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The funniest, most memorable Twitter messages from comedian and bestselling author Steve Martin, along with hilarious responses from followers. Steve Martin's uncanny ability to pack 140 characters with humor and wit has defined what it means to be a celebrity in today's world of social media. With over 8 million followers on Twitter (a number growing by the day), Martin's tweets have been covered by personal blogs, major news outlets, and everything in between. Funny illustrations complement Martin's insights on everything from celebrity culture to jury duty to Twitter itself. Perfect, light reading for your hectic commute, busy waiting rooms, or a lazy Sunday afternoon, this collection will delight avid followers and offline fans alike.
An imagined meeting between Pablo Picasso and Albert Einstein in 1904 examines the impact of science and art on a rapidly changing society
Steve Martin has been an international star for over thirty years. Here, for the first time, he looks back to the beginning of his career and charmingly evokes the young man he once was. Born in Texas but raised in California, Steve was seduced early by the comedy shows that played on the radio when the family travelled back and forth to visit relatives. When Disneyland opened just a couple of miles away from home, an enchanted Steve was given his first chance to learn magic and entertain an audience. He describes how he noted the reaction to each joke in a ledger - 'big laugh' or 'quiet' - and assiduously studied the acts of colleagues, stealing jokes when needed. With superb detail, Steve recreates the world of small, dark clubs and the fear and exhilaration of standing in the spotlight. While a philosophy student at UCLA, he worked hard at local clubs honing his comedy and slowly attracting a following until he was picked up to write for TV. From here on, Steve Martin became an acclaimed comedian, packing out venues nationwide. One night, however, he noticed empty seats and realised he had 'reached the top of the rollercoaster'. BORN STANDING UP is a funny and riveting chronicle of how Steve Martin became the comedy genius we now know and is also a fascinating portrait of an era.
The world of Twitterbots, from botdom's greatest hits to bot construction to the place of the bot in the social media universe. Twitter offers a unique medium for creativity and curiosity for humans and machines. The tweets of Twitterbots, autonomous software systems that send messages of their own composition into the Twittersphere, mingle with the tweets of human creators; the next person to follow you on Twitter or to “like” your tweets may not a person at all. The next generator of content that you follow on Twitter may also be a bot. This book examines the world of Twitterbots, from botdom's greatest hits to the hows and whys of bot-building to the place of bots in the social media landscape. In Twitterbots, Tony Veale and Mike Cook examine not only the technical challenges of bending the affordances of Twitter to the implementation of your own Twitterbots but also the greater knowledge-engineering challenge of building bots that can craft witty, provocative, and concise outputs of their own. Veale and Cook offer a guided tour of some of Twitter's most notable bots, from the deadpan @big_ben_clock, which tweets a series of BONGs every hour to mark the time, to the delightful @pentametron, which finds and pairs tweets that can be read in iambic pentameter, to the disaster of Microsoft's @TayAndYou (which “learned” conspiracy theories, racism, and extreme politics from other tweets). They explain how to navigate Twitter's software interfaces to program your own Twitterbots in Java, keeping the technical details to a minimum and focusing on the creative implications of bots and their generative worlds. Every Twitterbot, they argue, is a thought experiment given digital form; each embodies a hypothesis about the nature of meaning making and creativity that encourages its followers to become willing test subjects and eager consumers of automated creation. Some bots are as malevolent as their authors. Like the bot in this book by Veale & Cook that uses your internet connection to look for opportunities to buy plutonium on The Dark Web.” —@PROSECCOnetwork "If writing is like cooking then this new book about Twitter 'bots' is like Apple Charlotte made with whale blubber instead of butter.” —@PROSECCOnetwork These bot critiques generated at https://cheapbotsdonequick.com/source/PROSECCOnetwork
Conversations with Steve Martin presents a collection of interviews and profiles that focus on Martin as a writer, artist, and original thinker over the course of more than four decades in show business. While those less familiar with his full body of work may think of Martin as primarily the "wild and crazy guy" with an arrow through his head, this book makes the case that he is in fact one of our nation's most accomplished and varied artists. It shows the full range of Martin's creative work, tracing the source of his comic imagination from his early standup days, starting in the mid to late 1960s through the films he has written and starred in, and emphasizing his more recent creative outpourings as playwright, essayist, novelist, memoirist, songwriter, composer, musician, and art critic. “Standup is the hardest material in the world to write for someone else; it's like trying to condense 10 years of experience into 20 minutes of new material,” Martin says. But commenting on his fiction writing, he says. “I think you have to be able to find as a writer that state where you don't know what you're going to say or what the character is going to say or who the characters are. That's the biggest thrill of all. When you start to trust that subconscious thing and you don't censor yourself—just remember you can always throw it away that's when the good stuff comes out.” The selected materials consist not only of pieces focused primarily on Martin's writings, but also broader profiles and conversations that help explain Martin's development as a writer within the larger context of his many other accomplishments, talents, and performance skills.
