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Chapter: The Birth Story of Temiya, or of the Dumb Cripple This is the first complete English translation in over a century of the ten great j taka tales covering the Bodhisatta's final adventures in the human realm before his ultimate life and enlightenment as the Buddha. Introductory comments to each story provide background and analysis. A general introduction explores themes and the stories' role in Buddhist art and practice. Color images show the stories' centrality in the Buddhist visual landscape of Southeast Asia.These definitive new translations reestablish the stories as ancient literary treasures of South Asia. Readers will be delighted by their magic and intrigue, philosophical insight, and deep roots in the religious and cultural world of the Buddha.
When my concentrated mind was purified; I directed it to the knowledge of the recollection of past lives’ —The Buddha on the night of his enlightenment Associated with the living traditions of folk tale; drama and epic; the Jatakas recount the development of the Bodhisatta—the being destined to become the present Buddha in his final life—not just through the events of one lifetime but of hundreds. Written in Pali; the language of the Theravada Buddhist canon; the Jatakas comprise one of the largest and oldest collections of stories in the world dating from the fifth century BCE to the third century CE. Generations in South and South-East Asia have grown up with these tales. This volume contains twenty-six stories drawn from various ancient sources; and each story reflects one of the ten perfections—giving; restraint; renunciation; wisdom; strength; acceptance; truthfulness; resolve; loving kindness and equanimity. A detailed introduction elaborates on the ten perfections; explains the forms of enlightenment as well as the structure; and the historical and geographical contexts of the stories. Sarah Shaw brings to life the teachings of Buddhism for the scholar and lay reader alike.
This is the first complete English translation in over a century of the ten great jātaka tales covering the Bodhisatta's final adventures in the human realm before his ultimate life and enlightenment as the Buddha. Introductory comments to each story provide background and analysis. A general introduction explores themes and the stories' role in Buddhist art and practice. Color images show the stories' centrality in the Buddhist visual landscape of Southeast Asia.These definitive new translations reestablish the stories as ancient literary treasures of South Asia. Readers will be delighted by their magic and intrigue, philosophical insight, and deep roots in the religious and cultural world of the Buddha.
Jataka stories (stories about the previous births of the Buddha) are very popular in Theravada Buddhist countries, where they are found in both canonical texts and later compositions and collections, and are commonly used in sermons, children's books, plays, poetry, temple illustrations, rituals and festivals. Whilst at first glance many of the stories look like common fables or folktales, Buddhist tradition tells us that the stories illustrate the gradual path to perfection exemplified by the Buddha in his previous births, when he was a bodhisatta (buddha-to-be). Jataka stories have had a long and colourful history, closely intertwined with the development of doctrines about the Buddha, the path to buddhahood, and how Buddhists should behave now the Buddha is no more. This book explores the shifting role of the stories in Buddhist doctrine, practice, and creative expression, finally placing this integral Buddhist genre back in the centre of scholarly understandings of the religion.
"This lavishly illustrated book investigates an outstanding eighteenth-century example of a samut khoi, a type of beautiful folding book found in Southeast Asia, which became particularly popular as a repository for the Buddha's teachings. Written in Pali and produced in the Kingdom of Siam, its finely executed pictures, painted on khoi paper, show key incidents from stories of the past lives of the Buddha as he prepares for Buddhahood. These tales, historically one of the principal means whereby Buddhist teachings were communicated, known as Jatakas, are a favourite theme for manuscript art. Uniquely for such manuscripts, however, this samut khoi also offers an extensive series of scenes from the last life of the Buddha, including his final awakening and teaching, which is distinctive to the region. These related narratives all contribute to a superb example of eighteenth-century manuscript and calligraphic art. As well as affording great artistic opportunities for expressing the beauty of the Buddha's words and achievements, samut khois are repositories for popular chants and short distillations of doctrine. This book describes the context to this unusually rich expression of Thai Buddhist creativity and, in retelling the stories depicted, reveals the continued appeal of its closely related art and narrative traditions." -- Publisher's description.
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