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In postwar America, not everyone wanted to move out of the city and into the suburbs. For decades before World War II, New York's tenants had organized to secure renters' rights. After the war, tenant activists raised the stakes by challenging the newly-dominant ideal of homeownership in racially segregated suburbs. They insisted that renters as well as owners had rights to stable, well-maintained homes, and they proposed that racially diverse urban communities held a right to remain in place--a right that outweighed owners' rights to raise rents, redevelop properties, or exclude tenants of color. Further, the activists asserted that women could participate fully in the political arenas where these matters were decided. Grounded in archival research and oral history, When Tenants Claimed the City: The Struggle for Citizenship in New York City Housing shows that New York City's tenant movement made a significant claim to citizenship rights that came to accrue, both ideologically and legally, to homeownership in postwar America. Roberta Gold emphasizes the centrality of housing to the racial and class reorganization of the city after the war; the prominent role of women within the tenant movement; and their fostering of a concept of "community rights" grounded in their experience of living together in heterogeneous urban neighborhoods.
Selected as a Most Anticipated title by People, Parade, Bustle, CrimeReads, She Reads, and more! An electrifying work of literary suspense from internationally bestselling author Katrine Engberg, The Tenant—heralded as a “stunning debut” by #1 New York Times bestselling author Kathy Reichs—follows two Copenhagen police detectives struggling to solve a shocking murder and stop a killer hell-bent on revenge. When a young woman is discovered brutally murdered in her own apartment with an intricate pattern of lines carved into her face, Copenhagen police detectives Jeppe Korner and Anette Werner are assigned to the case. In short order, they establish a link between the victim, Julie Stender, and her landlady, Esther de Laurenti, who’s a bit too fond of drink and the host of raucous dinner parties with her artist friends. Esther also turns out to be a budding novelist—and when Julie turns up as a murder victim in the still-unfinished mystery she’s writing, the link between fiction and real life grows both more urgent and more dangerous. But Esther’s role in this twisted scenario is not quite as clear as it first seems. Is she the culprit or just another victim, trapped in a twisted game of vengeance? Anette and Jeppe must dig more deeply into the two women’s pasts to discover the identity of the brutal puppet-master pulling the strings. Evocative and original, The Tenant promises “dark family secrets—and a smorgasbord of surprises” (People).
With a new introduction by Aleksandar Hemon In The Tenants (1971), Bernard Malamud brought his unerring sense of modern urban life to bear on the conflict between blacks and Jews then inflaming his native Brooklyn. The sole tenant in a rundown tenement, Henry Lesser is struggling to finish a novel, but his solitary pursuit of the sublime grows complicated when Willie Spearmint, a black writer ambivalent toward Jews, moves into the building. Henry and Willie are artistic rivals and unwilling neighbors, and their uneasy peace is disturbed by the presence of Willie's white girlfriend Irene and the landlord Levenspiel's attempts to evict both men and demolish the building. This novel's conflict, current then, is perennial now; it reveals the slippery nature of the human condition, and the human capacity for violence and undoing.
This “meticulously plotted” novel explores “the mysteries of dysfunctional families . . . and adolescents’ imperfect . . . understanding of the world of adults” (Sarah Lyall The New York Times Book Review). “The night we left Ellen on the road, we drove up the mountain in silence.” It is the early 1980s and fifteen-year-old Libby is obsessed with The Field Guide to the Trees of North America, a gift her Irish immigrant father gave her before he died. She finds solace in “The Kingdom,” a stand of red oak and thick mountain laurel near her home in suburban Pennsylvania, where she can escape from her large and unruly family and share menthol cigarettes and lukewarm beers with her best friend. One night, while driving home, Libby’s mother, exhausted and overwhelmed with the fighting in the backseat, pulls over and orders Libby’s little sister Ellen to walk home. What none of this family knows as they drive off leaving a twelve-year-old girl on the side of the road five miles from home with darkness closing in, is what will happen next. A Crooked Tree is a surprising, indelible novel, both a poignant portrayal of an unmoored childhood giving way to adolescence, and a gripping tale about the unexpected reverberations of one rash act. “Beautifully written with tenderness and wisdom.” — Elizabeth Wetmore, New York Times bestselling author of Valentine “Suspenseful, affecting, and disarmingly evocative of childhood and the not-so-distant era of the 1980s.” —Kirkus Reviews “Filled with pathos, nostalgia, and the best kind of suspense..” — Liz Moore, New York Times bestselling author of Long Bright River “Completely entrancing.” —Julia Pierpont, New York Times–bestselling author of Among the Ten Thousand Things
The biography of the Avatar of the Age Meher Baba updated as of 23 October 2024
To free his father and himself from his mother's tyranny, Pierre Rivière decided to kill her. On June 3,1835, he went inside his small Normandy house with a pruning hook and cut to death his mother, his eighteen-year-old sister, and his seven-year-old brother. Then, in jail, he wrote a memoir to justify the whole gruesome tale. Michel Foucault, author of Madness and Civilization and Discipline and Punish, collected the relevant documents of the case, including medical and legal testimony, police records. and Rivière's memoir. The Rivière case, he points out, occurred at a time when many professions were contending for status and power. Medical authority was challenging law, branches of government were vying. Foucault's reconstruction of the case is a brilliant exploration of the roots of our contemporary views of madness, justice, and crime.
Landlording: a handymanual for scrupulous landlords and landladies who do it themselves.