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Norman Moonbloom is a loser, a drop-out who can't even make it as a deadbeat. His brother, a slumlord, hires him to collect rent in the buildings he owns in Manhattan. Making his rounds from apartment to apartment, Moonbloom confronts a wildly varied assortment of brilliantly described urban characters, among them a gay jazz musician with a sideline as a gigolo, a Holocaust survivor, and a brilliant young black writer modeled on James Baldwin. Moonbloom hears their cries of outrage and abuse; he learns about their secret sorrows and desires. And as he grows familiar with their stories, he finds that he is drawn, in spite of his best judgment, into a desperate attempt to improve their lives. Edward Lewis Wallant's astonishing comic tour de force is a neglected masterpiece of 1960s America.
With a new introduction by Aleksandar Hemon In The Tenants (1971), Bernard Malamud brought his unerring sense of modern urban life to bear on the conflict between blacks and Jews then inflaming his native Brooklyn. The sole tenant in a rundown tenement, Henry Lesser is struggling to finish a novel, but his solitary pursuit of the sublime grows complicated when Willie Spearmint, a black writer ambivalent toward Jews, moves into the building. Henry and Willie are artistic rivals and unwilling neighbors, and their uneasy peace is disturbed by the presence of Willie's white girlfriend Irene and the landlord Levenspiel's attempts to evict both men and demolish the building. This novel's conflict, current then, is perennial now; it reveals the slippery nature of the human condition, and the human capacity for violence and undoing.
They share a house. And all its secrets . . . When a young woman is discovered brutally murdered in her own apartment, with an intricate pattern of lines carved into her face, Copenhagen police detectives Jeppe Kørner and Anette Werner are assigned to the case. They quickly establish a link between the victim, Julie Stender, and her complex landlady, Esther. Esther is a budding novelist - and when Julie features as a murder victim in the still-unfinished mystery she's writing, the link between fiction and real life grows more urgent. But is Esther guilty or merely another victim in a far more dangerous game of vengeance? Anette and Jeppe must dig more deeply into the two women's pasts to discover the secret that links them both . . . See what readers are saying about The Tenant: 'Full of intrigue and clever twists' ***** 'This is as tense and gripping as anything I've read this year.' ***** 'Gripping Scandi police procedural' ***** 'Kept me engrossed with a strong sense of location and plenty of tension' ***** 'This will keep you hooked! It kept me guessing all the way through' ***** 'A great thriller full of twists and turns that will keep you engaged to the end' *****
Topor's nightmare vision of paranoia with a new introduction by famed horror writer Thomas Ligotti.
Joseph Thomas Sheridan Le Fanu (1814 –1873) was an Irish writer of Gothic novels, one of the most infl uential ghost story writers of the nineteenth century. “The Tenants of Malory” is the sensation novel about two feuding families, Verney and Fanshawe, and their ambiguous relationship. Arthur, Lord Verney’s nephew, cannot choose between his feelings to Margaret Fanshawe and for his benefi t. Through this novel, the author asks a question – how many moral principles is a person willing to sacrifi ce for a brief sense of superiority?
Now in its sixth edition, A Practical Approach to Landlord and Tenant continues to provide a comprehensive and systematic guide to the principles and practice of landlord and tenant law. Containing coverage of up to date cases, as well as key documents, this book provides a valuable introduction for students and professionals alike.