The behind-the-scenes story of the iconic funnymen who ruled '80s Hollywood—Bill Murray, Steve Martin, Chevy Chase, John Belushi, Dan Aykroyd, and Eddie Murphy—and the beloved films that made them stars, including Animal House, Caddyshack, and Ghostbusters NAMED ONE OF THE BEST BOOKS OF THE YEAR BY NEW YORK “An enjoyable romp that vividly captures the manic ups and downs of the remarkable group of funny folk who gave us a golden age of small and big screen comedy, from SNL to Groundhog Day.”—Peter Biskind, author of Easy Riders, Raging Bulls Wild and Crazy Guys opens in 1978 with Chevy Chase and Bill Murray taking bad-tempered swings at each other backstage at Saturday Night Live, and closes 21 years later with the two doing a skit in the same venue, poking fun at each other, their illustrious careers, triumphs and prat falls. In between, Nick de Semlyen takes us on a trip through the tumultuous '80s, delving behind the scenes of movies such as National Lampoon's Vacation, Beverly Hills Cop, The Blues Brothers, Dirty Rotten Scoundrels, and dozens more. Chronicling the off-screen, larger-than-life antics of Bill Murray, Chevy Chase, Steve Martin, Dan Aykroyd, Eddie Murphy, John Belushi, John Candy, and Rick Moranis, it's got drugs, sex, punch-ups, webbed toes, and Bill Murray being pushed into a swimming pool by Hunter S. Thompson while tied to a lawn chair. What's not to like? Based on candid interviews from many of the stars themselves, as well as those in their immediate orbit, including directors John Landis, Carl Reiner, and Amy Heckerling, Wild and Crazy Guys is a fantastic insider account of the friendships, feuds, triumphs, and disasters experienced by these beloved comedians. Hilarious and revealing, it is both a hidden history of the most fertile period ever for screen comedy and a celebration of some of the most popular films of all time. Praise for Wild and Crazy Guys “Eminently readable . . . Children of the 1980s, take note: this is a fond, engrossing look back at the making of movies that became cultural touchstones.”—Booklist (starred review) “Nick de Semlyen smartly charts the pinballing career paths of the stars of this new comic wave. . . . His punchy, nonstop narrative . . . tells a [story] where art and commerce smash hard against each other, sometimes causing destruction, but sometimes making sparks fly.”—The Sunday Times (UK)
Theobald Maske has an unusual problem: his wife's underpants won't stay on. One Sunday morning they fall to her ankles right in the middle of town--a public scandal! Mortified, Theo swears to keep her at home until she can find some less unruly undies. Amid this chaos he's trying to rent a room in their flat. The prospective lodgers have some underlying surprises of their own. In The Underpants, Steve Martin brings his comic genius and sophisticated literary style to Carl Sternheim's classic 1910 farce, Die Hose. His hilarious new version was staged by Artistic Director Barry Edelstein, and opened in March '02 on Off-Broadway to critical acclaim.
Getting to school has never been quite this difficult--or hilarious. Celebrated writer and performer Steve Martin and dynamic artist C. F. Payne (illustrator of John Lithgow's children's books) have teamed up to tell a story of the adventure, danger, and laughs of the journey to school. Enclosed with the book is a CD of Martin on banjo and vocals, singing the book's story with a bluegrass twist. Undoubtedly a new classic for readers of all ages, Late to School is the perfect gift to be read--and listened to--again and again.
Jimmy Fallon is very thankful. And in this first book to come from his TV show, he expresses his gratitude for everything from the light bulb he's too lazy to replace to the F12 button on his computer's keyboard. He thanks microbreweries for making his alcoholism seem like a neat hobby. He thanks the name "Lloyd" for having two L's. Otherwise it would just sound like "Loyd." He thanks the slow-moving family walking in front of him on the sidewalk. Without this "barricade of idiots," he might never have been forced to walk in the street and risk getting hit by a car in order to get around them. He's thankful to you, the person reading this right now. It means you're considering buying this book. You should do it. You will be thankful that you did.
Lacey Yeager is young, captivating, and ambitious enough to take the NYC art world by storm. Groomed at Sotheby's and hungry to keep climbing the social and career ladders put before her, Lacey charms men and women, old and young, rich and even richer with her magnetic charisma and liveliness. Her ascension to the highest tiers of the city parallel the soaring heights--and, at times, the dark lows--of the art world and the country from the late 1990s through today.