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"The V&A has the world's most important collection of nineteenth-century temple hangings from South India, but only one of the smaller pieces has ever been published. For the first time these amazing objects have been documented and made public. The hangings are of two main types: large narrative pieces from Andhra Pradesh which tell stories from the Ramayana, the exploits of Krishna or tales connected with South Indian deities, and smaller pieces from Tamil Nadu. A single extraordinary Ramayana hanging from Sri Lanka is also included. All of the pieces are illustrated in their entirety, along with ample details that highlight the remarkable skill and regional styles of the narrative artists. Each piece is accompanied by a brief summary of its story, but the full 'frame-by-frame' narrative is described in a separate illustrated catalogue section. This detailed section will also provide translations of all the Telugu and Tamil inscriptions that accompany the narratives, translated especially for this project. As well as the description of the pieces themselves, there will be a general introduction about how such pieces were used and their regional stylistic variations, and a chapter on technique and how they fit into the broader picture of Indian textiles, by V&A curator Rosemary Crill."--from V&A website.
The V&A has the world's most important collection of nineteenth-century temple hangings from South India, but only one of the smaller pieces has ever been published. For the first time these amazing objects are documented and made public here. The hangings are of two main types: large narrative pieces from Andhra Pradesh which tell stories from the Ramayana, the exploits of Krishna or tales connected with South Indian deities, and smaller pieces from Tamil Nadu. A single extraordinary Ramayana hanging from Sri Lanka is also included. All of the pieces are illustrated in their entirety, along with copious details that highlight the remarkable skill and regional styles of the narrative artists. Each is accompanied by a brief summary of its story, but the full 'frame-by-frame' narrative is described in a separate illustrated catalogue section. This will also provide translations of all the Telugu and Tamil inscriptions that accompany the narratives, translated especially for this book. As well as the description of the works themselves, there is a general introduction about how they were used and their regional stylistic variations and a chapter on technique and how they fit into the broader picture of Indian textiles, by V&A curator Rosemary Crill.
A gorgeously illustrated goodnight story that celebrates the nighttime rituals of two young children visiting their grandparents in India. As nighttime falls over the city, two children visiting their grandparents in India find there's so much fun to be had! Whether it's listening to epic stories or observing rituals in the puja room, there are many moments that make this time together special. In this beautiful, rhyming ode to bedtime, the only thing more universal than getting ready for bed and saying goodnight is the love between children and their grandparents. "Nadia Salomon’s Goodnight Ganesha reminds readers that saying goodnight is both universal and unique and that all children deserve bedtime books that reflect their experiences and culture." --Hallee Adelman, author of My Quiet Ship "A pair of parallel poems, both steeped in references to India and Hinduism, form this stunningly illustrated tribute to family rituals [with] gorgeous, classically stylized art. Contemporary Hindu families will love the culturally specific details, while cultural outsiders will appreciate the universality of a bedtime routine." —Booklist
Tourism is one of the most dynamic and challenging industries across the globe. Since tourism is a multi-dimensional service industry, it becomes a responsibility of national and local governments, private sectors and voluntary organizations to make it more sustainable and responsible for minimizing negative environmental, social and cultural impacts and generating greater economic benefits for local residents. Moreover, it has become an immediate need to conserve natural and cultural heritage for the maintenance of the world’s diversity. The present anthology, divided into three sections and comprising 16 chapters, addresses the need of sustainable and responsible tourism. It provides vibrant insights into the latest trends and practices followed in the industry for the sustenance of tourism. The book emphasizes the potential of tourism in upgrading national economy and social well-being of host communities. Besides, it focuses on the areas of important concerns which require critical attention, such as visitor impact management, tourism destination management, community involvement for tourism sustenance and the threat of climatic change on biodiversity and tourist destination. The book also guides readers towards new horizons of tourism arena related to sustainability and responsible tourism practices. This book will be of great interest to the students of hospitality and tourism management. Besides, it will prove to be of great use to policy makers, stakeholders, tourism educators and researchers.
George Michell provides a pioneering and richly illustrated introduction to the architecture, sculpture and painting of Southern India under the Vijayanagara empire and the states that succeeded it. This period, encompassing some four hundred years, from the fourteenth to the eighteenth century, was endowed with an abundance of religious and royal monuments which remain as testimonies to the history and ideology behind their evolution. The author evaluates the legacy of this artistic heritage, describing and illustrating buildings, sculptures and paintings that have never been published before. In a previously neglected area of art history, the author presents an original and much-needed reassessment.
A richly illustrated history of textiles in the Mughal Empire In the sixteenth and seventeenth centuries, a vast array of textiles circulated throughout the Mughal Empire. Made from rare fibers and crafted using virtuosic techniques, these exquisite objects animated early modern experience, from the intimate, sensory pleasure of garments to the monumentality of imperial tents. The Art of Cloth in Mughal India tells the story of textiles crafted and collected across South Asia and beyond, illuminating how cloth participated in political negotiations, social conversations, and the shared seasonal rhythms of the year. Drawing on small-scale paintings, popular poetry, chronicle histories, and royal inventory records, Sylvia Houghteling charts the travels of textiles from the Mughal imperial court to the kingdoms of Rajasthan, the Deccan sultanates, and the British Isles. She shows how the “art of cloth” encompassed both the making of textiles as well as their creative uses. Houghteling asks what cloth made its wearers feel, how it acted in space, and what images and memories it conjured in the mind. She reveals how woven objects began to evoke the natural environment, convey political and personal meaning, and span the distance between faraway people and places. Beautifully illustrated, The Art of Cloth in Mughal India offers an incomparable account of the aesthetics and techniques of cloth and cloth making and the ways that textiles shaped the social, political, religious, and aesthetic life of early modern South Asia.