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A comprehensive chord dictionary for the tenor mandola, featuring 1,728 Chords, slash chords, moveable chords, tuning diagrams, chord theory, instrument factfile, blank chord windows and general advice.
The Tenor Mandola Chord Bible, with its 1,728 chords offers a complete solution for both beginner and experienced professional musician alike. The layout is uncomplicated and follows a logical musical progression from standard major chords up to the more esoteric thirteenths used by many jazz players. To accompany the 1,728 chords, a further 576 possible moveable chord configurations are included, together with a useful range of slash chords, reflecting the popularity of this type of chord in many of today's artist and compilation topline songbooks. This highly comprehensive guide provides the musician with no fewer than 68 different types of chord in all twelve keys, making it the definitive publication for the tenor mandola. Whether you play folk, rock, pop, jazz or any other type of popular music, The Tenor Mandola Chord Bible makes the ideal reference source for all occasions. Standard Chords covered in The Tenor Mandola Chord Bible (using the key of C as an example): C, Cm, C7, Cm7, C5, C6, Cm6, Cmaj7, Cdim, Cdim7, C-5, C], Csus2, Csus4, C7sus4, Cm7-5, Cadd9, Cmadd9, C6add9, Cm6add9, C7-5, C7+5, C7-9, C7+9, Cm(maj7), Cmaj7-5, Cmaj7+5, C9, Cm9, Cmaj9, C11, C13. Advanced Chords covered in The Tenor Mandola Chord Bible (using the key of C as an example): C4, Cadd11, Csus4add9, Cm-6, C7sus2, C7-5-9, C7-5+9, C7+5-9, C7+5+9, C7add11, C7add13, C7+11, Cm7-5-9, Cm7-9, Cm7add11, Cmaj7+11, C9sus4, C9-5, C9+5, C9+11, Cm9-5, Cm(maj9), Cmaj9-5, Cmaj9+5, Cmaj9+11, Cmaj9add6, C11-9, Cm11, Cmaj11, C13sus4, C13-5-9, C13-9, C13+9, C13+11, Cm13, Cmaj13. Major Slash Chords covered in The Tenor Mandola Chord Bible (using the key of C as an example): C/C, C/Db, C/D, C/Eb, C/E, C/F, C/F#, C/G, C/Ab, C/A, C/Bb, C/B. Beside the many pages of chord boxes or windows, the book features useful sections on tuning, chord construction, fingerboard layout, FAQs, alternative chord naming, fingering, slash chords, harmonic intervals, chord window blanks for transcribing your own favorite chord sequences etc. The aim of this guide is to provide the musician with the flexibility only really offered to guitar and keyboard players in the past. Now, with the help of The The Tenor Mandola Chord Bible, musicians will be able to pick up any songbook and instantly have access to even the most complex and advanced chords.
A comprehensive chord dictionary for the tenor guitar, featuring 2,880 Chords, slash chords, moveable chords, tuning diagrams, chord theory, instrument factfile, blank chord windows and general advice.
(Music Sales America). This is the perfect reference for chords for mandolin, banjo and bouzouki. The book contains easy chords in all keys, with sections on tunings, capos and chord relations. John Loesberg has created another intelligible and intuitive didactic book which will be invaluable for all players of Irish traditional music.
