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This study reconstitutes a tenement community living in Church Street in the heart of the worst slums in Dublin, using the 1911 census as its main primary source. The census enables these tenement dwellers to emerge from anonymity.
Putting Ireland on trial, Jim Larkin’s verdict was damning and resolute. His words resound, shuddering towards the present day where class division and workers’ rights disputes make headlines with swelling frequency. In this pioneering collection, an exemplary list of contributors registers the radical momentum within Dublin in 1913, its effects internationally, and its paramount example in shaping political activism within Ireland to this day. The narrative of the beleaguered yet dignified workers who stood up to the greed of their Irish masters is examined, revealing the truths that were too fraught with trauma, shame and political tension to remain within popular memory. Beyond the animosity and immediate impact of the industrial dispute are its enduring lessons through the First World War, the Easter Rising, and the birth of the Irish Free State; its legacy, real and adopted, instructs the surge of activism currently witnessed, but to what effect? The Dublin Lockout, 1913 illuminates this pivotal class war in Irish history: inspiring, shocking, and the nearest thing Ireland had to a debate on the type of society that was wanted by its citizens.
The story of George and Margaret Geoghegan. George was a foot soldier in the Easter Rising of 1916 in Dublin who managed to achieve some sort of minor fame for being one of the 84 rebels killed in Easter week. His wife Margaret was left to raise their three children in one of the most notorious slums in Europe. The book also details her interminable correspondence with the Army Pensions Board, seeking to gain redress. Also contains genealogical material of the Geoghegan and Ledwidge families of Dublin.
Dublin has experienced great—and often astonishing—change in its 1,400 year history. It has been the largest urban center on a deeply contested island since towns first appeared west of the Irish Sea. There have been other contested cities in the European and Mediterranean world, but almost no European capital city, David Dickson maintains, has seen sharper discontinuities and reversals in its history—and these have left their mark on Dublin and its inhabitants. Dublin occupies a unique place in Irish history and the Irish imagination. To chronicle its vast and varied history is to tell the story of Ireland. David Dickson’s magisterial history brings Dublin vividly to life beginning with its medieval incarnation and progressing through the neoclassical eighteenth century, when for some it was the “Naples of the North,” to the Easter Rising that convulsed a war-weary city in 1916, to the bloody civil war that followed the handover of power by Britain, to the urban renewal efforts at the end of the millennium. He illuminates the fate of Dubliners through the centuries—clergymen and officials, merchants and land speculators, publishers and writers, and countless others—who have been shaped by, and who have helped to shape, their city. He reassesses 120 years of Anglo-Irish Union, during which Dublin remained a place where rival creeds and politics struggled for supremacy. A book as rich and diverse as its subject, Dublin reveals the intriguing story behind the making of a capital city.
Based on source materials ranging from public inquiries and property valuations to the records created by women charity workers, such as Margaret Aylward, the slum geography of the city is meticulously recreated in this thoroughly original book. The overlapping areas of contagious disease, slum housing and the support of the very poorest, the beggars and costermongers who daily thronged the city streets, form the three main areas of analysis. These issues are explored on scales ranging from city-wide to the local street or court, while the final case study examines the dynamic nature of slum creation and efforts at relief and reform in the particular context of the north city parishes of St. Mary's and St. Michan's.
In his treatment of Redmond, Joseph P. Finnan demonstrates the multiple identities of the Irish Parliamentary Party as nationalist, liberal, and Catholic. He looks at Home Rule as part of a federal solution to the Irish question within the United Kingdom, the reasons for the failure of Redmond's war policies, and the collapse of the Irish Parliamentary Party as part of the wider phenomenon of the decline of liberalism during the Great War. As he looks at Irish nationalism in its worldwide context, Finnan also shows how Redmond's handling of organizational problems in America sets the pattern for his later handling of similar problems in Ireland.
Delving into a hitherto unexplored aspect of Irish art history, Painting Dublin, 1886–1949 examines the depiction of Dublin by artists from the late-nineteenth to the mid-twentieth century. Artists’ representations of the city have long been markers of civic pride and identity, yet in Ireland such artworks have been overlooked in favour of the rural and pastoral. Framed by the shift from city of empire to capital of an independent republic, this book examines artworks by Walter Osborne, Rose Barton, Jack B. Yeats, Harry Kernoff, Estella Solomons and Flora Mitchell, encompassing a variety of urban views and artistic themes. While Dublin is already renowned for its representation in literature, this book will demonstrate the many attractions it held for Ireland’s artists, offering a vivid visualisation of the city’s streets and inhabitants at a crucial time in its history.
Dublin 1911 When Eliza Kane and her brother Jonty move from the leafy suburbs of Rathmines to a tenement flat on Henrietta Street they are in for a shock. Pigs and ponies in the yard, rats in the hallways and cockroaches or 'clocks' underfoot! When they meet their new neighbour, Annie, a kind and practical teenager and her brothers, and a travelling circus comes to town, offering them both jobs, helping Madam Ada, the bee charmer, and Albert the dog trainer, things start to look up. When a tragedy happens in the tenements, Eliza, Jonty and their new friends spring into action. A tale of family, friendship and finding a new home, with touch of magical bees!
Joe Duffy takes the pulse of the Irish nation every day on Liveline. Whenever somebody wants to get something off their chest, the advice is often: “Talk to Joe”. Just Joe reveals the private man behind the public voice. Joe writes with raw honesty about his difficult upbringing in working-class Ballyfermot, with a hard-drinking father and hard-working mother, and about his younger brother Brendan, who has drink and drug problems and has spent time in prison. For Joe, education was key to a fresh start. He was one of the first from his area to attend university at Trinity College Dublin. His social justice campaigning led to him becoming President of the Union of Students in Ireland. He spent two weeks in Mountjoy Jail following a protest against government cutbacks. Joe eventually moved into a career in RTÉ Radio, where he first became known as a roving reporter on The Gay Byrne Show, before finally finding his niche on Liveline. Just Joe highlights the major stories and controversies raised by the programme; it also deals with the shocking death in 2010 of Joe’s friend and fellow broadcaster Gerry Ryan. This is a riveting, deeply felt and fascinating memoir of a complex, passionate man.
Children of the Rising is the first ever account of the young lives violently lost during the week of the 1916 Rising: long-forgotten and never commemorated, until now. Boys, girls, rich, poor, Catholic, Protestant - no child was guaranteed immunity from the bullet and bomb that week, in a place where teeming tenement life existed side by side with immense wealth. Drawing on extensive original research, along with interviews with relatives, Joe Duffy creates a compelling picture of these forty lives, along with one of the cut and thrust of city life between the two canals a century ago. This gripping story of Dublin and its people in 1916 will add immeasurably to our understanding of the Easter Rising. Above all, it honours the forgotten lives, largely buried in unmarked graves, of those young people who once called Dublin their home.