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Essays reflecting the present state of Layamon studies, identifying problems and outlining current directions in research.
Layamon's Brut is a Middle English poem assembled and remold by the vicar Layamon. The Brut relates the history of Britain and is the main historiography created in English since the Anglo-Saxon Chronicle.
Layamon's Brut is a Middle English poem assembled and remold by the vicar Layamon. The Brut relates the history of Britain and is the main historiography created in English since the Anglo-Saxon Chronicle.
At sixteen-thousand lines long, Layamon's Brut, written c.1200-1220, is the second longest poem in the English language. This national epic celebrates a myth, largely invented by Geoffrey of Monmouth, in his Historia (1138) and elaborated by the Jerseyman Wace (1155), of a Britain founded by Trojan refugees, repeatedly beset by foreign invasions and internal treachery across the centuries, triumphantly unified under such heroes as Uther Pendragon and Arthur. It marks the revival of English literature, breaking the virtual silence which followed the last entries in the Anglo Saxon Chronicle, and the beginnings of an Arthurian tradition which was to lead to Malory, to Tennyson and on to our own age. Here, for the first time in eight centuries, the poem is published complete and fully edited with modern punctuation and paragraphing. The text is accompanied by textual notes and commentary which take account of the most recent scholarship, and is presented in parallel with a close, literal translation. Unique to this edition, textual divisions expose the thematic structure of the work.
A comprehensive and objective study of Layamon's sources is long overdue. As a first step Françoise le Saux investigates the English poet's handling of his main source, Wace's Roman de Brut, to determine what principles guided the composition of the English Brut. These established, she is able to distinguish between different sorts of variation from the Roman, thereby providing norms against which to gauge the probability of further, secondary sources. Additional sources are then identified, in the various fields suggested by the poem: historical; literary; and religious writings (or tales) in Welsh, English, Latin and French and perhaps even Scandinavian.
This volume provides an accessible, English prose translation of Wace's Roman de Brut, in which Arthur appears for the first time as king of the Britons.
'Lazamon's Brut' is a 12th-century historical poem that includes the first account of King Arthur in English, as an alternative to Norman accounts of English history. This study of the period puts Anglo-Norman and Angevin historiography in the context of colonialist and post-colonialist translation theory.
The first full survey of crucial witnesses to the reception of Piers Plowman.
King Arthur is perhaps the central figure of the medieval world, and the lore of Camelot has captivated literary imaginations from the Middle Ages to the present. Included in this volume are extended entries on more than 30 writers who incorporate Arthurian legend in their works. Arranged chronologically, the entries trace the pervasive influence of Arthurian lore on world literature across time. Entries are written by expert contributors and discuss such writers as Geoffrey of Monmouth, Boccaccio, Chaucer, Mark Twain, John Steinbeck, and Margaret Atwood. Each entry provides biographical information, a discussion of the author's use of Arthurian legend and contribution to the Arthurian literary tradition, and a bibliography of primary and secondary material. The volume begins with an introductory overview and concludes with suggestions for further reading. The central figure of the medieval world, King Arthur has captivated literary imaginations from the Middle Ages to the present. This book includes extended entries on more than 30 writers in the Arthurian tradition. Arranged chronologically and written by expert contributors, the entries trace the pervasive influence of Arthurian legend from the Middle Ages to the present. Each entry provides biographical information, a discussion of the writer's use of Arthurian legend and contribution to the Arthurian literary tradition, and a bibliography of primary and secondary material. The volume begins with an introductory overview and closes with a discussion of Arthurian lore in art, along with suggestions for further reading. Students will gain a better understanding of the Middle Ages and the lasting significance of the medieval world on contemporary culture.