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Anthology of a selection of early modern works on memory.
*WINNER OF THE T. S. ELIOT PRIZE 2015* *WINNER OF THE SUNDAY TIMES / PETERS FRASER + DUNLOP YOUNG WRITER OF THE YEAR AWARD 2015* *SHORTLISTED FOR THE FORWARD PRIZE FOR BEST FIRST COLLECTION 2015* There is a Chinese proverb that says: ‘It is more profitable to raise geese than daughters.’ But geese, like daughters, know the obligation to return home. In her exquisite first collection, Sarah Howe explores a dual heritage, journeying back to Hong Kong in search of her roots. With extraordinary range and power, the poems build into a meditation on hybridity, intermarriage and love – what meaning we find in the world, in art, and in each other. Crossing the bounds of time, race and language, this is an enthralling exploration of self and place, of migration and inheritance, and introduces an unmistakable new voice in British poetry.
A book of poetic essays written in English, Kahlil Gibran's The Prophet is full of religious inspirations. With the twelve illustrations drawn by the author himself, the book took more than eleven years to be formulated and perfected and is Gibran's best-known work. It represents the height of his literary career as he came to be noted as ‘the Bard of Washington Street.’ Captivating and vivified with feeling, The Prophet has been translated into forty languages throughout the world, and is considered the most widely read book of the twentieth century. Its first edition of 1300 copies sold out within a month.
This book is the crowning achievement of the remarkable scholar D. Dennis Hudson, bringing together the results of a lifetime of interdisciplinary study of south Indian Hinduism. The book is a finely detailed examination of a virtually unstudied Tamil Hindu temple, the Vaikuntha Perumal (ca. 770 C.E.). Hudson offers a sustained reading of the temple as a coherent, organized, minutely conceptualized mandala. Its iconography and structure can be understood in the light of a ten-stanza poem by the Alvar poet Tirumangai, and of the Bhagavata Purana and other major religious texts, even as it in turn illuminates the meanings of those texts. Hudson takes the reader step by step on a tour of the temple, telling the stories suggested by each of the 56 sculpted panels and showing how their relationship to one another brings out layers of meaning. He correlates the stories with stages in the spiritual growth of the king through the complex rituals that formed a crucial dimension of the religion. The result is a tapestry of interpretation that brings to life the richness of spiritual understanding embodied in the temple. Hudson's underlying assumption is that the temple itself constitutes a summa theologica for the Pancharatra doctrines in the Bhagavata tradition centered on Krishna as it had developed through the eighth century. This tradition was already ancient and had spread widely across South Asia and into Southeast Asia. By interweaving history with artistic, liturgical, and textual interpretation, Hudson makes a remarkable contribution to our understanding of an Indian religious and cultural tradition.
These two volumes list late-and mid-Victorian poets, with brief biographical information and bibliographical details of published works. The major strength of the works is the 'discovery' of very many minor poets and their work, unrecorded elsewhere.
The story revolves about how the people meet each other at different phases of life and how they grow together and enjoy the small pleasures of life. It takes the reader through various stages of life from childhood to old age, from a village life through international travels, from hardships to luxury and choiceswe make in life. It revolves around island life and the pleasures of enjoying nature, at its best and being prepared for the fury of nature. It covers various occasions to celebrate and leaves behind important points to take away from each occasion.
New Poetry
Perhaps no declaration incites more theological and moral outrage than a human's claim to be divine. Those who make this claim in ancient Jewish and Christian mythology are typically represented as the most hubristic and dangerous tyrants. Their horrible punishments are predictable and still serve as morality tales in religious communities today. But not all self-deifiers are saddled with pride and fated to fall. Some who claimed divinity stated a simple and direct truth. Though reviled on earth, misunderstood, and even killed, they received vindication and rose to the stars. This book tells the stories of six self-deifiers in their historical, social, and ideological contexts. In the history of interpretation, the initial three figures have been demonized as cosmic rebels: the first human Adam, Lucifer (later identified with Satan), and Yaldabaoth in gnostic mythology. By contrast, the final three have served as positive models for deification and divine favor: Jesus in the gospel of John, Simon of Samaria, and Allogenes in the Nag Hammadi library. In the end, the line separating demonization from deification is dangerously thin, drawn as it is by the unsteady hand of human valuation.