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This collection of studies had its origin in the Burdick-Vary Symposium of 1986, held at the University of Wisconsin-Madison. The symposium, sponsored jointly by the Institute for Research in the Humanities and the Hebrew Department of the University of Wisconsin-Madison, focused on the topic of the social role of temples in society. Participants presented the role of the temple in Sumer, Japan, the Far East, the Near East, Europe, and Meso-America. Together they sought to determine whether the temple as an institution was a single such entity, meeting fundamental human needs in similar ways throughout history, or whether the temples of various cultures are similar only in the fact that English uses the same word to refer to them.
Despite the prominence of ancient temples in the landscape of Egypt, books about them are surprisingly rare; this new and essential publication from a prominent Czech scholar answers the need for a study that goes beyond temple architecture to examine the spiritual, economic and political aspects of these specific institutions and the dominant roles they played. Miroslav Verner presents a deeper and more complex study of major ancient Egyptian religious centers, their principal temples, their rise and decline, their religious doctrines, cults, rituals, feasts, and mysteries. Also discussed are the various categories of priests, the organization of the priesthood, and its daily services and customs. Each chapter offers the reader essential and up-to-date information about temple complexes and the history of their archaeological exploration, in the context of the spiritual dimension and cultural legacy of ancient Egypt.
How popular theater, including blackface characters, reflected and influenced attitudes toward race, the slave trade, and ideas of liberty in early America. Jenna M. Gibbs explores the world of theatrical and related print production on both sides of the Atlantic in an age of remarkable political and social change. Her deeply researched study of working-class and middling entertainment covers the period of the American Revolution through the first half of the nineteenth century, examining controversies over the place of black people in the Anglo-American moral imagination. Taking a transatlantic and nearly century-long view, Performing the Temple of Liberty draws on a wide range of performed texts as well as ephemera—broadsides, ballads, and cartoons—and traces changes in white racial attitudes. Gibbs asks how popular entertainment incorporated and helped define concepts of liberty, natural rights, the nature of blackness, and the evils of slavery while also generating widespread acceptance, in America and in Great Britain, of blackface performance as a form of racial ridicule. Readers follow the migration of theatrical texts, images, and performers between London and Philadelphia. The story is not flattering to either the United States or Great Britain. Gibbs's account demonstrates how British portrayals of Africans ran to the sympathetic and to a definition of liberty that produced slave manumission in 1833 yet reflected an increasingly racialized sense of cultural superiority. On the American stage, the treatment of blacks devolved into a denigrating, patronizing view embedded both in blackface burlesque and in the idea of "Liberty," the figure of the white goddess. Performing the Temple of Liberty will appeal to readers across disciplinary lines of history, literature, theater history, and culture studies. Scholars and students interested in slavery and abolition, British and American politics and culture, and Atlantic history will also take an interest in this provocative work.
This book uncovers the early Jewish, Scottish, and Stuart sources of "ancient" Cabalistic Freemasonry. Drawing on architectural, technological, political, and religious documents, it provides the historical context for Masonic traditions of visionary Temple building and mystical fraternity.
Destroyed nearly 2000 years ago, the Temple of Jerusalem—cultural memory, symbol, and site—remains one of the most powerful, and most contested, buildings in the world. This structure, imagined and re-imagined, reconsidered and reinterpreted over two millennia, emerges in all its historical, cultural, and religious significance in this account.
Introductory matters -- Temple construction -- Temple personnel -- Temple income -- Temple expenses -- Temple as "bank" -- Concluding matters.
In this magisterial two-volume book, Pier Luigi Tucci offers a comprehensive examination of one of the key complexes of Ancient Rome, the Temple of Peace. Based on archival research and an architectural survey, his research sheds new light on the medieval, Renaissance, and Baroque transformations of the basilica, and the later restorations of the complex. Volume 1 focuses on the foundation of the complex under Vespasian until its restoration under Septimius Severus and challenges the accepted views about the ancient building. Volume 2 begins with the remodelling of the library hall and the construction of the rotunda complex, and examines the dedication of the Christian Basilica of SS Cosmas and Damian. Of interest to scholars in a range of topics, The Temple of Peace in Rome crosses the boundaries between classics, archaeology, history of architecture, and art history, through Late Antiquity, the Middle Ages, and the early modern period.
Winner of the 2021 CLA Book Award presented by the College Language Association Black Cultural Mythology retrieves the concept of "mythology" from its Black Arts Movement origins and broadens its scope to illuminate the relationship between legacies of heroic survival, cultural memory, and creative production in the African diaspora. Christel N. Temple comprehensively surveys more than two hundred years of figures, moments, ideas, and canonical works by such visionaries as Maria Stewart, Richard Wright, Colson Whitehead, and Edwidge Danticat to map an expansive yet broadly overlooked intellectual tradition of Black cultural mythology and to provide a new conceptual framework for analyzing this tradition. In so doing, she at once reorients and stabilizes the emergent field of Africana cultural memory studies, while also staging a much broader intervention by challenging scholars across disciplines—from literary and cultural studies, history, sociology, and beyond—to embrace a more organic vocabulary to articulate the vitality of the inheritance of survival.
This book is the first in more than a decade to provide new information on the Chavin phenomenon of ancient Peru. Thought by some to be the "Mother Culture" of ancient Peruvian cultures, Chavin is remarkable for its baroque, sophisticated art style in a variety of media, including finely carved stone monuments, beautifully formed pottery, and magnificent and complex metallurgy. Also, the textiles from Chavin are incredibly innovative, both iconographically and structurally. They, in fact, form the foundation for the later Andean textile evolution. Chapters in this book cover new interpretations of the history of the site of Chavin de Huantar, studies of related cultures, the role of shamanism, and many other topics of interest to specialists and the general reader, alike.
This Book Presents A Valuable Collection Of Essays Written Over A Period Of Forty Years During The Author`S Illustrious Career As A Distinguished Art-Historian And Archaeologist. These Articles Were Originally Published In Various National And International Journals, Volumes And Seminar Proceedings. They Cover A Wide Range Of Topics, Such As Temple-Architecture, Iconography, Folk Culture, Art And Other Aspects Of History And Culture Of India And South-East Asia.