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When Roman junior senator Decius Caecilius Metellus the Younger has a chance to join a diplomatic mission to Alexandria, he welcomes the opportunity to temporarily elude his enemies in the Eternal City-even though it means leaving his beloved Rome. Decius is just beginning to enjoy the outpost's many exotic pleasures when the suspicious death of an irascible philosopher occurs, coinciding with the puzzling and apocalyptic ravings of a charismatic cult leader. Intrigued, Decius requests and is given permission by the Egyptian Pharaoh to investigate the heinous crime. What he discovers is beyond shocking. And when the corpse of a famous courtesan mysteriously turns up in his bed, Decius suddenly finds himself entangled in a web of conspiracy far more widespread and dangerous than he ever imagined-one that threatens to bring about the downfall of the entire Empire.
In the Odes, Horace writes of his own work, “I have built a monument more enduring than bronze,”—a striking metaphor that hints at how the poetry and built environment of ancient Rome are inextricably linked. This fascinating work of original scholarship makes the precise and detailed argument that painted illustrations of the Trojan War, both public and private, were a collective visual resource for selected works of Virgil, Horace, and Propertius. Carefully researched and skillfully reasoned, the author’s claims are bold and innovative, offering a strong interpretation of the relationship between Roman visual culture and literature that will deepen modern readings of Augustan poets. The Museum of Augustus first provides a comprehensive reconstruction of paintings from the remaining fragments of the cycle of Trojan frescoes that once decorated the Temple of Apollo in Pompeii. It then finds the echoes of these paintings in the Augustan-dated Portico of Philippus, now destroyed, which was itself a renovation of Rome’s de facto temple of the Muses—in other words, a museum, both in displaying art and offering a meeting place for poets. It next examines the responses of the Augustan poets to the decorative program of this monument that was intimately connected with their own literary aspirations. The book concludes by looking at the way Horace in the Odes and Virgil in the Georgics both conceptualized their poetic projects as temples to rival the museum of Augustus.
Decius Caecilius Metellus is happy. The weather is beautiful and he is standing for office (literally; standing, in the Roman Forum soliciting votes) with a sure chance of winning. And Caesar's ongoing dreary war is far off in Gaul. Decius is confident that another war looming over Rome, instigated by one Crassus against the Parthians (for no reason but possible worldly gain); will be voted down in the Senate. But the vote does not stop Crassus. On the day he and his troops set out from Rome, the Tribune Ateius Capitus, leader of the opposition, shrieks an ancient and terrible curse over the huge crowd assembled -- a curse that frightens not only the man in the street but the highest Romans. When Ateius is murdered soon after, Decius, solver of past mysteries, has the ugly task of finding the killer. Fascinating details of Rome's mixed attitudes about the power of magic and the practice of rational politics illuminate this latest of Roberts's strong historical mysteries.
From prize-winning historical novelist Louise Allen, this book presents nine walks through both the London Jane Austen knew and the London of her novels! Follow in Jane's footsteps to her publisher's doorstep and the Prince Regent's vanished palace, see where she stayed when she was correcting proofs of Sense and Sensibility and accompany her on a shopping expedition – and afterwards to the theatre. In modern London the walker can still visit the church where Lydia Bennett married Wickham, stroll with Elinor Dashwood in Kensington Palace Gardens or imagine they follow Jane's naval officer brothers as they stride down Whitehall to the Admiralty. From well-known landmarks to hidden corners, these walks reveal a lost London that can still come alive in vivid detail for the curious visitor, who will discover eighteenth-century chop houses, elegant squares, sinister prisons, bustling city streets and exclusive gentlemen's clubs amongst innumerable other Austen-esque delights.