The Irish Bouzouki GDAD Chord Bible, with its 2,520 chords offers a complete solution for both beginner and experienced professional musician alike. The layout is uncomplicated and follows a logical musical progression from standard major chords up to the more esoteric thirteenths used by many jazz players. To accompany the 2,520 chords, a further 576 possible moveable chord configurations are included, together with a useful range of major and minor slash chords, reflecting the popularity of this type of chord in many of today's artist and compilation topline songbooks. To fully exploit the ringing quality of the Irish bouzouki, a selection of open and drone string chords has also been included. This highly comprehensive guide provides the musician with no fewer than 60 different types of chord in all twelve keys, making it the definitive publication for the Irish bouzouki. Whether you play folk, rock, pop, jazz or any other type of popular music, The Irish Bouzouki GDAD Chord Bible makes the ideal reference source for all occasions. Standard Chords covered in The Irish Bouzouki GDAD Chord Bible (using the key of C as an example): C, Cm, C-5, Cdim, C4, C5, Csus2, Csus4, Csus4add9, C+, C6, Cadd9, Cm6, Cmadd9, Cm6add9, Cdim7, C7, C7sus2, C7sus4, C7-5, C7+5, C7-9, C7+9, C7-5-9, C7+5-9, C7+5+9, C7add11, C7+11, Cm7, Cm7-5, Cm7-5-9, Cm7-9, Cm7add11, Cm(maj7), Cmaj7, Cmaj7-5, Cmaj7+5, Cmaj7+11, C9, C9-5, C9+5, C9+11, Cm9, Cm9-5, Cm(maj9), Cmaj9, Cmaj9+5, Cmaj9+11, C11, C11-9, Cm11, Cmaj11, C13, C13-5-9, C13-9, C13+9, C13+11, Cm13, Cmaj13. Slash Chords covered in The Irish Bouzouki GDAD Chord Bible (using the key of C as an example): C/C, C/Db, C/D, C/Eb, C/E, C/F, C/F#, C/G, C/Ab, C/A, C/Bb, C/B, Cm/C, Cm/Db, Cm/D, Cm/Eb, Cm/E, Cm/F, Cm/F#, Cm/G, Cm/Ab, Cm/A, Cm/Bb, Cm/B. Beside the many pages of chord boxes or windows, the book features useful sections on tuning, chord construction, fingerboard layout, FAQs, alternative chord naming, fingering, slash chords, harmonic intervals, chord window blanks for transcribing your own favorite chord sequences etc. The aim of this guide is to provide the musician with the flexibility only really offered to guitar and keyboard players in the past. Now, with the help of The Irish Bouzouki GDAD Chord Bible, musicians will be able to pick up any songbook and instantly have access to even the most complex and advanced chords.
The Octave Mandolin Chord Bible, with its 1,728 chords offers a complete solution for both beginner and experienced professional musician alike. The layout is uncomplicated and follows a logical musical progression from standard major chords up to the more esoteric thirteenths used by many jazz players. To accompany the 1,728 chords, a further 576 possible moveable chord configurations are included, together with a useful range of slash chords, reflecting the popularity of this type of chord in many of today's artist and compilation topline songbooks. This highly comprehensive guide provides the musician with no fewer than 68 different types of chord in all twelve keys, making it the definitive publication for the octave mandolin. Whether you play folk, rock, pop, jazz or any other type of popular music, The Octave Mandolin Chord Bible makes the ideal reference source for all occasions. Standard Chords covered in The Octave Mandolin Chord Bible (using the key of C as an example): C, Cm, C7, Cm7, C5, C6, Cm6, Cmaj7, Cdim, Cdim7, C-5, C+, Csus2, Csus4, C7sus4, Cm7-5, Cadd9, Cmadd9, C6add9, Cm6add9, C7-5, C7+5, C7-9, C7+9, Cm(maj7), Cmaj7-5, Cmaj7+5, C9, Cm9, Cmaj9, C11, C13. Advanced Chords covered in The Octave Mandolin Chord Bible (using the key of C as an example): C4, Cadd11, Csus4add9, Cm-6, C7sus2, C7-5-9, C7-5+9, C7+5-9, C7+5+9, C7add11, C7add13, C7+11, Cm7-5-9, Cm7-9, Cm7add11, Cmaj7+11, C9sus4, C9-5, C9+5, C9+11, Cm9-5, Cm(maj9), Cmaj9-5, Cmaj9+5, Cmaj9+11, Cmaj9add6, C11-9, Cm11, Cmaj11, C13sus4, C13-5-9, C13-9, C13+9, C13+11, Cm13, Cmaj13. Major Slash Chords covered in The Octave Mandolin Chord Bible (using the key of C as an example): C/C, C/Db, C/D, C/Eb, C/E, C/F, C/F#, C/G, C/Ab, C/A, C/Bb, C/B. Beside the many pages of chord boxes or windows, the book features useful sections on tuning, chord construction, fingerboard layout, FAQs, alternative chord naming, fingering, slash chords, harmonic intervals, chord window blanks for transcribing your own favorite chord sequences etc. The aim of this guide is to provide the musician with the flexibility only really offered to guitar and keyboard players in the past. Now, with the help of The Octave Mandolin Chord Bible, musicians will be able to pick up any songbook and instantly have access to even the most complex and advanced chords.
