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This Is Life Seen Through Distorting Screens A Windscreen, Tv Screen, Newsprint, Mirror, Water, Breath, Heat Haze, Smokescreen. The Terrorist At My Table Asks Crucial Questions About How We Live Now Working, Travelling, Eating, Listening To The News, Preparing For Attack. What Do Any Of Us Know About The Person Who Shares This Street, This House, This Table, This Body? When Life Is In The Hands Of A Fellow-Traveller, A Neighbour, A Lover, Son Or Daughter, How Does The World Shift And Reform Itself Around Our Doubt, Our Belief? Imtiaz Dharker S Poems And Pictures In This Book Hurtle Through A World That Changes Even As We Pass. The Book Grows, Layer By Layer, Through Three Sequences The Terrorist At My Table , The Habit Of Departure And Worldwide Rickshaw Ride Each Cutting A Different Slice Through The Terrain Of What We Think Of As Normal. But Through All The Uncertainties And Concealments, Her Poems Unveil The Delicate Skin Of Love, Trust And Sudden Recognition.
Imtiaz Dharker S Cultural Experience Spans Three Countries. Born In Pakistan She Grew Up In Glasgow, And Now Divides Her Time Between Bombay And London. It Is From This Life Of Transitions That She Draws Her Themes: Childhood, Exile, Journeying, Home And Religious Strife. In Her Latest Work, The Woman S Body Is A Territory, A Thing That Is Possessed, Owned By Herself Or By Another. The Title Of The Book Speaks For The Devil In Acknowledging That In Many Societies Women Are Respected, Or Listened To, Only When They Are Carrying Someone Else Inside Their Bodies A Child; A Devil. For Some, To Be Possessed Is To Be Set Free. Dharker S Poems Trace A Complex And Revelatory Journey, Starting With A Striptease Where The Claims Of Nationality, Religion And Gender Are Cast Off, To Allow An Exploration Of New Territories. Strong And Economical, They Raise Issues Of Political Activity, Homesickness, Urban Violence And Religious Anomalies In The Most Ordinary And Unobtrusive Of Settings.
Imtiaz Dharker's themes are drawn from a life of transitions: childhood, exile, journeying, home, displacement, religious strife and terror, and latterly, grief. Over the Moon is her fifth book from Bloodaxe: poems of joy and sadness, of mourning and celebration: poems about music and feet, church bells, beds, bad language and sudden silence.
An anguished god surveys a world stricken by fundamentalism in these powerful poems by a writer whose cultural experience spans three countries: Pakistan, the country of her birth, and Britain and India, her countries of adoption. Her main themes are drawn from a life of transitions: childhood, exile, journeying, home, displacement, religious strife and terror, and latterly, grief. She is also an accomplished artist, and all her collections are illustrated with her drawings, which form an integral part of her books. Postcards from god was her first book from Bloodaxe. It combines two collections published separately in India, Purdah (1989) and Postcards from god (1994). In Purdah she memorialises the betweenness of a traveller between cultures, exploring the dilemmas of negotiation among countries, lovers, children. Postcards from god meditates upon disquietudes in the poet's chosen society: its sudden acts of violence, its feuds and insanities, forcing her into a permanent wakefulness that fits her eyes with glass lids. If the poems collected in Purdah are windows shuttered upon a private world, those gathered into Postcards from god are doorways leading out into the lanes and shanties where strangers huddle, bereft of the tender grace of attention.
Imtiaz Dharker was born in Pakistan, grew up in Glasgow, and now divides her time between Bombay and London. Her main themes are drawn from a life of transitions: childhood, exile, journeying, home, displacement, religious strife and terror. She is also an accomplished artist, and all her collections are illustrated with her drawings. "Leaving Fingerprints" is her fourth book of poems and drawings from Bloodaxe. In these poems, the only thing that is never lost is the Bombay tiffin-box. All the other things which are missing or about to go missing speak to each other - a person, a place, a recipe, a language, a talisman. Whether or not they want to be identified or found, they still send each other messages, scattering a trail of clues, leaving fingerprints.
Imtiaz Dharker was born in Pakistan, grew up a Muslim Calvinist in a Lahori household in Glasgow, was adopted by India and married into Wales. Her main themes are drawn from a life of transitions: childhood, exile, journeying, home, displacement, religious strife and terror, and latterly, grief. She is also an accomplished artist, and all her collections are illustrated with her drawings, which form an integral part of her books. Luck Is the Hook is her sixth book from Bloodaxe. In these poems, chance plays a part in finding or losing people and places that are loved: a change in the weather, a trick of language, a bomb that misses its mark, six pomegranate seeds eaten by mistake; all these events cast long shadows and raise questions about who is recording them, about believing, not believing, wanting to believe. A knot undone at Loch Lomond snags over Glasgow, a seal swims in the Clyde, a ghost stalks her quarry at a stepped well, an elephant and a cathedral come face to face on the frozen Thames, a return ticket is thrown into the tide of Humber, strangers wash in. Even in an uncertain world, love tangles with luck, flights show up on the radar and technology keeps track of desire. Imtiaz Dharker was awarded the Queen's Gold Medal for Poetry 2014 for Over the Moon and for her services to poetry.
Baudrillard sees the power of the terrorists as lying in the symbolism of slaughter—not merely the reality of death, but in a sacrifice that challenges the whole system. Where previously the old revolutionary sought to conduct a struggle between real forces in the context of ideology and politics, the new terrorist mounts a powerful symbolic challenge which, when combined with high-tech resources, constitutes an unprecedented assault on an over-sophisticated and vulnerable West. This new edition is up-dated with the essays “Hypotheses on Terrorism” and “Violence of the Global.”
On September 11, 2001, veteran comedian David Brenner was in the midst of a 48-week stand-up gig in Las Vegas. Immediately after that day, he cancelled the engagement and instructed his manager to book him on a nationwide tour. He called it the "Laughter to the People" tour, and on it he shared his humor with a grieving nation. Audience response was overwhelming. In this book, Brenner draws on highlights from his stand-up material to show how humor can give us the power to transcend personal and world problems from the unavoidable, like aging, to the uncontrollable, like war. The essays in the book cover a wide range of issues, including fear of flying, aging, marriage and divorce, pets, politics, terrorism, and religion.
Annotation This work answers questions concerning the length of time that terrorist campaigns last and when targeting leadership finishes a group. It examines a wide range of historical examples to identify the ways in which almost all terrorist groups die out.
Terrorism in America looks at issues of both domestic and international terrorism in the United States. Using existing FBI data and ethnographic data, this book compares and contrasts domestic sources of terrorism in the United States to those in other countries, while also discussing efforts by domestic terrorists to form alliances with foreign groups. Readers are provided with a history of counterterrorism in the United States, as well as research regarding fear of terrorism and its impact on individuals and the nation as a whole. Grounded in research and theory, this comprehensive resource will raise the public’s awareness and concern about domestic terrorism, foster a growing body of research about these groups and their links to international terrorism, and stimulate efforts to curtail their actions. Important Notice: The digital edition of this book is missing some of the images or content found in the physical edition.