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The memoirs of a young boy and his family living in a house and community where strange and supernatural phenomena took place, and how he face the forces of darkness protecting his younger siblings and himself for five consecutive years.
The "masterfully chilling" novel that inspired the hit AMC series (Entertainment Weekly). The men on board the HMS Terror — part of the 1845 Franklin Expedition, the first steam-powered vessels ever to search for the legendary Northwest Passage — are entering a second summer in the Arctic Circle without a thaw, stranded in a nightmarish landscape of encroaching ice and darkness. Endlessly cold, they struggle to survive with poisonous rations, a dwindling coal supply, and ships buckling in the grip of crushing ice. But their real enemy is even more terrifying. There is something out there in the frigid darkness: an unseen predator stalking their ship, a monstrous terror clawing to get in. “The best and most unusual historical novel I have read in years.” —Katherine A. Powers, Boston Globe
The memoirs of a young boy and his family living in a house and community where strange and supernatural phenomena took place, and how he face the forces of darkness protecting his younger siblings and himself for five consecutive years.
Frank Furedi argues that Western culture appears to feed off a diet of terror and inadvertently offers its enemies an invitation to be terrorised. We have not developed an intellectual framework in which to be able to confront the fear of terrorism. The language we use betrays confusion about the threat we face and therefore undermines our capacity to engage with it. Beginning with the question of 'Why do they hate us?' we find ourselves unsure of who 'they' are. Even more unsettling is the realisation that we are not quite sure of who 'we' are. In this startling and original book Frank Furedi engages with some of the most fundamental questions confronting society today. We are in a global conflict that appears so confusing that we are not even certain what to call it. The failure to conceptualize the issues at stake is demonstrated by the absence of consensus around even what words to describe the meaning of the present conflict and enemy. Suddenly governments stop speaking about the War on Terror and talk about the Long War. The shift in terminology often betrays confusion about the issues at stake. Lack of clarity about what this war is about, who are the protagonists, its scope and duration dominates discussions on this conflict. Meaningless terms often represent an attempt to evade. In this case they express confusion and the inability to make sense of life in the twenty-first century.
From the internationally acclaimed author of Gould’s Book of Fish comes an astonishing new novel, a riveting portrayal of a society driven by fear. What would you do if you turned on the television and saw you were the most wanted terrorist in the country? Gina Davies is about to find out when, after a night spent with an attractive stranger, she becomes a prime suspect in the investigation of an attempted terrorist attack. In The Unknown Terrorist, one of the most brilliant writers working in the English language today turns his attention to the most timely of subjects — what our leaders tell us about the threats against us, and how we cope with living in fear. Chilling, impossible to put down, and all too familiar, The Unknown Terrorist is a relentless tour de force that paints a devastating picture of a contemporary society gone haywire, where the ceaseless drumbeat of terror alert levels, newsbreaks, and fear of the unknown pushes a nation ever closer to the breaking point.
Fifty tales of terror and horror by masters of the genre. They range from Bianca's Hands, by Theodore Sturgeon, in which a man becomes obsessed with a girl's hands, to Jack Snow's Midnight, the story of an occultist who is attacked by demons.
A new account of the birth of the West through its birthplace--Renaissance Italy The period between 1492--resonant for a number of reasons--and 1571, when the Ottoman navy was defeated in the Battle of Lepanto, embraces what we know as the Renaissance, one of the most dynamic and creatively explosive epochs in world history. Here is the period that gave rise to so many great artists and figures, and which by its connection to its classical heritage enabled a redefinition, even reinvention, of human potential. It was a moment both of violent struggle and great achievement, of Michelangelo and da Vinci as well as the Borgias and Machiavelli. At the hub of this cultural and intellectual ferment was Italy. The Beauty and the Terror offers a vibrant history of Renaissance Italy and its crucial role in the emergence of the Western world. Drawing on a rich range of sources--letters, interrogation records, maps, artworks, and inventories--Catherine Fletcher explores both the explosion of artistic expression and years of bloody conflict between Spain and France, between Catholic and Protestant, between Christian and Muslim; in doing so, she presents a new way of witnessing the birth of the West.
Table of Contents CHAPTER I The Coming of the Terror CHAPTER II Death in the Village CHAPTER III The Doctors Theory CHAPTER IV The Spread of the Terror CHAPTER V The Incident of the Unknown Tree CHAPTER VI Mr. Remnant's Z Ray CHAPTER VII The Case of the Hidden Germans CHAPTER VIII What Mr. Merritt Found CHAPTER IX The Light on the Water CHAPTER X The Child and the Moth CHAPTER XI At Treff Loyne Farm CHAPTER XII The Letter of Wrath CHAPTER XIII The Last Words of Mr. Secretan CHAPTER XIV The End of the Terror
David Hufford's work exploring the experiential basis for belief in the supernatural, focusing here on the so-called Old Hag experience, a psychologically disturbing event in which a victim claims to have encountered some form of malign entity while dreaming (or awake). Sufferers report feeling suffocated, held down by some "force," paralyzed, and extremely afraid. The experience is surprisingly common: the author estimates that approximately 15 percent of people undergo this event at some point in their lives. Various cultures have their own name for the phenomenon and have constructed their own mythology around it; the supernatural tenor of many Old Hag stories is unavoidable. Hufford, as a folklorist, is well-placed to investigate this puzzling occurrence.