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"Gossiping place Cardyllian is," said Miss Anne Sheckleton, after they had walked on a little in silence. "What nonsense the people do talk. I never heard anything like it. Did you ever hear such a galamathias?" The young lady walking by her side answered by a cold little laugh— "Yes, I suppose so. All small country towns are, I believe," said she. "And that good old soul, Mrs. Jones, she does invent the most absurd gossip about every body that imagination can conceive. Wilmot told me the other day that she had given her to understand that your father is a madman, sent down here by London doctors for change of air. I make it a point never to mind one word she says; although her news, I confess, does amuse me." "Yes, it is, very foolish. Who are those Etherages?" said Margaret. "Oh! They are village people—oddities," said Miss Sheckleton. "From all I can gather, you have no idea what absurd people they are." "He was walking with them. Was not he?" asked the young lady. "Yes—I think so," answered her cousin.
Margaret Oliphant (1828-97) had a prolific literary career that spanned almost fifty years. She wrote some 98 novels, fifty or more short stories, twenty-five works of non-fiction, including biographies and historic guides to European cities, and more than three hundred periodical articles. This is the most ambitious critical edition of her work.
Malory's world explored, from the battle of Towton to the "grete bokes" of chivalric material composd for aristocratic families.
This book is the first systematic study in decades of Malory’s development of his characters in the Morte Darthur. Focusing on sixteen key figures in the most important medieval English treatment of the Arthurian saga, it examines Malory’s thematic characterization of individual rulers, knights, and ladies in keeping with the twin trajectories of his history of the Round Table and fifteenth-century English history. Looking at how Malory develops his characters as exemplars of kingship, knighthood, and womanhood, the book traces the medieval author’s exploration of the values constituting chivalry as embodied in individual characters, a process that enabled him to formulate a vision of those values for his own troubled period of the Wars of the Roses. This book further explores the contribution Malory’s art of characterization makes to the literary and aesthetic power of the Morte Darthur. Each chapter’s focus on individual characters makes the book not only an integrated thematic overview, but also a useful reference for focused study of particular Arthurian figures. As such, the book is designed to meet the interests and needs of both professional scholars and students of Arthurian and medieval literature.