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A version of the famous tale reset in Fort Davis, Texas, in 1883, in which young Centennia helps break the spell on her toy soldier nutcracker and watches it change into a handsome prince. Includes facts about Fort Davis.
Every December, The Nutcracker comes to life in theaters all across the United States. But how did this 19th-century Russian ballet become such a big part of the holidays in 21st-century America? Meet Willam, Harold, and Lew Christensen, three small-town Utah boys who caught the ballet bug in the early 1900s. They performed on vaudeville and took part in the New York City dance scene. Russian immigrants shared the story of The Nutcracker with them, and during World War II, they staged their own Christmastime production in San Francisco. It was America's first full-length version and the beginning of a delightful holiday tradition.
Have you ever wondered what it is like to be in The Nutcracker? Or what happens backstage before the curtain rises? The Making of the Nutcraker invites you to come along on a special journey with Texas Ballet Theater. You’ll go from auditions, rehearsals and amazing costumes to the theater, the big stage, and the excitement of Opening Night. Join us and discover the magical experience of performing in The Nutcracker.
"For the first time, this beloved holiday story is told based on George Balanchine's quintessential production. The storyline mimics the choreography of the famous ballet and the illustrations are inspired by the backdrops and scenery from the actual New York City Ballet production"--
Clara's adventure begins on Christmas Eve with an amazing present - a magic doll. Soon she is flying in a sleigh to the Land of Sweets where she meets the Sugarplum Fairy... An enchanting retelling of the classic story, written for children beginning to read alone. "Irresistible for children learning to read." - Child Education Plus
Roxi sees the Nutcracker and meets one of the dancers. She invites Roxi to the studio where she is shown what goes into being a dancer.
After hearing how her toy nutcracker got his ugly face, a little girl helps break the spell he is under and watches him change into a handsome prince.
NEW YORK TIMES BESTSELLER • NAMED ONE OF THE BEST BOOKS OF THE YEAR BY THE NEW YORK TIMES BOOK REVIEW, LOS ANGELES TIMES, SAN FRANCISCO CHRONICLE, AND PUBLISHERS WEEKLY For more than four hundred years, the art of ballet has stood at the center of Western civilization. Its traditions serve as a record of our past. Lavishly illustrated and beautifully told, Apollo’s Angels—the first cultural history of ballet ever written—is a groundbreaking work. From ballet’s origins in the Renaissance and the codification of its basic steps and positions under France’s Louis XIV (himself an avid dancer), the art form wound its way through the courts of Europe, from Paris and Milan to Vienna and St. Petersburg. In the twentieth century, émigré dancers taught their art to a generation in the United States and in Western Europe, setting off a new and radical transformation of dance. Jennifer Homans, a historian, critic, and former professional ballerina, wields a knowledge of dance born of dedicated practice. Her admiration and love for the ballet, as Entertainment Weekly notes, brings “a dancer’s grace and sure-footed agility to the page.”
Who would have guessed that one short conversation with New York City Ballet Artistic Director Peter Martins would change the course of how we approach America's favorite holiday ballet, and serve as a catalyst for changing how we talk about race in America? Phil Chan, arts advocate and co-founder of Final Bow for Yellowface, chronicles his journey navigating conversations around race, representation, and inclusion arising from issues in presenting one short dance-the Chinese variation from The Nutcracker. Armed with new vocabulary, he recounts his process and pitfalls in advising Salt Lake City's Ballet West on the presentation of a lost Balanchine work from 1925, Le Chant du Rossignol.Chan encounters orientalism, cultural appropriation, and yellowface, and witnesses firsthand the continuing evolution of an Old World aristocratic dance form in a New World democratic environment. As a storyteller, Chan presents a mix of dance and Chinese American history, personal anecdotes, and best practices for any professional arts organization to use for navigating issues around race, while outlining an essential path American ballet must take in order for our beloved art form to stay alive for a growingly diverse 21st century audience.
Welcome to the 12 days of Christmas in Texas Ready to greet you are 9 leapin' lizards, 8 grazin' longhorns, 7 bass a-swimmin', 6 flags a-flyin'... and much more from the Lone Star State.Jos is so excited about his cousin Ashley's visit with him in Texas that he gives her one of these VERY unusual gifts on each of the twelve days of Christmas, and Ashley writes lively letters home to tell her mom and dad all about her trip. Lucky readers are in for a wild Christmas countdown