In this book I arranged 20 known pieces for those who interest in classical music and Mandola (CGDA), Tenor Banjo or Tenor Guitar. Enjoy and be inspired. The are in the book songs without text. Check out samples from books: http: //osos.sweb.cz/preview-ukulele.pdf Includes: Andelske pratelstvi - Adam Vaclav Michna z Otradovic (1600-1676), Menuet - Christian Petzold (1677-1733), Impertinence - Georg Friedrich Handel (1685-1759), Symphony No. 94 "Surprise" - Joseph Haydn (1732-1809), Dona Nobis Pacem - maybe Wolfgang Amadeus Mozart (1756-1791), Non piu andrai - Wolfgang Amadeus Mozart (1756-1791), Fur Elise - Ludwig van Beethoven (1770-1827), Das Wandern - Franz Schubert (1797-1828), Liebestraume - Franz Liszt (1811-1886), Bridal Chorus - Richard Wagner (1813-1883), Coro di zingari, La Donna e Mobile - Giuseppe Verdi (1813-1901), Ja, das alles auf Ehr- Johann Strauss II (1825-1899), Melody - Anton Rubinstein (1829-1894), Lullaby - Johannes Brahms (1833-1897), Humoresques, Largo - Antonin Dvorak (1841-1904), Gran Vals, Preludio No. 18 - Francisco Tarrega (1852-1909), Vjezd Gladiatoru - Julius Fucik (1872-1916) The are in the book songs without text. Check out samples from books: http: //osos.sweb.cz/Sarek-Guitar-and-Guitalele-preview.pdf"
With nearly 400 scores to his credit, Ennio Morricone is one of the most prolific and influential film composers working today. He has collaborated with many significant directors, and his scores for such films as The Good, the Bad, and the Ugly; Once Upon a Time in America; Days of Heaven; The Mission; The Untouchables; Malèna; and Cinema Paradiso leave moviegoers with the conviction that something special was achieved—a conviction shared by composers, scholars, and fans alike. In Composing for the Cinema: The Theory and Praxis of Music in Film, Morricone and musicologist Sergio Miceli present a series of lectures on the composition and analysis of film music. Adapted from several lectures and seminars, these lessons show how sound design can be analyzed and offer a variety of musical solutions to many different kinds of film. Though aimed at composers, Morricone’s expositions are easy to understand and fascinating even to those without any musical training. Drawing upon scores by himself and others, the composer also provides insight into his relationships with many of the directors with whom he has collaborated, including Sergio Leone, Giuseppe Tornatore, Franco Zeffirelli, Warren Beatty, Ridley Scott, Roland Joffé, the Taviani Brothers, and others. Translated and edited by Gillian B. Anderson, an orchestral conductor and musicologist, these lessons reveal Morricone’s passion about musical expression. Delivered in a conversational mode that is both comprehensible and interesting, this groundbreaking work intertwines analysis with practical details of film music composition. Aimed at a wide audience of composers, musicians, film historians, and fans, Composing for the Cinema contains a treasure trove of practical information and observations from a distinguished musicologist and one of the most accomplished composers on the international film scene.
No longer confined to basic folk genres, any mandolinist aspiring to a broader comprehension of music, including swing, blues, pop, choro, broadway, and even classical can expand his/her playing and through a working knowledge of jazz fundamentals. This breakthrough approach in mandolin pedagogy takes four uncomplicated fretboard patterns (FFcP) and drills a physical familiarity into the player's fingers, softening the fear of upper frets and prepares for the harmonic alterations necessary for effective and intuitive playing of more complex contemporary music.A brief introduction into modes, the player is eased into jamming with audio accompaniment (CD), and eventually an initiation into the most fundamental jazz chord progression of all, the 'ii V7 I' pattern. from the horizontal (melody) to the vertical (chords) and back, the results are a both instinctive and physical grasp of tonal centers and the improvisational fodder of effective performing. an emphasis on pinky strength, finger control and sustain, the book's exercises also develop the player's concepts of tone and melody. Further supportive resources including MP3 audio tracks are also available on the internet. http://www.jazzmando.com/webtracks.shtml