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THEY’RE BOTH IN TRIPLE TROUBLE!
Elias Fort was born before 1646 and died in 1677/1678.
In an easy-to-read text, this book examines the growing scientific evidence that is challenging Darwin's theory of evolution: lack of transitional forms in the fossil record; the impossibility of mutations (almost universally destructive) serving as evolutionary building blocks; the flawed logic of natural selection theory; the stunning lack of evidence for ape-men; the mathematic impossibility of life beginning by itself; and much more. Also explores the damaging effect societal impact of Darwinism, and examines how Inherit the Wind grossly misled Americans about the Scopes trial. Addresses the ever-vital question: Are we here by chance or are we created by God? Indexed, over 80 illustrations, hundreds of quotes from scientists.ENDORSEMENTSDR. DUANE T. GISH, SENIOR VICE PRESIDENT, INSTITUTE FOR CREATION RESEARCH: "Tornado in a Junkyard by James Perloff should be in the library of every one who is interested in the subject of origins. This book is a powerful argument for creation because it is thorough, fully documented, and scientifically accurate. It is easily readable by scientist and layman alike, and is written in a popular style that will make it interesting and entertaining for readers of all ages. I highly recommend this book."PUBLISHER'S WEEKLY, 8-30-99: "James Perloff's intriguing Tornado in a Junkyard aims to debunk evolutionary theory in favor of creationism. Perloff, a former contributing editor to the New American, draws upon the work of neo-Darwinists and geneticists to argue that 'while microevolution does occur--meaning minor adaptations and variations within a species, ' there is no solid evidence for macroevolution, or conversion of one animal type into another."DR. EMMETT L. WILLIAMS, PRESIDENT, CREATION RESEARCH SOCIETY: "Tornado in a Junkyard is a unique presentation of the scientific case against Darwinism, informally written for laymen. If you are looking for a user-friendly explanation of the facts supporting creation, this book is for you."CONSERVATIVE BOOK CLUB, 12-99: "James Perloff brings all the data together in a volume readily accessible to nonscientific types. His conclusion, carefully drawn: science contradicts Darwinism. . . . Perloff's style, unusually lively, makes Tornado in a Junkyard entertaining as well as educational."ACTOR JACK LEMMON, WHO PLAYED CLARENCE DARROW IN THE 1999 FILM VERSION OF INHERIT THE WIND: "My congratulations to Mr. Perloff for an outstanding piece of work."HOMESCHOOLING TODAY, JAN/FEB-2000: "Why another 'anti-evolution' book? Because Tornado in a Junkyard is different. Author James Perloff, a former fanatical atheist and anti-creationist, understands the other side's point of view. He presents facts that logically disprove Darwinism and unveils the many frauds and lies perpetrated by Darwinists that the public accepts as unshakeable scientific fact."ELLEN MYERS, CREATION RESOURCE LIBRARY, WICHITA, KANSAS: "I've been heavily involved in the creationist movement for many years and am familiar with most of the facts cited in Tornado. However, the racy style, the many excellent photos, and especially the less known details and extensive documentation will now make Tornado my resource of choice in my work."THE NEW AMERICAN, 9-13-99: "Perloff demonstrates--in this reviewer's opinion conclusively--that scientific evidence, when examined honestly, does not support modern Darwinism, but actually contradicts it. . . . This is a very important work, written in an informal and attractive style that is a joy to read."VICKI BRADY, HOST, "HOMESCHOOLING USA": "With so many books out on the evolution/creation debate it is getting hard to choose from good, better and best. James' book falls in the best category. I recommend that every homeschool family and church have a copy for their libraries."CHRISTIAN NEWS, 9-27-99: "Christian News highly recommends Tornado in a Junkyard.
The Speech Situation is a term worn with age in the teaching of public speaking in America. That it is comprised of occasion, speaker, and topic is a gross oversimplification. It also includes challenge, anxiety, emotion, fear, responsibility, faults of memory, and instants of pride. Out of the circumstances arise an increase in heart rate, a change in blood pressure, an abnormal pattern of breathing, a noticeable build up in perspiration, and an ongoing evaluation. For students this may be merely a grade or perhaps a series of evaluative remarks, possibly addressed both to the speaker and the other participants, the audience. It may entail a replaying of a record of the speech, indeed a videotape. Most important is the lasting impression that remains with all of the participants. What of the vocabulary of the speaker under the circumstances of the speech situation? This speaker - in the major portions of this work we may say, "this young man" - has spent time seeking an appropriate topic. He has outlined a composition around a central idea or thesis. He has marshaled evidence, details. He has framed an opening paragraph. He has been admonished not to give an essay, but to strive for audience contact, interpersonal communication. He makes his audible approach through his vocabulary and accompanying phonology. Under the tension, the speaker repeats; he adds meaningless vocalizations in periods that might logically be pauses. There are slips of the tongue. At worst, failing, he withdraws to await another day.
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Stitched together over five years of journaling, Obiter Dicta is a commonplace book of freewheeling explorations representing the transcription of a dozen notebooks, since painstakingly reimagined for publication. Organized after Theodor Adorno's Minima Moralia, this unschooled exercise in aesthetic thought--gleefully dilettantish, oftentimes dangerously close to the epigrammatic--interrogates an array of subject matter (although inescapably circling back to the curiously resemblant histories of Western visual art and instrumental music) through the lens of drive-by speculation. Erick Verran's approach to philosophical inquiry follows the brute-force literary technique of Jacques Derrida to exhaustively favor the material grammar of a signifier over hand-me-down meaning, juxtaposing outer semblances with their buried systems and our etched-in-stone intuitions about color and illusion, shape and value, with lessons stolen from seemingly unrelatable disciplines. Interlarded with extracts of Ludwig Wittgenstein but also Wallace Stevens, Cormac McCarthy as well as Roland Barthes, this cache of incidental remarks eschews what's granular for the biggest picture available, leaving below the hyper-specialized fields of academia for a bird's-eye view of their crop circles. Obiter Dicta is an unapologetic experiment in intellectual dot-connecting that challenges much long-standing wisdom about everything from illuminated manuscripts to Minecraft and the evolution of European music with lyrical brevity; that is, before jumping to the next topic.
THEY’RE BOTH IN TRIPLE TROUBLE! Some cowboys are meant to be family men, and Deputy Dan McCabe is one of them. Only, this eligible bachelor just can’t seem to find the right woman. Or rather—he has found her. But single mom Kelly Shackleford just keeps turning him down as if she’s immune to his charms. What could be the only way to Kelly’s heart? Her rambunctious, adorable toddler triplets! Kelly knows that sexy cowboys and romance don’t mix in any lasting way. Dan is just a friend, thank you very much. But a spark of attraction is turning “just friends” into something warmer and much, much deeper. Kelly doesn’t want a husband or a broken heart…so why can’t she stop falling for this heartbreaker of a cowboy?
Feeling at the top of her game when she is suddenly diagnosed with early onset Alzheimer's Disease, Harvard psychologist Alice Howland struggles to find meaning and purpose in her everyday life as her concept of self gradually slips away. A first novel. Simultaneous.