Designers and Makers”—and complete with thirteen specially commissioned essays by renowned experts, this illustrated book is a must-have for collectors, design aficionados, and anyone seeking inspiration for their home.
The impact of more than one hundred years of aesthetics, form, and content on developments in graphic communications. This unique history of design, documenting over a century of creative brilliance, has now been brought into the twenty-first century. Showcasing the most influential designs and designers from 1900 to the present, this outstanding collection illustrates how the best ideas perpetuate themselves over time, one great concept inspiring the next. More than one hundred seminal images—one from each year—are shown alongside the works that influenced their creation and the designs that were inspired or evolved from them. Examples include work from both famous and anonymous graphic artists from Toulouse-Lautrec to Milton Glaser and Art Chantry, visually juxtaposing each example to illustrate a theme or artistic device.
Newly updated and overflowing with color, this well-established history of interior design describes and illustrates each movement and change in taste throughout the twentieth century. Interior design experienced an extraordinary amount of changes in taste and style during the twentieth century. From William Morris and the Arts and Crafts movement to expressionism, postmodernism, and green design, Interior Design Since 1900 charts them all. Featuring more than two hundred color illustrations of interiors from around the world, this book reveals the fundamental changes in style that occurred throughout the century. The 1900s saw the emergence of professional designers and a growing appetite to redesign homes to keep up with popular fashion. In recent decades, the focus has shifted toward public spaces and sustainable design. In this survey, Anne Massey explores the social, political, economic, and cultural contexts of these developments. This book has been a classic introduction to interior design for almost thirty years. The new, fourth edition is brought up-to-date with a chapter on transnational design, encompassing mid-century modernist work in Singapore and Sri Lanka, as well as more recent interior spaces, including luxury hotels in Dubai and a contemporary art museum in Cape Town. Through this book, Massey shows how a shared language of design and cutting-edge technology are reshaping interiors around the globe.
Meredith Davis draws on her many years' experience teaching graphic design students to explain complex theories with total clarity, encouraging readers to evaluate existing design work critically, and to use theoretical frameworks to enhance their own studio practice.
There currently exists an abundance of materials selection advice for designers suited to solving technical product requirements. In contrast, a stark gap can be found in current literature that articulates the very real personal, social, cultural and economic connections between materials and the design of the material world. In Materials Experience: Fundamentals of Materials and Design, thirty-four of the leading academicians and experts, alongside 8 professional designers, have come together for the first time to offer their expertise and insights on a number of topics common to materials and product design. The result is a very readable and varied panorama on the world of materials and product design as it currently stands. - Contributions by many of the most prominent materials experts and designers in the field today, with a foreword by Mike Ashby - The book is organized into 4 main themes: sustainability, user interaction, technology and selection - Between chapters, you will find the results of interviews conducted with internationally known designers - These 'designer perspectives' will provide a 'time out' from the academic articles, with emphasis placed on fascinating insights, product examples and visuals
Covers a wide range of graphic design including film, magazines and posters. Also cover techniques used such as airbrushing and computer generated images